Luis' Illustrated Blog

Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
  • About me
  • Art, Stories & Comics by me
    • Illustrated trip to Italy
    • Superhero Versus Superhero
    • The Black Terror Kid #1
    • The Black Terror Kid #2
    • The Seven Impossible Tasks
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  • Making my Illustrated Film.
    • 04 Juggling overlapping art decisions
    • 05 Designing environments
    • 06 Composition and Design principles
    • 07 Why design from reality
    • 08 Adding tone to a thumbnail sketch
    • 09 From thumbnail to final line
    • 10 Tone, how to add it
    • 11 Finalizing and coloring a concept drawing
    • 12 Struggling: Finding the right poses.
    • 13 Coloring poses
    • 14 The teaser trailer
    • 15 Story Theory and throughlines
    • 01 Story concept and rough outline
    • 02 Finding a style
    • 03 Designing Antagonists
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Monthly Archives: January 2013

Developing a Unique Drawing Style.

January 31, 2013 in ART, BLOGS

Art – Developing a Unique Drawing Style.

Developing a Unique Drawing StyleThe Simpsons Quote:

Louie: It’s him all right. Should I shoot him gangland style or execution style?
Fat Tony: Listen to your heart.

Drawing styles is what separates artists from one another.  Even when some artists copy each others styles, they aren’t exactly the same.

Styles are important enough that artists are more or less successful, sometimes, on style alone.

So a lot of developing artists are in a HUGE rush to get one.  To find the style that will “make them somebody.”

I think this is the wrong way to think.  I think worrying about style is a waste of time.

Today, I’m going to be talking about drawing styles.

You can either watch the video or read what I’ve got to say below it.  It’s the same content. Go have  a look.

Also make sure to check out what you get if you opt in to receive e-mails this week by scrolling to the bottom of this first article.

And below that, there’s the chance to win some free books and gift certificates:

My Style

I think I have a style. I’m not sure, but I might. If I do, I didn’t develop it, create it, or go out of my way to make it.

As animators we’re not trained to have a style.  We’re not really supposed to have a style. We’re supposed to be chameleons of style.  We are trained to emulate ALL styles.

In the animation industry, I would even go so far as to say that, having a style might be a detriment.  I would say, that this might also be true with artists in general. If you only have one style, you’re shooting yourself in the foot.

Style Development

I think it’s better to be a good draftsman and draw well, then to have a style. What style actually is, is your favorite short hand solutions to drawing problems. It’s how you want to draw knees or faces…it’s the way you want to express certain things.

It’s something unique to you, and it just happens.

When you study a lot of academics, artists, and drawing solutions, the amalgam of all that work develops into your voice. Your style will develop without you trying hard.  It will just happen.

Style is just you’re go to solutions. That thing you always do.

People will say,

“You always make one eye bigger than the other. You always draw eyebrows like that,” and you’ll say,

“Because that’s what I like,” and that’s what’s going to end up happening.  Your style will begin to develop naturally.

Draftsmanship First

The problem is that the people who don’t know how to draw as good as they want, are the people that want to skip to style right away.

Develop your draftsmanship FIRST. Then you’re style will develop naturally. It will just happen, because you will develop short  hand solutions.

Mastery of All Styles

I would even go so far as to say, that even when you develop a style, break from it. Try other styles. Do other things. Try emulating other people’s styles. Be a style chameleon. Don’t be pigeon holed.

Be able to do any style. From realistic to cartoony.

For example, if you look at someone like Frank Frazetta, he has some very “realistic” paintings.  His style is very naturalistic.  That’s what everyone sees when you google him.  It’s these beautiful fantasy paintings:

frank frazetta fire and ice

The thing is, he was an incredible draftsman. Yet, he was also a fantastic cartoonist. He was able to draw the “Looney Tunes” style,  perfectly. You would have never guessed it was him if you saw them:

Cartoony Frank Frazetta

For more of these cartoony Frazetta comics, visit Sherm Cohen’s blog.

When I first saw his cartoony stuff, I thought to myself,

“That’s Frank Frazetta? Really? That’s fantastic!” I wouldn’t have known.

