Luis' Illustrated Blog

Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
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Monthly Archives: April 2008

Back in Hiatus again, the Expelled movie review, Orphan Works bill news.

April 24, 2008 in CATHOLICISM, Copyright Protections, Creationism, Intelligent Design, MOVIES, PHILOSOPHY, THE SIMPSONS NEWS

THE SIMPSONS NEWS

 

So last Friday the crew got an unpleasant surprise. We were all told that Friday, April 25th was going to be everyones last day. We’re all going on hiatus again. Just as we thought, thing were returning to normal, we all get the boot all over again. Why?

 

Well, it seems that the contract for the voice actors on the show has expired and new contracts need to be negotiated. This has absolutely NOTHING to do with the Screen Actors Guild. This is purely a Simpsons thing. The voice actors on the show have been negotiating their contract for the last two and a half weeks so far. The thing is, we can’t go on with any of the show until this is settled. Ever since the writer’s strike happened, we haven’t really gotten a chance to catch up to the schedule we needed to get to. This means that we don’t have any surplus of shows with voices already recorded, and so we have no work.

 

Overall, this is bad news. Whenever the negotiations are done, we all still have to wait until a month afterwards to be called back into work since the shows need to have time to be storyboarded. So if the negotiations take a month, we’re going to be out for at least two. If the negotiations take a two months, we’re going to be out for three..etc. Not only that, but if for some reason, when the Screen Actors Guild starts negotiating actor’s contracts in a month or so, and if they decide (God forbid) to go on strike for whatever reason, the Simpsons voice actors will also go on strike. Which would, of course, effect us all over again.

 

Man, what lousy bunch of months to be working in this studio. I don’t think I’ve ever been through anything like this in the last sixteen years I’ve been working here.

 

I wasn’t prepared for this situation. My savings haven’t had a chance to recuperate from the last break. There are a few circumstances that at least make this situation a bit better than last time. One is that my wife is working which means that we have a little bit of income coming in. This will help out a lot, but unfortunately, what she makes, is not nearly enough to pay all our bills. After all, she is only working part time. The second good circumstance is the fact that, since this is only effecting the Simpsons show, I could potentially find work at another show if I need to. Problem with that is, I might get a pay cut if I move to another show.

 

In any case, I’m back to worrying all over again. I suppose I just need to roll with the punches and feel my way through this one. I have options this time around, I just need to make the right decisions. Change is always scary.

 

MOVIES

So Alesha really wanted to see the Expelled movie I wrote about two weeks ago. She was really intrigued by the idea of the movie and wanted to see what it had to say. So we went to see it this weekend. It wasn’t what I thought it would be and I enjoyed the movie. To my surprise, it was NOT about Creationism, it was actually about Intelligent Design Theory (as I’ve stated in my post two weeks ago, they are not the same thing and this movie shows the clear difference). I learned a few things from it as well. My wife and I became an instant fan of the scientist in France that was interviewed because he was so darn smart and witty. My wife looovved it. She agreed with just about all it had to say. I personally didn’t, but I liked in non the less. I would recommend you watch it, because it opens up very interesting discussions topics.

 

Having said that, I will say that it was a very emotionally manipulative movie and I, for one, was distracted by that. It was difficult for me to try to find the structure of the argumentation being put forth. Mainly do to my awareness of the negative and positive imagery (with accompanying music) that was placed on the screen, that was there in order to get an emotional reaction to what was being said. It was annoying me greatly. This is a trick also used in Michael Moore documentaries and it annoyed me in them also.

 

I thought that the movie could have benefited greatly from some more clear evidence outside the personal testimony of the “victims”, since often times a victim of an apparent injustice believes themselves victimized for one a reason but in truth there might not have been an injustice at all. I thought the movie could have provided more evidence in each person’s case so that there would be no doubt as to why they were treated the way they were.

 

In the end, the movie had the potential to change my mind on the whole idea of teaching Intelligent Design in schools, but it failed. I personally think that the scientific data clearly points to an intelligent designer. I believe that this designer is God. I’ve read plenty of books by great thinkers that have come to these conclusions through out the centuries, some using science to prove their point while others used pure reason and common experience. Non of these brilliant people (Socrates, Aristotle, Aquinas, Anselm, John Duns Scotus, Blaise Pascal, C.S. Lewis…etc) thought that their conclusions where scientific but they did believe them to be true. The Intelligent Design theory, seems to just want to point out that the universe seems to be intelligently designed, but wants to leave out the “by what or who?” question unanswered (just like the theory of Evolution). That seems kinda of a silly thing to do since the only answer to the question is either “Aliens did it,” or “God did it”. Since natural science is far to limited to be able to deal with the Supernatural it can never give the answer, I would like to hear, namely, “God”.

 

Once upon a time, most scientists believed in God (perhaps they still do). Many of these scientists (if not the majority of these scientists) were priests. These scientist saw intelligent design in nature and it often propelled them to investigated further into nature in order to see how God created things and what laws He had written into nature. The thing about these scientists, is that they never pretended to conclude that their belief in God was a scientific conclusion but rather a logical one based on common sense. Why must it be different now? Why must Intelligent Design be a scientific theory rather than a logical one based on common sense?

