How a Simpson episode is made Part 11: The mysterious Korean animation studio | Luis' Illustrated Blog

How a Simpson episode is made Part 11: The mysterious Korean animation studio

THE SIMPSONS NEWS – The mysterious Korean animation studio

Simpsons quote:

For once the Indian has been outsourced.” — Apu

In the far east there is a mysterious country, known only to us westerners through myths and legends, by the name of, “South Korea.”  There, mystical people known as “the Koreans”, magically make animated cartoons come to life.

No one really knows how it is done. But it is said, it has something to do with mystic arts, known only to them (and the people they outsource to).

So far, in this series, I’ve covered the creation of the show (in Part 1), Storyboarding (in Part 2), the design process (in Part 3), the story reel (Part 4), the viewing of the story reel (in Part 5), Storyboard Revisions (in Part 6), Character Layout (in Part 7),  Timing (in Part 8),  Directing (in Part 9), and Scene Planning (in Part 10).

This week, I’ll tell you EVERYTHING I know about what goes on in The Simpson Korean animation studio. Which is to say, you will learn practically nothing.

I wasn’t lying about the Korean studio being mysterious. I haven’t got the slightest clue what happens there.

So why am I writing this post?

Because it’s part of the process and I need to address it.  Also, so you can see how it looks like from my point of view.

So what do I know?

Just a handful of things, so here I go:

What I Know

There are two studios in Korea that animate the shows. One is given the odd number shows, and one is given the even number shows.

Shows are assigned directors who supervise the animation.  We speculate that there are “A” quality animators and “B” and “C” quality animators.  Mostly because some animation comes back incredibly well done, and others, not so much.

I know that they still work on paper and they are very good at what they do.

We know they have a budget and they make sure to stay under budget as best they can.

We know they are really good at what they do. They are artists in there own right. They deserve our respect, and that David Silverman thinks very highly of them.

I also know that it sometimes annoys them that we turn in such tight drawings.  They are perfectly capable of putting things on model if we simply turned in roughs to them.

That’s it. That all I know about our Korean animation studio.

Taking a Closer Look at Some Korean Animation Studios

In order not to leave you simply with that. I though I’d post some videos that show the quality of artists and animators that Korea has. This ought to lift the veil of mystery a bit.

Here we have, SEOUL SESSIONS: Episode 2- “The Foreign Exchange” . This is a video about an American artist, Lesean Thomas, who decided to go to Korea and work at an animation studio. It’s fantastic. Check it out:

YouTube Preview Image

THE LEGEND OF KORRA is, hands down, on of my favorite animated cartoons. The Korean animation studio that animated the show for Nickelodeon, Studio Mir, made a behind the scenes video, promoting themselves.

It’s really great, it give you a sneak peek at what these great artists do:

YouTube Preview Image

Here we have a demo reel of key animation from Korean animator Jung Hye Young for THE LEGEND OF KORRA:

YouTube Preview Image

And another one. This time it’s Korean key animation from director In Seung Choi for THE LEGEND OF KORRA:

YouTube Preview Image

Okay, that’s all I got. I hope that these videos did more to open your eyes about what goes on in the Korean animation studios than what I give you above.   The Korean artists are some very talented folks.

That’s it’ from me.

In this week’s e-mail, I tell a little anecdote about what happened when the head of the Korean studio came over to visit ours.

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ART – New Superhero vs Superhero drawings

I haven’t posted any of these in a looong time.  So here’s a few.

What is this? My friends and I take comic characters from different companies who either looked a lot alike, where of the same archetype, or who had similar names and draw them in some sort of fight or conflict.

I have a whole SUPERHERO VERSUS SUPERHERO blog page dedicated to this.

Here are the new ones my friends and I came up with:

Tommy did his version of Dr. Fate (DC comics) vs. Dr. Strange (Marvel Comics). To find out why they fight go to the SUPERHERO VERSUS SUPERHERO page and read it there. I drew a version of this too.

Here’s an odd one. Captain America (Marvel Comics) vs. Wonder Woman (DC comics). According to Tommy, they fight because they are both star spangled World War II character archetypes.