He was really really versatile. Style didn’t matter. His draftsmanship skills where so good, he could do anything.

THAT’S what you want.

The Handy Cap of Style

You don’t want to pigeon hole yourself into one style.  What happens when your style goes out of style? When no one wants “your style?”

Well, then you’re out of a job. You’re a one trick pony. Don’t do that to yourself.

Be a style chameleon. Be able to do draw anything in any style.  The only way to do this, is to really work at developing your draftsmanship skills and master drawing.

That’s what I would recommend when it comes to style.

Comments

So what do you think? Leave a comment. Did  you like what I said, do  you disagree?

Drawing a Limited Edition Serigraph Cel

This week, I sent off an e-mail where I tell the story behind the making of limited edition serigraph cel, along with the original art.

Interested?

Opt in below before next Thursday and I’ll send you the e-mail too.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


 

BLOGS – Addicted to Heroines

ATH+Blog+Tour+Banner

Win a free e-book.

Win a $10 iTunes gift cards

Win a $10 Amazon gift cards

Win a $5 Amazon gift card

Win hand-crafted artisan bookmarks by author Samantha Lafantasie (Heart Song)

All these possibilities and more, are brought to you by: a woman who takes on the weight of the world through her magical gift,  an empress who can inspire kings, a wizard spying against Nazi warlock vampires, a sword wielding, swash buckling, shape shifter, and The Grim Reaper’s novice.

My wife and her author friends want you to experience the fun and excitement that their books bring into your life. To this end, they are doing a “Blog Tour” starting (as of the time of this writing) TOMORROW.

Join them and enter to win the prizes above. But more importantly, see what fun reads these books are.

Who know, you might end up being ADDICTED TO HEROINES. (Sorry, I couldn’t help myself)

 

lost-kingHeart-SongTower's Alchemist Kindle coverReapers Novicehttp://www.dreamstime.com/-image2625189

 

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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You’re as Good an Artist as the Artist Friends you Hang Out With.

January 24, 2013 in ART

ART – You’re as Good an Artist as the Artist Friends you Hang Out With.

You're as Good an Artist as the Artist Friends you Hang Out WithSimpsons Quote:

Bart: I’m going to keep the Mary Worth phone right here. Her stern but sensible face will remind me never to do anything so stupid again.
(it rings and Bart answers it)

Milhouse: Hey Bart, you want to go play with that X-ray machine in the abandoned hospital?

Bart: Sure!

I don’t know who’s a worse influence, Bart on Milhouse, or Milhouse on Bart.

Jim Rohn once said:

“You are the average of the five people you spend the most time with.”

This isn’t an absolute statement, but the point is that you’re influenced either positively or negatively by the people you hang around most.

For artists this includes the artists or lack of artists you hang around with.  They influence your art and development.

In this week’s post I’m going to put forth the proposition that the better the artists you hang around with, the better your art will be.

You can either watch the video or read along below it. Either way, you’ll get the same information.

Make sure to check the final bit of the post to see what I sent off to my newsletter this week when you’re done. You don’t want to miss out:

My Friends

I tend to hang out with friends that are better artist than me. I think you want to do something similar.

Try to find a group of artists out there somehow, by creating a drawing group or something, and try to hang out with artists that are WAY better than you.  The kind of artists that, when you look at their art, they make you feel bad.

The kind you think you SHOULDN’T be hanging around.  Because that’s exactly the reason you should.

When you hang around friends that are better than you at drawing, they pull you up to their level. The fact that you’re around people who know more than you and are doing stuff that you aren’t will help you.

When you do this correctly, and aren’t allowing the fact that they’re better make you feel sorry for yourself. When you reverse those thoughts and you observe what you friends do, see what they’re doing that you’re not, ask them, trade notes, watch them draw, emulate…what they do will rub off on you. You WILL become better.

Fixing Your Drawing Flaws

For example, if you’re having trouble and you have a lot of flaws in your art, it will be easier for you to see it. It will be easier for you to see what you’re doing wrong.

You’re hanging around people doing such great work that it’s highlighting your flaws.  Step one is to see what you’re doing wrong.

DON’T let that bring you down though. You need that to elevate you.  Now that you know what you’re doing wrong, you can do something about it.