 

My wife and I had a rational discussion

 

CATHOLICISM

So the Pope came to visit and I was excited. Unfortunately I made the mistake of going to the regular TV news channels to give me info on what was going on. Instead of getting news all I got is complaining and criticism of the Pope, and he hadn’t even landed yet. I wanted the news not Pope bashing. After about a day of this, I just went to the EWTN website and watched the visit through their eyes. It was a relief to be able to watch the visit without having to filter through all the negativity. I liked that they went out of their way to actually discuss what the Pope was saying rather than spin it into something bad or complain about what he didn’t say.

 

catholicism-in-the-media.jpg
COPYRIGHT PROTECTION

 

Alright, so do you remember that copyright bill I wrote about in my last post? Well on Monday I got this e-mail from the group that was keeping an eye out for it. This is how it went:

 

FROM THE ILLUSTRATORS’ PARTNERSHIP

 

Today the House and Senate sent us draft copies of the new Orphan Works Act of 2008. They haven’t officially released it yet, but we’ve been told the Senate will do so this week. A quick analysis confirms our worst fears and our early warnings. If these proposals are enacted into law, all the work you have ever done or will do could be orphaned and exposed to commercial infringement from the moment you create it.

 

You’ve probably already heard Mark Simon’s webcast interview with Brad Holland. If not, please listen to it at:

http://www.sellyourtvconceptnow.com/orphan.html. <http://www.sellyourtvconceptnow.com/orphan.html>

 

Then forget the spin you’ve heard from backers of this bill. This radical proposal, now pending before Congress, could cost you your past and future copyrights.

 

The Illustrators’ Partnership is currently working with our attorney – in concert with the other 12 groups in the American Society of Illustrators Partnership to have our voices – and yours – heard in Congress. We’ll keep you posted regarding how you can do your part.

 

Please forward this information to every creative person and group you know. Mr. Holland and Mr. Simon have given their permission for this audio file to be copied and transferred and replayed.

 

For additional information about Orphan Works developments, go to the IPA Orphan Works Resource Page for Artists

http://www.illustratorspartnership.org/01_topics/article.php?searchterm=00185

 

If you received our mail as a forwarded message, and wish to be added to our mailing list, email us at: illustratorspartnership@cnymail.com

Place “Add Name” in the subject line, and provide your name and the email address you want used in the message area.

 

 

Today I got this one:

 

FROM THE ILLUSTRATORS’ PARTNERSHIP

 

The Orphan Works Act of 2008 will be officially released momentarily.

 

The language in the draft confirms our warnings. If this bill passes, you’ll be forced to clear all your secondary licensing rights through at least two government certified databases – or risk orphaning your art.

 

Despite its masquerade as the “last resort” to search for a rights owner, these databases will likely become the only source many users will rely on for finding a rights owner. Reason: it will give users the legal right to infringe any copyright not in the databases.

 

We’re working with our attorney now to prepare opposition letters.

 

We have contracted CapWiz, a service that will allow you to send these letters to Congress with a push of the button.

 

CapWiz will also provide us with “digital stickers” that anyone else – organizations, individual artists, blogs, etc. – can put on their sites that create a direct link to the command center to write their Congressman and Senators to defeat this radical change to U.S. Copyright law

 

Please stay tuned and we’ll tell you in a day or so what you can do to register your opposition.

 

For additional background on Orphan Works, go to the IPA Orphan Works Resource Page for Artists

http://www.illustratorspartnership.org/01_topics/article.php?searchterm=00185

 

If you received our mail as a forwarded message, and wish to be added to our mailing list, email us at: illustratorspartnership@cnymail.com

Place “Add Name” in the subject line, and provide your name and the email address you want used in the message area.

 

Sounds bad. It’ll be time to do something soon. Better get ready. I’ll keep you posted.

 

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Alesha writes about The Second Philosophy (a.k.a Natural Science)

April 17, 2008 in ALESHA'S THOUGHTS, Copyright Protections, Creationism, H.P. LOVECRAFT, Intelligent Design, PHILOSOPHY, THE SIMPSONS NEWS


THE SIMPSON NEWS

We’re behind in a big way with or show and the pressure is mounting. The producers are getting pressure which means WE are getting a lot of pressure. We were suppose to be done last Friday, but the show is way too complicated and there were too many outside complications for us to meet that deadline. All art MUST be finished in two weeks. Hope we can make it.

My scenes consist of drawing an imploding building. It’s a huge pain. Very technical.

Small intro to Alesha’s thoughts

So my wife had, as she puts it, “a knee-jerk reaction” to what I posted last week about Intelligent Design and science. She then decided to tell me why. I thought what she said made a lot of sense, so I asked her to write it down so I could post it here and she agreed to do it, so here it is:

ALESHA’S THOUGHTS

The Second Philosophy

If Plato had a firm grasp on metaphysics, i.e. the “first philosophy,” then Aristotle certainly had a strong hand in the second philosophy—known to us today as natural science. The root word for science, scientia, means knowledge. Acquired knowledge of the material world and its laws through observation and experimentation encompasses branches of science such as biology and chemistry.