My contribution is a drawing I’d done for a charity. Batman (DC comics) vs. Iron Man (Marvel Comics) . They fight because they’re both rich playboy superheroes that us gadgets to fight crime.

 

I’ve been wanting to do a version of this one myself. Paul drew this one. It’s Darkseid (DC comics) vs. Thanos (Marvel Comics) . They fight because they’re THE cosmic evil overlords in their respective universes.  Both are super powerful bad guys that superheroes have to team up to fight. And they kinda look similar.

 

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7 Comments

  1. Zartok-35 says:

    Hello, Mr. Escobar!
    These are some very interesting videos. Studio Mir looks like a very neat place! I haven’t seen ‘Legend of Korra’, but I think I have to check it out. Apparently that’s where Colin Heck works now.
    We have another one of your episodes up for discussion! One of your earlier episodes, back when you worked for Swinton Scott. ‘And Maggie makes 3′:
    http://www.nohomers.net/showthread.php?97702-NHC-Weekly-Episode-Club-v3-0-This-Week-And-Maggie-Makes-Three/page33&p=2980420#post2980420
    They really like the ending of this episode. What did you think?

    • Luis says:

      Alright, finally got some time to look at the link.
      Okay so, I LOVE Swinton and LOVE working for him. He’s the nicest guy on the planet. It also helps that he gave me a box of old comics about two years ago.

      Anyway, this was a real great crew to be on. We were working with some, soon to be superstars. Chris Roman went off to become a Pixar storyboard artist and Tony became a character designer and development artist at Dreamworks.

      Ely, is still one of the best Simpsons artists in the studio and is a good friend. He’s now an A.D. For Matt Scholfield.

      So as far as your guesses, some are, unfortunately, wrong. I did the fantasy sequence with all the fighting. I was really into it too and it went on for much longer. Most of it was cut in the final version and I still have the scenes that got cut. Swinton gave them to me when the episode ended.

      I also did A LOT of revisions on most of the scenes you posted on the site. I don’t think I did any of the scenes you attributed to me. They don’t ring a bell, but some of the other ones do.

      I remember doing the baby Maggie scenes in the hospital with Marge and Homer.

      When working on this show, I was slowly getting better and I hadn’t reached the point in my drawings where I was doing my best work. Lot’s of drawing mistakes on my part led to Pete having to redraw some of my stuff.

      • Luis says:

        OH! and I did the sperm sequence and Ely did the Homer doing the sperm wiggle thing.

        Ely also did the Homer using Burns head as a bongo drum. I remember because he was having so much fun with it that he kept showing it to people.

        And I drew the “Do it for her” shot and drew all those pictures of Maggie.

      • Zartok-35 says:

        Sorry I got your scenes wrong. Homer’s eyes did seem a bit small for what you usually draw, and the birth scene looks more like your work on the Sherry Bobbins episode. Maybe these scenes are by Howy Parkins. You should be very proud of your terrorist fighting scenes.
        These corrections are great, I’ll be sure to edit my post! Thanks very much.

  2. Robbie says:

    Hi Luis,

    Thanks for your email. Just wanted to ask one more follow up question. You said that the drawings are done on the computer. Is this software custom or is it off the shelf software I can take a look at?

    Thanks,
    Robbie

    • Luis says:

      Thank you for asking this in the comments section. I think this will be helpful for everyone to know.

      Where currently using two ToonBoom programs. One is Storyboard Pro 2, which you can’t purchase yet, but you can purchase Storyboard Pro.

      The other is a program call Scene Machine, which can’t be purchased either but I suppose you can use their other animation program (Animate) to get a similar result.

      Here’s a link to Toon Boom and their products:
      http://beta.toonboom.com/professionals

      I will say that I’ve heard a lot of good things about Digicel Flipbook. We used it here for a while to shoot tests. It’s a cheaper alternative to the programs we use. You might give it a try if you simply want to experiment:

      http://www.digicelinc.com/flipbook.htm

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