For example, it would be a great idea to, study what they’re doing and how they solve the problem.  See how they’re doing it.

But you also can take that opportunity to go to your drawing books (because we artists have a lot) and you sit down and study that thing. Since you’ve compared your stuff and seen what you need to work on, now you know exactly what you need to study.

By doing this, self study of the academics and seeing how you friends APPLY the academics, you can’t help but improve.

Pushing You to the Next Level

Surround yourself with better artists. Surround yourself with better art. Learn from them. Don’t let that get you down. Use it to drive you.

Don’t be the big fish in the small pond where you’re the best. There’s a danger that if you’re in that situation, you’ll cease trying.

I’ve got friends who are better than me who  hang out with guys who are better than they are. That elevates them.

I hang out with them because it elevates my work.

Find those groups. Look for those groups.

I’m not saying you should abandon the friends  you’ve already got. That’s just being a jerk. But find those people who will push you and take your stuff to the next level.

Doing This Already?

If you already do this, let me know. Leave a comment.  Tell me who the people are that you hang out with and what they do for you. How do they help you become a better artist?

Simpsons Star Wars Mash Up

In today newsletter I sent a Simpsons Star Wars mash up drawing. If you want to get a copy of this drawing, opt in before next Thursday and I’ll send it out especially to you.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


ART – Draw Fu Cover Art

Here’s the line art for the cover of my ART OF DRAW FU drawing book based on the info I wrote on TheDrawingWebsite.com.

Crouching Pen Grier

I had a lot of fun drawing it. I hope you like it.

I’m currently working on putting the book together. I’m hoping to have the book done by next month.  We’ll see how it goes.
If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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The Importance, for Artists, to Have a Good Teacher or Mentor.

January 17, 2013 in ART, PODCASTS

ART -The Importance, for Artists, to Have a Good Teacher or Mentor.

The Importance, for Artists, to Have a Good Teacher or Mentor

The Simpsons Quote:

Bleeding Gums Murphy: You know, you play pretty well for someone with no real problems.

Lisa: Yeah, but I don’t feel any better.

Bleeding Gums Murphy: The blues isn’t about feelin’ better. It’s about makin’ other people feel worse and makin’ a few bucks while you’re at it.

Bleeding Gums Murphy was Lisa Simpsons’ mentor.  He taught her more about her art.  How to think about it, what to do with it, how to improve upon it.

He died tragically of “script writer killed him off” syndrome.

There’s a lot of, up and coming artists, who sit around frustrated. Not knowing what they’re doing wrong or how to get past the wall they’ve hit.  There’s only so many things you can get from books.

Sometimes you just need someone to take a look at what you’re doing and guide you where you need to go.

Today I’m going to be writing about good teachers and mentors. Why you need one and how you might go about getting one.

You can either watch the video below or read along. It’s up to you.  The information is the same, either way.

That said, at the bottom of this post I introduce a new podcast I’m on so check it out when your done:

Mentors

I’ve had a lot of good teachers and mentors. I think it’s really important to find one or get one.

The reason I say this is, you can have all the academics down, all the theories, everything you need to know. You can learn them in books, videos and sources like that. But sometimes you need to have someone sit down with you and go over your work.

It’s critical to get that kind of feedback. You might think you’re applying the systems and academics correctly, when in fact, your not.

It helps to have someone look at your work and critique it.

Examples of Mentor-ship in Action

I have a few examples of this sort of thing here on the blog already. There was a post I wrote about making a painting breakthrough. I was studying painting. Trying to get my painting right, trying to get the theories to work, but I couldn’t do it. I couldn’t figure out what I was doing wrong.

Then my friend and mentor Paul Wee, came into my office and saw me in midst of despair. We had a conversation and he told me what I needed to do and why.

You can read all about it here:

Working on an episode without a Director. Finally a painting breakthrough! Tips on face rhythms, planes and tones.

I also wrote about, when I first started working on The Simpsons, my director guided me, critiqued me and taught me what I needed to do. It shows how much that helped and how much I grew.

You can read about that here:

How I Spent Hours in a Little Dark Room Chocking Matlock. Dante’s fractured arm

You need those kinds of experiences.