Knowledge of the material world is important—vital, even. Whether it’s discovering the cause and cure of a disease, how and why the seasons change, or even the nature of our own bodies—these are done through the different branches of science which provide us with a deposit of knowledge which we can both draw upon and improve. The scientific method itself starts us off with asking a question and forming a hypothesis (and doing research and eventually testing our hypothesis) before analyzing and drawing conclusions with the data.

If science has delivered us so many good things, if its methods and practice have been worked upon for so many years, why then did I have this knee-jerk reaction when I read Luis’ latest discussion topic when he said Intelligent Design was justifiably barred from the science classroom on the grounds that it resides outside the realm or capacity of natural science?

Far be it from me to provide the definitive answer that would end this debate. I’ll leave that to the great scientists, philosophers, and philosopher-scientists. These are just my thoughts, and since dear husband has already committed me to writing this piece let’s get this going.

I readily admit that Intelligent Design is philosophical in nature. But isn’t any hypothesis or theory philosophical in nature to one extent or another? Note that in the scientific method, the data collected means nothing unless the scientist interprets or makes inferences concerning what she has before her. At worst a hypothesis is a mere guess, and at best it’s a proposition set forth as an explanation of phenomena in light of established facts.

So the great question is, “What is the cause of the phenomena of life and the existence of the material world?” (So this Great Question is innately an Origin of Life question, but bear with me, because I think it has implications for evolution). Can this question be answered through the scientific method? We can certainly observe the physical world and the people, plants and animals that live therein, but how will using the scientific method tell us what is the cause or origin for all this?

It can’t. No matter what, the original abiogenetic or prebiotic world we weren’t here to see cannot be tested or observed. Yes, we experiment with models created by scientists, but then, these are models created by scientists. The reason why I bring in origin of life is because if this foundation is not there, then how does one explain evolution? We had to evolve from somewhere, and since our existence is not infinite there must be a starting point or origin for us. Micro evolution (evolution within species) and Macro evolution (evolution above/beyond species) are both fascinating, but I think both include hypotheses and interpretations that carry philosophical presuppositions on the origin of life, among other things.

This is why Luis pointed out science’s limitations; it relies on observation and the gathering of empirical evidence, and since (as the saying goes) “you can’t put God in a test tube,” there is no way to work Intelligent Design theories into science. But what about working the concept of natural selection into science?

Natural selection is the reason as to why, say for example, the finches on the Galapagos islands (a la Origin of Species) varied anatomically. But why must there be natural selection? The finches with the longer beaks had no imperative to adapt to their environment. If they survived, then they survived and if they died then they died. There is no purpose or grand plan in passing on those genetic traits to the next generation even though we are told that nature “selected” or somehow ensured that this would be the case.

Well, what if we were to say that survival itself is the great imperative? Still, it would be begging the question: “the species survives because it was naturally selected to survive. It was selected to survive because it had to survive.” Aside from our emotional and psychological attachment to the idea of living—and living as long as possible if we can help it—there is no reason or imperative (in this context) for living things to go on living. According to the backdrop of evolution, we are here because we are here. So why do we care if we’re here today and gone tomorrow? Humankind has given meaning to existence, we have drawn the conclusion that life is worth living and death or nonexistence is undesirable. Natural selection, I think, is the philosophical answer as to why we evolve and why survival appears to be imperative. And if you can offer this philosophical answer, then why not another? Say, like, Intelligent Design? I’m not poo-pooing evolution; as Luis mentioned, it does not necessarily conflict with Catholicism. However, I’m rather asserting the philosophical nature of some of the evolution theory’s concepts and hypotheses and by extension questioning why can’t other concepts and hypotheses also be studied and discussed.

I do not deny that we can observe and analyze the wonderful and interesting adaptations and modifications organisms take on. But the moment we say it’s because of x, y, or z—we’re hypothesizing…we’re doing philosophy. Nature itself doesn’t give reasons; it doesn’t have to. We are the ones who give explanations and reasons because we are the ones concerned with knowledge and truth. This is why natural scientia is the Second Philosophy. This isn’t a bad thing, because as Plato and Aristotle taught us, there are all kinds of knowledge to be had and different ways of acquiring these. The first philosophy is just as valid and important as the second.

My reaction to Alesha’s thoughts

Isn’t she great? I love my wife. She rocks. Yay!

COPYRIGHT PROTECTION

My friend Bill Ho was practically spamming the comments section of last weeks post to trying to get me to check out something important that MIGHT mess around, in a bad way, with Copyright laws in the U.S.A. around June. There was a bill awhile back called The Orphan Works Bill. It’s purpose is to free up old artwork and material that is not being claimed by anyone so that it could be put in museums or libraries for public use, which is a very good thing. Unfortunately the bill went further than that. It would have made it so ALL artwork, photographs, music, sketches, 3D models, became public domain in the U.S.. Even the stuff that was already copyrighted (which would have meant you needed to copyright it again). The bill would have meant, if you want to own the artwork you’d done (even in the margins of a notebook) you would have to pay a registers office in order to hold the rights to it. As the law is written right now, you own your artwork the moment you create it. This bill would have changed all that. Luckily it did not get through and didn’t become law. Unfortunately for us a new bill is being written up right now by the same people that may or may not do something similar. We can’t know for sure but we need to keep an eye out for it. Especially since the bill is going to come out suspiciously late into the voting processes, which means that we will have very little time to react to it (if it’s a bad bill) before it’s put before congress.

I read an article that, speculates what MIGHT be on the bill and shows the potential danger it MIGHT be, if it’s anything like the original bill. Here’s an excerpt from the article:

Photos on the internet could be orphaned. With tens of millions of photos shared online with services like Flickr, Shutterfly and Snapfish, there is a huge opportunity for unauthorized use of your photos… legally.

You could see photos you take of your family and kids, or of a family vacation, used in a magazine or newspaper without your permission or payment to you. You would have to pay to register your photos, all of them, in every new registry in order to protect them. Say the average person takes 300 photos per year (I take a lot more than that). If a registry only charges $5 per image, that is a whopping $1,500 to protect your photos that are protected automatically under the current laws. If there are three registries, protecting your images could cost an amazing $4,500. Not to mention the time it would take to register every photo you take. Plus, you will also have to place your copyright sign on every photo.

That’s not including all your art, sketches, paintings, 3D models, animations, etc. Do you really have all that extra time and money? Plus, even if you do register, the people stealing your work can still claim it was orphaned and, unless you fight them, they win. Even if you win, you may not make back your legal fees.

It gets even better. Anyone can submit images, including your images. They would then be excused from any liability for infringement (also known as THEFT) unless the legitimate rights owner (you) responds within a certain period of time to grant or deny permission to use your work.

That means you will also have to look through every image in every registry all the time to make sure someone is not stealing and registering your art. You could actually end up illegally using your own artwork if someone else registers it. DOES ANYONE SEE A PROBLEM WITH THIS?

For the full article, Click Here.

For access to two podcast interviews about this subject, Click here.

I think it’s important for us to be keep an eye out for this bill so that if it turns out as bad as the last one, we could fight it.

H.P. LOVECRAFT

Speaking of public domain…So I was just doodling this week. I felt like drawing a picture of a “Lovecraftian” monster. In other words, I felt like drawing a picture of a monster that was invented by the pulp writer H.P. Lovecraft, who invented an “open universe” for the mythology he invented. “An “open universe” means anyone can write in it using his myth without really needing his permission. He did this so his friends (like Robert E. Howard, inventor of Conan the Cimmerian) could incorporate his mythology in their stories and in so doing, make his myth a little more believable.

Lovecraft‘s Mythology is a lot of fun. It’s often called the Cthulhu Mythos in honor of the main monster in his short story, The Call of Cthulhu. It’s a horror mythos and it’s creepy and spooky and the “gods” in it make great monstrous bad guys. There have been many movies that have been inspired by H.P. Lovecraft‘s mythology, Hellboy, Evil Dead 1 and 2, Army of Darkness, Re-animator, The Thing, to name a few. If you’ve seen any of these movies, you’ve been exposed to Lovecraft’s Mythology.

Anyway, so there I was, wanting to draw something “Lovecraftian” and I wanted to draw it cute. Mostly because all the “Lovecraftian” monsters are so evil and horrid that drawing them cute would make a good contrast. It’s been done before but I wanted to give it a try myself. I didn’t want to draw Cthulhu because EVERYONE draws him so I thought I’d look and see what else I could do. I’ve heard the name of a “Lovecraftian” god name Yog-Sothoth and after looking him up and reading about him, I thought I’d draw him. So I did, and here is my drawing:

 

yog-sothoth.jpg

If you like my drawing or are a Lovecraft fan and you want to buy a poster of it, let me know and I’ll see what I can do to make some.

 

 

 

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Creationism, Intelligent Design, Science, Cosmology, Philosophy and True Knowledge

April 10, 2008 in Creationism, Intelligent Design, PHILOSOPHY, THE SIMPSONS NEWS

THE SIMPSONS NEWS

What a surprise, it looks like we are behind on the show as always. *being sarcastic here, obviously* It’s getting closer to the deadline and we have a long way to go. It’s hard to know what to do when this happens. On the one had I can speed up, but when I do that, I make bigger mistakes and my work isn’t as good. On the other hand, I want to do a good job and make as few mistakes as I can and that usually means working a little slower. I guess the trick is, to find the right balance.

I managed to finish the train scenes from last week and as a reward, I got much more complicated versions of similar scenes. More trains, more cars, more technical camera movement. It’s fine though. I don’t mind. It’s a nice brake from always drawing characters and I’m looking forward to them.

I’m very inspired by Japanese cartoons (anime) that have giant robots or other complicated cool looking machines which are drawn by hand. They, almost always, look amazing and I’m in awe of the artists that draw them. Drawing cars and trains is the closest I get to doing that. When I see the complicated machines in anime I think to myself, if they can draw those complicated machines as good as that, surely I can attempt to draw the machines I have, just as good. So I sit at my desk and pretend I’m a Japanese animator working on anime and suddenly, drawing machines is fun.