Mentors Force you to See Yourself

My first two seasons on The Simpsons, directors would just sit down and draw over my stuff…over and over and over. Yes, it’s brutal. You feel like you’re a total loser.

You thought you had it all figured out, until someone better than you started pointing out all your flaws. It’s tough.

But from that point on, you become aware, that there are things you need to think about that you never realized you needed to think about before. Suddenly you start seeing your work from the eyes of your mentor.

You start asking, “What would they say? What am I not doing?” this helps you improve and grow.

So I highly recommend getting yourself somebody.

How?

The Steps you Can Take to Get a Mentor

PAY somebody. I don’t know, whatever it takes. Maybe you can contact someone online. Maybe they can help you out and offer critique. Give you a little bit of pointers.

Maybe see if you meet up with them and they might give you a few pointers in exchange for some sort of compensation.

Or just find a friend who is WAY better than you.  I happen to have my friend Paul who is a bazillion times better than, just about everybody. I ask him question and he just sits down and helps out.

He does this because he’s a friend of mine BUT he also does it because he knows that it helps him. It helps him wrap his head around drawing. He actually learns more by helping me.  It solidifies and clarifies what he knows about drawing.

That would be my suggestion to you, if you want to improve yourself and improve your art.  It will show you all the ways you could improve that you would have never been aware of otherwise.

Leave a Comment

If this was helpful, leave a comment. Let me know what you got out of this.

Bart Playing Video Games

Opt in this week to receive a behind the scenes look at some Bart artwork I did for…well, I don’t know what it was for.  It’s some art of Bart playing a violent video game.

Also, and perhaps more importantly, opt in to TheDrawingWebsite.com newsletter. In that newsletter I give out, mentor-ish, tips on drawing for you to think about. You may ask me drawing question through it if you want also.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


PODCAST – The Corner Booth

So I’ve teamed up with my co-worker Chance Raspberry and my pal and animator Larry Whitaker to create The Corner Booth. It’s a podcast where we talk about the animation industry from the inside.

We’ll cover many topics and have guests from the industry on the show.

One of the unique things about this podcast is that some episodes are recorded during a live meet up at an ACTUAL corner booth.

As of the time of this writing we’ve got two episode out. One is on:

Having Confidence in Yourself and in Your Art

The other was the live meet up recording. The topic was:

Looney Tunes: Then and Now.

We recorded a promo for the show but, it took us like HOURS to get it. We couldn’t stop laughing and screwing it up. If fact, Chance took it upon himself to make a blooper reel.  It’s SUPER long:

Madness. Do you see what I’ve got to work with here?

If this looks like fun to you. Come join us at The Corner Booth.
For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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A Good Inexpensive Resource for Artists to Learn About Marketing

January 10, 2013 in BOOKS, THE SIMPSONS NEWS, VIDEOS

BOOKS – A Good Inexpensive Resource for Artists to Learn About Marketing

A Good Inexpensive Resource for Artists to Learn About Marketing

The Simpsons quote:

“OLD SPRINGFIELD LIBRARY WE HAVE BOOKS ABOUT TV” ~Banner at the library

How do you learn to market yourself as an artist? Being a marketer is such a different skill set than being an artist.

Even though this is true, it’s a learn-able skill.  Plenty of non artist have learned it, why can’t we?

The problem is, where to begin?  There are so many options.

Well, I have a suggestion. I have a low cost entry point to start learning this stuff in the form of a marketing book which I will share with you in this post.

So you can either watch the video or read the post.

(All links to the book below are affiliate links. I appreciate your support if you decide to buy the book and use the links to do so. Thank you.):

What We Do as Artist Online is Not Enough

I’ve been investing a lot of money learning marketing recently. One of the best resources that I’ve gotten for my money happens to be a book called, The Ultimate Marketing Plan: Target Your Audience! Get Out Your Message! Build Your Brand! by Dan Kennedy.

This is a really good book that helps you start wrapping your head around marketing.  It’s $15.00 but you can probably go the library and see if you can borrow it there.  This is really a low cost entry point to learning about this stuff.