PHILOSOPHY

At work, the topic of Evolution came up. By Evolution I mean, a process whereby life arose from nonliving matter and subsequently developed entirely by natural means. We also talked about Creationism, by which I mean, a religious belief that humanity, life, the Earth, and the universe were created in their original form by God literally as it happened in the book of Genesis, without need for Evolution. These topics came up in reference to an upcoming documentary called Expelled: No Intelligence Allowed. Here’s the trailer for it:

http://www.youtube.com/watch?v=xGCxbhGaVfE

I find it odd, as a Catholic, that Creationists don’t do what many Catholics do and allow for the possibility of evolution being part of the intelligent design processes. By Intelligent Design I mean, the assertion that certain features of the universe and of living things are best explained by an intelligent cause, not an undirected process such as natural selection.  As Catholics we must believe in Intelligent Design but not necessarily in Creationism (although if we wish to, that’s allowed as well, though I’ve never seen it encouraged). For more info on this topic see The Catechism of the Catholic Church, paragraphs 279-324. On the other hand, I find it annoying that everyone tends to get all up in arms if someone questions the Evolutionary theory. After all, it’s still a theory. In fact, there is a very controversial book written by a Catholic Biochemistry Professor,  Michael J. Behe by the name of Darwin’s Black Box that does exactly that. It questions Evolution. On the one hand, scientists have noted that the contents of the book is not science (with good reason. I think they are right, it’s not science. I explain myself more below). On the other hand it does bring up good arguments that blatantly show how far the Evolutionary theory has to go before it could be proven factual. Understandably, since the book claims to be scientific, it has outraged the scientific community.

Creationists want Creationism and/or Intelligent Design to be taught in science classes (to a Creationist, Intelligent Design and Creationism are often synonymous, even though they are not). I don’t think that’s a good idea. Not because they are not valid systems of thought but because they go beyond the limitations of science. They are Cosmology. By Cosmology I mean, “the branch of philosophy and metaphysics that deals with the world as the totality of all phenomena in space and time. It addresses questions about the Universe which are beyond the scope of science.” The Creationists and the proponents of Intelligent Design have their definitions mixed up. Personally I think that Intelligent Design (and even Creationism) should be taught in school, but in Philosophy classes not in a science classes. This, of course, requires that Philosophy be taught in school in the first place and it’s NOT. Cosmology, ontology, metaphysics, logic, rhetoric, ethics, should all be taught, why aren’t they? They used to be.

By definition Science mean, The investigation of natural phenomena through observation, theoretical explanation, and experimentation, or the knowledge produced by such investigation. Science makes use of the scientific method, which includes the careful observation of natural phenomena, the formulation of a hypothesis, the conducting of one or more experiments to test the hypothesis, and the drawing of a conclusion that confirms or modifies the hypothesis.. This means that science is limited to the material world and will only produce knowledge of the material because it only studies natural phenomena (as opposed to supernatural phenomena). It is utterly useless for proving immaterial things like: truth, beauty, wisdom, God…etc. because none of these things have any material form that a scientist can experiment on and test. So unless a proponent of, say, Intelligent Design, can physically produce the actual designer of the universe to be examined, he’s out of luck.

God enters the Room. Creationism, Intelligent Design proof, Science, Philosophy

This begs the question: If Creationism and Intelligent Design are Cosmological arguments, why are people trying to shove them into scientific debate? Because philosophy isn’t taught in school so people are trying somewhere to teach Cosmology. The solution, therefore would be to teach philosophy in schools.


I propose this answer to the question, because there is an erroneous idea, in just about all people’s minds, that scientific knowledge is the only kind of knowledge that counts. The moment you bring up philosophy, most people roll their eyes and don’t want anything to do with it. Either because they think it’s too complicated to understand, or because they think that it brings forth no true certainty and therefore has no practical use, or because they believe that philosophy holds no true knowledge, only mere opinion. Ironically, these points of view are philosophical in nature, showing how easy and practical it is to adhere to a philosophical view point.

Where did these points of view come from? Philosophers of course. Which ones? Well according to Dr. Mortimer J. Adler, they came from Hume and Kant. The following is a long excerpt from Dr. Adler‘s book, Ten Philosophical Mistakes. I copied down a large chunk of his argument because I think it’s a really important, critical topic to discuss. I wanted to really hit home the problem we modern people have when thinking about knowledge when it comes to philosophy and science, as well as show how the problem can be solved. Dr. Adler here, will first site a quote from Hume and then he will proceed to analyze it:

This brings [Hume] to his thundering conclusion in the last paragraph of the Enquiry:

“When we run over our libraries, persuaded of these principles, what havoc must we make? If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matters of fact and existence? No. Commit it then to flames: for it can contain nothing but sophistry and illusion.”

Before we continue, I can’t help but interrupt. After reading Hume‘s statement, I’ve noticed that it doesn’t contain any abstract reasoning concerning quantity or number nor does it contain any experimental reasoning concerning matter of fact and existence, therefore by Hume‘s own criteria, we must commit his statement to the flames: for it is nothing but sophistry and illusion. Way to contradict yourself Hume (Sorry, I kept reading the statement over and over and I had to point that out because it was bugging me). Okay, now back to Dr. Adler‘s analysis of Hume’s statement:

The line that divides what deserves to be honored and respected as genuine knowledge from what should be dismissed as mere opinion (or worse, as sophistry and illusion) is determined by two criteria. (1) It is knowledge and can be called science if it deals solely with abstractions and involves no judgments about matters of fact or real existence. Here we have mathematics and , together with it, the science of logic. (2) It is knowledge, if it deals with particular facts, as history and geography do, or with general facts as physics and chemistry do.

In both cases, it is knowledge only to the extent that it is based upon experimental reasoning, involving empirical investigations of the kind that occur in laboratories and observatories, or methodical investigations of the kind conducted by historians and geographers.

What did Hume exclude from the realm of Knowledge? Even though he refers to what he calls “natural Philosophy,” which in his century was identical with what we have come to call physical science, his intention was to reject as sophistry and illusion, or at least as mere opinion, what in antiquity and in the Middle Ages was traditional philosophy, including here a philosophy of nature, or physics that is not experimental and does not rely on empirical investigations, as well as metaphysics and philosophical theology.

This view of knowledge and opinion comes down to us in the nineteenth and twentieth centuries in the form of a doctrine that has been variously called positivism or scientism. The word positivism derives its meaning from the fact that the experimental or investigative sciences, and other bodies of knowledge, such as history, that rely upon investigation and research, came to be called positive sciences.

Positivism, then, is the view that the only genuine knowledge of reality or of the world of observable phenomena (i.e., matters of fact and existence) is to be found in the positive sciences. Mathematics and logic are also genuine knowledge, but they are not knowledge of the world of observable phenomena, or of matters of fact and real existence. The twentieth-century form of scientism or positivism thus came to be called “ logical positivism.”

Here we have one facet of the mistake about knowledge and opinion, the other facet of which is to be found in Immanuel Kant’s Critique of Pure Reason. The latter is by far the more serious and the more far-reaching in its consequences.

He then goes on to explain the three errors Kant made in trying to fix some of Hume‘s ideas. The worst of which being, the substitution of idealism for realism. In other words since what we observe and take into our minds is not reality but a picture of reality, and since we “idealize” it once it’s in our mind, what we know is an ideal not the real.

Dr. Adler then goes on to solve the problem:

Let us return to the focal point for the this discussion—the distinction between knowledge and mere opinion. On the one hand, we have self-evident truths that have certitude and incorrigibility; and we also have truths that are still subject to doubt but that are supported by evidence and reasons to a degree that puts them beyond reasonable doubt or at the least gives them predominance over contrary views. All else is mere opinion—with no claim to being knowledge or having any hold on truth.

There is no question that the finding and conclusions of historical research are knowledge in this sense; no question that the findings and conclusion of the experimental or empirical sciences, both natural and social, are knowledge in this sense.

As contrasted with such knowledge, which is knowledge of reality or, as Hume would say, knowledge of matter of fact and real existence, mathematics and logic are also knowledge, but not of reality. They do not depend upon investigative research for their finds and conclusions.

The question that remains to be answered is the one that, in my judgment, Hume and Kant answered erroneously, an answer that has persisted in various forms down to our own day. Where does speculative or theoretical philosophy (by which I mean philosophical physics, metaphysics, and philosophical theology) stand in this picture? Is it mere opinion or is it genuine knowledge, knowledge that, like the empirical sciences, is knowledge of reality?—-

—-In the first place, what has been overlooked is the distinction between common and special experience.

Dr. Adler then goes to define common experience as, that which all people experience everyday without really looking to experience it. While special experience is the kind of experience that a scientist might get in a lab through experimentation. He then continues:

With this distinction in mind, between special and common experience, between experience resulting from investigation efforts and experience enjoyed without such efforts, we can distinguish between modes of knowledge that, while depending on experience as well as upon reflective thought, rely on different types of experience.

Mathematics is a case in point. Mathematical research is carried on mainly by reflective and analytical thought, but it also relies on some experience—the common experience that all human being have. Mathematicians do not engage in empirical investigation. They need no special data of observation. Mathematics can be called an armchair science, and yet some experience—the common experience of mankind—lies behind the reflective and analytical thought in which the mathematician engages.

Speculative or theoretical philosophy, like mathematics, is a body of knowledge that can be produced in an armchair or at a desk. The only experience that the philosopher needs for the development of his theories or the support of his conclusions is the common experience of mankind. Reflecting on such experience and proceeding by means of rational analysis and argument, the philosopher reaches conclusions in a manner that resembles the procedure of the mathematician, not that of the empirical scientist.

However, we must not fail to note one important difference, a difference that aligns the theoretical philosopher with the empirical scientist rather than with the mathematician. Unlike mathematics, but like empirical science, theoretical philosophy claims to be knowledge of reality.