There’s really a couple of thousand dollars of information in the book for $15.00 (or for free if you borrow it from the library). You really let a lot of info.

As artists we’re always putting our stuff online. We’re on Twitter, we’re on Facebook, DeviantArt, and we’ve got our own websites.  All these things are really good, BUT there’s a reason why we’re not getting more hits to our work. Why we’re often, not really making money off this stuff. There’s a reason why it’s not enough.

What’s In the Book

It’s because there’s a little bit more to it than that. A few things we’re not doing well.

The core of this book is this triangle:

Dan Kennedy's Marketing Triangle

Which defines marketing as:

Getting the right message to the right people via the right media and methods–effectively, efficiently, and profitably.

This is the core theme of the book. The beginning of every chapter emphasizes one of the sides of the triangle.

What We Tend to Neglect

For example, we’re pretty much obsessed with the “media” part: websites, social me

dia and the other thing I mentioned above. That’s fine but we often neglect the other things.

We might not be targeting the right Market (Who). We really should do some homework on that and the book shows you how to do it, what to think about. It gives you things to brainstorm and examples of what  has worked. It’s really good about doing that sort of thing.

We often neglect what message we’re putting out there. What are we trying to say? What’s the best way to say it? The book gives you a marketing plan. It helps you think about how to plan this stuff so you can get the most out of what you do and how you do it.

I can’t recommend this book enough. I’ve spent more money on marketing material that has been less useful than the information in this book.

Now, a Warning.

The Ultimate Marketing Plan is a marketing tool for Dan Kennedy. As good as the info in the book is, it’s not absolutely complete. There isn’t such a thing anyway.

There’s still gaps in the information. Those gaps in the info require their own books. Well, what do you know, Dan Kennedy also wrote a book about the thing that he didn’t write about in this one.

The book itself is a platform he uses to market for something else.

Dan Kennedy is a business man who got wealthy helping to market products for other business and got really good at it. Now he teaches marketing so you can do it too. So he has a website where he does it from and it’s really great. His book does everything it can to get you to go to that site.

On the one hand, the information in the book is really great. On the other hand, you have to be aware of the “meta-learning” factor of the book, which is that, the book itself is a marketing tool. As you read the book, you can see where he markets himself and his products.

The book is a low entry item that he uses, to get you hooked so that he can then get you into the system and try to, up sell you into higher and higher tier items in his business. This is not a bad thing. It’s in fact showing you HOW he does what he does by example.

Just be warned that the book is a marketing tool. It’s not only going to teach you how to market yourself, but it’s also going to market TOO you.

But I really do recommend this book. Give it a read whether you buy it or get it from the library.

If you Read This Book

I hope you liked my review.  If you liked it, let me know. If you read the book, tell me what you think. I’d love to hear from you.

This Week’s Opt In Surprise

This week I sent off a special drawing full of art that was done by the Simpsons Crew around the time I started on the show. They sat around and made fun of Jurassic Park, Simpsons style.

If you’d like like to see that art, opt in below before Thursday of next week and I’ll send you a copy of the e-mail just for you (yes, I’m totally marketing my e-mail opt in right now. Is it working?).

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


THE SIMPSONS NEWS – Why You Should Still Be Watching The Simpsons

simpsons-tom-waitsSaw this article on Wired.com defending The Simpsons.

There are so many people online always bashing and attacking the show, it’s very nice and encouraging to see a positive view of it.

Go give it a read:

Defend Your Show: Why You Should Still Be Watching The Simpsons

 

VIDEOS – Star Wars: Hard of Hearing Vader

And now for something completely different….

When I first saw this, it made me laugh so hard I started crying:

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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The Missing Pieces in an Artist’s Knowledge.