In the light of what has just been said, we can divide the sphere of knowledge into (1) bodies of knowledge that are methodically investigative and (2) bodies of knowledge that are noninvestigative and that employ only common, not special, experience. To the first group belong history, geography, and all the empirical sciences, both natural and social. To the second group belong mathematics, logic, and theoretical philosophy.

If the division is made in terms of whether the body of knowledge claims to have a hold on truth about reality, then theoretical philosophy, even though it is noninvestigative in method, belongs with history, geography, and the empirical sciences.

Each of these disciplines, according to its distinctive character, has a method peculiarly its own and , according to limitations of that method, can answer only certain questions, not others. The kind of questions that philosopher or the mathematician can answer without any empirical investigation whatsoever cannot be answered by the empirical scientist, and, conversely, the kind of questions that the scientist can answer by his methods of investigation cannot be answered by the philosopher or the mathematician.

Dr. Adler wrote, that a man by the name of Sir Karl Popper said there was only one line of demarcation between knowledge and mere opinion which was: falsifiability by empirical evidence, by observed phenomena. An opinion, a view, a theory, that cannot be thus falsified is not knowledge, but mere opinion, neither true nor false in any objective sense of those terms. But Dr. Adler believes there are more lines of demarcation:

Another is refutability by rational argument. The only irrefutable truths we possess are the very few self-evident propositions that have certitude, finality, incorrigibility. Since our knowledge of reality, whether scientific or philosophical, does not consist exclusively of self-evident truths nor does it consist of conclusions demonstrated to be true, scientific and philosophical theories or conclusions must be refutable in three ways.

One way is falsification by experience which produces evidence contrary to the evidence that has been employed to support the opinion that claims to be true and to have the status of knowledge. A second way is by rational argument, which advances reasons that correct and replace the reasons advanced to support the opinion that claims to be true and have the status of knowledge. The third way is a combination of the first and the second—new and better evidence, together with new and better reasons for holding a view contrary to the one that has been refuted.

Opinion that cannot be refuted in one or another of theses three ways are not knowledge, but mere opinion.

Were this not so, this book would be fraudulent in its claim to point out philosophical mistakes and to correct them by offering evidence and reasons to expose their errors. Nor could we replace them with views that are true or more nearly true.

If philosophy were mere opinion there would be no philosophical mistakes, erroneous views, false doctrines. There would be no way of substituting views or doctrines more nearly true because they employed insights and appealed to distinctions that for one reason or another were not in the possession of those who made the mistakes.

All this just to say that a good philosophical argument can put forth as true a knowledge as Science. Which leads me to say something to the small group of Creationist and the Intelligent Design proponent that are really loud and are making all the other Creationist and Intelligent Design proponents look bad; stop forcing the enormity of Metaphysical Cosmology into the tiny hole of science. Science can only show proofs of the material, not the immaterial. Use Philosophy instead. That’s what it’s good at, that’s what it’s for. It’s okay to use science as your data base, just don’t call your conclusions scientific. They may be true, they just aren’t scientific.

To the small group of scientists who by being loud about their mocking of advocates of Intelligent Design, make the entirety of the scientific community look bad, I would like to say, stop assuming that you hold a monopoly on the only means of gathering truth. That truth exists, that truth is rational, that it’s understandable and that it can be taught, are the foundations of science itself and yet these are philosophical propositions that can’t be proven scientifically, but must be proven by good rational argument. Which is what the proponents of Intelligent Design are trying to do, only sometimes in a misguided way.

*EDIT: And by the way, until there is empirical scientific proof that Evolution is true, rather than just the inferring that its true based on scientific data, the Evolutionary theory is also a Cosmological, philosophical conclusion, not a scientific one.*

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Thoughts on The Hobbit Movie

April 3, 2008 in MOVIES, The Hobbit, THE SIMPSONS NEWS

THE SIMPSONS NEWS

Been doing some scenes lately that are really mechanical. What I mean by that is, I’ve been drawing trains. Think The French Connection. I’m really surprised how into it I am. I’m really enjoying it. Time passes really fast when I’m drawing them. Only thing is. I’m going really slow and I’m not going to meet quota this week at all.

 

MOVIES (The Hobbit)

(EDIT: An update to this post has been put up here: The Hobbit Movie news. Are you Geek enough for D&D 4th edition? Artists go to Washington to fight Orphan Bill.)

A few months back, I listened to my unabridged audio version of The Hobbit on CD. When I listened to it, I was paying closer attention to the story to see if I could picture how a movie version of the book would work. Personally, I looovvee Tolkien‘s books. I like The Silmarillion, The Hobbit, and The Lord of the Rings trilogy, but that doesn’t mean that I blind myself to some of the clunky elements in the books that won’t translate well into a movie format. As far a translating The Hobbit into a movie, the book is very very clunky. It has a very big problem. The climax of the book isn’t what you expected the climax to be. My conclusion after I listened to the entire book was that it would make a lousy movie. At least if they stayed true to the way Tolkien wrote it.

 

If you haven’t read the books, I will warn you right now that the following paragraphs may contain spoilers. Although, I try to not give anything away.

 

Okay, so I’m going to try to explain why I think The Hobbit needs some mayor tweaking if it’s going to be made into a movie. For starters, the way the main plot of the story is presented, it seems like it’s the story about a bunch of Dwarves and a Hobbit who are going to steal back their gold from a dragon. This causes the reader to believe that at some point the dragon will, somehow, be slain by these guys and they will get the treasure, The End. That’s the superficial impression you get when you read the story for the first time but the book doesn’t end that way. After the death of that dragon a whole different story starts that seems like it has nothing to do with the original point of the book.

 

The thing is, the story Tolkien is trying to tell is much deeper than it seems at first. Truth is, the dragon guarding the treasure is not the dragon that’s supposed to be slain. If fact the dragon dies in a really anticlimactic way. As the reader, your like,

 

“That’s it? That’s how he dies? That’s really kinda lame. I expected more. Okay then, the story is over, time to put the book down. But there’s still a lot of book left, what the heck is going on here?” That’s when Crazy Tolkien fan steps out from behind a bush, with arms on his hips and says,

 

“Foolish mortal! That’s not what the story is actually about! HAH ha ha ha haaa! The story is actually about GREED. The dragon is merely the external symbol of the greed that will begin to manifest itself inside all the characters that know of the treasure and believe they are entitled to it.” Yes, I’m afraid that Crazy Tolkien fan is right. The story is not about the dragon protecting the treasure but it’s about the greed the treasure causes in the first place. The treasure is a little bit like the One Ring but unlike The Ring, it does not have any evil in it. It’s just something so overwhelmingly beautiful and wonderful, that it causes, even good people, to want to have some of it. Problem is, if you don’t know this, and you set the story up to be a “get the treasure from the dragon” story you will mislead the audience and they will be left scratching their heads. So what to do?

 

Set it up from the beginning. Make sure to show that the people who are going after the treasure may very well be going after it for more than just “their right” to have it. Perhaps even show in a flashback, how desire for it had caused greed to show it’s ugly head before. As long as there is some clues or some foreshadowing of where the story might be headed as far as the greed for the treasure is concerned, there shouldn’t be too big a problem. It’s something Tolkien might have done a bit better in his book.

 

Part of the way the film makers are already trying to fix the fact that the book seems to be two different stories, is the fact that they are going to make two films out of it. This is a really good idea since the book itself seems to be two different stories put together, in spite of the fact that one story, stems from the other.

 

I think that the filmmakers might split the story as follows: The first movie will be about the Dwarves and Bilbo the Hobbit journeying to the Lonely Mountain to get the treasure from the dragon ending with the death of the dragon and the obtaining of the treasure. The Second movie will be about the conflict that happens, once the treasure is obtained. The second movie will have a great climax. There’s a big battle that occurs and it will probably be very dramatic if done right. Even though the writers will have a to fix a problem that I will write about in a second. The first movie SHOULD have a big climax as well, but as Tolkien wrote it won’t work, namely the death of the dragon. As I’ve written before, the dragon dies in a very anticlimactic way. The way Tolkien wrote it, he introduces this heroic guy in the later part of the book, and about three chapters later, he kills the dragon. The characters that we’ve been reading about for pages and pages have very little to do with the death of the dragon. Sure, if it wasn’t from a message from Bilbo to this heroic guy, the dragon could not be defeated, but there is still no emotional connection between the reader and this heroic guy that was introduces only a few chapters before, making the death of the dragon feel a little cheap and almost a little like Deus ex machina. The solution then, is to introduce this guy, earlier in the story. Give this guy a parallel storyline that goes on at the same time as the Dwarves’ and Hobbit’s storyline. That way, by the time the characters meet and help each other beat the dragon, the audience will feel more connected to the heroic guy and it won’t seem so much like Deus ex machina.

 

Doing this, will also help the problem with the second movie climax, which is that by the time we get to the big battle at the end of the book, we need heroes to root for in the battle. We need to see those heroes during the battle so we have a point of interest within the battle, otherwise the battle will be kinda dull. So we have the Dwarves in the battle, and the Heroic guy as well that we could relate to (Bilbo kinda gets knocked out and doesn’t really do much). We also have Legolas in the battle…wait…Legolas? YES, Legolas! It’s perfect. The Wood Elves are in the battle as well. Legolas is a Wood Elf. Elves are immortal, so Legolas could actually be there looking exactly the same as he did in the other movies. Why wouldn’t the elves bring their best warriors? Wouldn’t Legolas be one of them? Heck, he can even make a cameo in the first movie as well, when the Dwarves meet up with the Wood Elves in Mirkwood. Had Tolkien written The Hobbit after The Lord of the Rings, he probably would have put Legolas in. In any case, it would be really cool for fans.

 

Oh, and just as a side note, I really hope they don’t have any talking animals in the movie. Animals talk in the book all the time, but in the movie universe, they don’t seem to and if they start talking in this movie, I think it will seem real “cheesy”.

 

Anyway that’s my two sense about how I think The Hobbit movie should go. What do you think?

 

peter-jackson-and-new-line-fight-over-the-hobbit.jpg

 

 

 

 


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This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

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