January 3, 2013 in BLOGS, THE SIMPSONS NEWS, VIDEOS

THE SIMPSONS NEWS – The Missing Pieces in an Artist’s Knowledge

The missing pieces in an artist knowledge

Simpsons Quote:

Homer: [grumbling about Smithers] He thinks he’s so big.
Karl: You don’t belong here.
Homer: Huh?
Karl: [pointing emphatically at Homer] You. Don’t. Belong. Here. You’re a fraud and a phony and it’s only a matter of time ’till they find you out!
Homer: [gasping] Who told you?
Karl: You did. You told me with the way you slump your shoulders. The way you talk into your chest. The way you smother yourself in bargain-basement lime-green polyester! I want you to say to yourself, “I deserve this. I love it. I am nature’s greatest miracle!” Go ahead, say it.
Homer: [after a few bumbling attempts] I deserve this! I AM NATURE’S GREATEST MIRACLE!
Karl: I’ll need three weeks’ vacation and moving expenses.
Homer: You got it, buddy!
Karl: Let’s go shopping!

Today I’ve got some videos for you and a link that will help and inspire you to invest in yourself.

I know you’ve already done this. As artists we’re always learning more and more about art.  This is great, but just as important as learning our craft is investing in understanding on how to leverage it so we can live off it.

I was hoping to do a much shorter video this week. It mostly is, I just ended up asking a long winded favor at the end of this video.

Below is a video where I introduce the videos and link I’m going to be referring you to and why. You can watch it or  you can go ahead and just start watching the videos.  Below I’ve also transcribed what I say in the video anyway.

But please, make sure you read the favor I ask at the bottom of this post. It will influence my next blog topics from this point on. Thanks:

The Gap in our Artistic Knowledge

As artists, our education tends to be about drawing or our art. It’s usually not about money management, entrepreneurship, learning to make a living with the assets we’ve got.

There are to video below that I think are very useful in this regard. I’ve also got a link to a blog post that has recommendations on reading material.

Jim Rohn Videos

The first two videos are from a man by the name of Jim Rohn. He’s an old timey entrepreneur, marketer, and most importantly, motivational speaker. In the video he talks about things that, as artist we don’t really  talk about or think about.

The first talk is called “Living an Exceptional Life,” which I like a lot. It’s in fact geared for kids. It tries to get THEM to think about this kind of thing at an early age. It even talks a bit about money management. I highly recommend it:

https://www.youtube.com/watch?v=KdEZD4nrmds

This next video is called, “Three Keys to Greatness.” This video compliments the first video above. There’s a little bit of information overlap with the video above, but it mostly adds other interesting things that are not said in the first video.

https://www.youtube.com/watch?v=DUn1VPRgzoE

Dan Kennedy Blog Post

This third link is to a blog post written by Dan Kennedy. Dan Kennedy is a marketer that teaches marketing. It provides a list of some of his favorite books that he recommends if you want to learn marketing and other skills. Skills that we need to learn, especially because we’re not taught these skills as artist. We’re too busy learning to draw and do art.

The title of the post is:

Read This is You Want More for Your Life

I keep recommending these videos and this link to friends of mine because I think they’re very good to watch and read.  Now I’m sharing them with you. I hope you get as much out of them as I did. I’ve watched the videos twice and have not yet written down notes from the Jim Rohn videos. I really should. They’re fantastic.

A Favor

Besides leaving a comment if you like what I’ve shared here, let me know if you have any questions about his kind of thing.  I’ve really been studying it lately and I’m kinda eager to share what I’ve learned so far.

It would be nice to know if this is something you want me to elaborate on so we can keep the conversation going.

I’ve also like to know if there’s something else you’d like me to talk about. Is there any question that you might be wondering about or might want to know about that you think I might be able to answer?

The last series of posts on this blog where inspired by a reader of my blog who asked me to talk about increasing your value as an artist. So you can definitely influence the direction of the conversation of the next few posts.

 

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Hi, Welcome!

This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

I update this blog once a week, on Thursdays and (sometimes) Fridays. If you don't see anything new, just check back on one of those days.

My e-mail is: luis(at)luisescobarblog(dot)com

Both my books are now on Amazon. Pick up your own print copy today!

Buy My Art

  • Archie #1 Original on of a kind Sketch Cover Archie #1 Original on of a kind Sketch Cover $20.00
  • Deadpool's Secret Wars #1 original, on of a kind Sketch Cover Deadpool's Secret Wars #1 original, on of a kind Sketch Cover $20.00
  • Batman '66 One of a kind Sketch Cover Batman '66 One of a kind Sketch Cover $20.00

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