Luis' Illustrated Blog

Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
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How Best to Take Artistic Critique

October 8, 2015 in ART

ART – How Best to Take Artistic Critique

Copyright Luis Escobar 2007 www.luisescobarblog.com

Getting your work critiqued is a skill set all of it’s own.  It’s something I’ve rarely heard anyone talk about.

As a storyboard artist, I get my work critiqued a lot.  Over the years I’ve learn to take critique.

I’ve learned from other storyboard artist, watching them take critique, what the best way to approach it is.

In the video below, I give you tips six tips on how best to approach getting critiqued:

Here’s what I talk about in the video above in a nutshell:

  1. It’s all about attitude.
  2. Stay positive.
  3. Be open – No mater what, there’s something new you can learn or affirm.
  4. Be humble – You are NOT the greatest artist on the planet.
  5. Take it with Gratitude – You are not owed any kind of critique.
  6. Don’t take it personally – What they are critiquing, and who YOU are, are two separate things.

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Style Vs. Versatility in Art. Which to Pursue?

October 1, 2015 in ART

ART – Style Vs. Versatility in Art. Which to Pursue?

Wally WoodWhich is more useful for an artist, acquiring and honing a style or pursuing a more full versatile artistic skill set?

This is question that came up in a discussion I had in Facebook a while back. It was inspired by a comment that J. Scott Campbell gave in an interview regarding diversity as an artist and how it related to Branding yourself.

The interview is posted further down. It’s fantastic and absolutely worth watching.

He said in the an the interview that being diverse may actually hurt you (25:33):

“If you’re fantastic at everything, you’re not known for anything in particular.”

This got me thinking. Below is a video on some thoughts on the subject:

The link to the Frank Frazetta post  I talk about in the video can be seen here: Developing a Unique Drawing Style.

Below are the points I make in the video, in a nutshell.

Style vs. Versatility Pros and Cons

Style:
Positive

  • What you’re known for.
  • Makes you money
  • The general public gravitates to style

Negative

  • What if you’re style goes out of style
  • You’re a one trick pony
  • You don’t grow as an artist

Versatility:
Positive

  • Make you a good draftsman
  • You can draw anything in any style. ALL styles are open to you.
  • You’re evergreen

Negative

  • You’re not known for any particular expertise
  • Public or employers my not see your versatility as an asset.

The J. Scott Campbell Interview

Here’s the interview in question:

Concerning the Term Style

One clarification.  In case the term style is getting a bit confusing.

The word can mean two things:

  1. Style as: the active design choices an artist uses in a particular way of drawing.
  2. Style as: the telltale unconscious way a person draws, similar to handwriting.

As an animator, I never cultivated a “style” (design choices). We pride ourselves in being able to draw in any style (design) at will.

That said, it’s impossible to escape yourself. What I’ve discovered is that, no matter what you draw, in whatever “style” (design) you draw, you will always draw like you.

On the Simpsons we ALL draw the characters on model, in the style (design) of the show. BUT we can always tell who draws what scenes because everyone draws the characters “in their style” (unconscious handwriting.) Like handwriting, we all learn to write the letters the same way but everyone does it different. We can’t help it.

So rather than pursue a “style,” (design) it’s better to pursue great draftsmanship. “Style” (unconscious handwriting) will just happen on it’s own.

What are your thoughts?

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Deadpool Sketch Cover and Process

September 17, 2015 in ART, COMIC BOOKS

ART/COMICS – Deadpool Sketch Cover and Process

Deadpool cover

I finished my third Sketch Cover. This one featuring the very popular Deadpool.  This is the first time I’ve ever tried drawing him.

He’s always breaking the fourth wall so have him do so in this cover with a gag.  Not sure how successful it is.

The Process

I use the exact same process with this cover as I did with the last two.

I started digitally, using the scanned version of the Batman ’66 cover as my template. Below is my first rough:

Deadpool Cover rough 01

I then drew a second pass over that and refined the drawing:

Deadpool Cover rough 02

Once I’d done that, I printed out the drawing and cut up sheet of paper so I could tape it on the actual sketch cover:

Deadpool cover rough cutout front

I then took a pencil and darkened up the back to make it like carbon paper, so I could transfer the image over to the actual cover:

Deadpool cover rough cutout back

Unfortunately, I was in such a rush to get done that I forgot to take a picture of what the transferred drawing looked like.

Once I had transferred the drawing, I used some micron pens and a Pentel Pocket brush pen to ink the drawing.  Which is the drawing featured above.

Let me know if you have any questions.

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Betty and Veronica Bikini Archie Comic Sketch Cover And Process.

September 10, 2015 in ART, COMIC BOOKS

ART/COMIC BOOKS – Betty and Veronica Bikini Archie Comic Sketch Cover And Process

Archie 1 Cover Betty and Veronica Bikinis

Who doesn’t like Betty and Veronica at the beach? Hopefully, nobody.  This week, I decided to try my hand at drawing an Archie comic sketch cover. I also added how I drew the cover.

I created this cover specifically to be sold, so I picked a subject that I hope people would like.

Like I said, I hope people do.

The Process

Like I did with the Yvonne Craig, Batgirl Batman ’66 cover, I started this one digitally. I used the scanned Batman ’66 cover as a template:

Archie cover rough

I drew the backside of the cover, only to find out that the Archie comic didn’t have a backside to draw on.

Once I was happy with the drawing, I printed it out and cut down the paper to only the parts I needed:

Process Archie Cover 01

Then I turned it over and rubbed graphite all over the back of the area were the drawing was, so I could make it like carbon paper:

Process Archie Cover 02

I then took some removable tape, lined up the paper to the cover and taped it down:

Process Archie Cover 03

Using a mechanical paper, I drew over my rough blue lines, pressing down so that the drawing would be transferred onto the cover.

This is the result:

Process Archie Cover 04

Once I had that down, it was just a matter of inking over the pencil lines using a Micron pen and a Pentel pocket brush pen.

The result is the drawing up top.

What do you think?

OH! And by the way, this Archie #1 comic is a great read.

 

 

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Yvonne Craig Batgirl Homage Comic Sketch Cover and Process.

September 2, 2015 in ART, COMIC BOOKS

ART/COMIC BOOKS – Yvonne Craig Batgirl Homage Variant Comic Book Sketch Cover

I was drawing Yvonne Craig as Batgirl a few weeks ago when suddenly the news of her passing occurred.  It was very odd and very sad.

Batman 66 FINAL cover

My drawing was partially done when I found out. I’m currently drawing some variant sketch comic book covers on the side.  I’m planning to sell them at shows.

The first cover I decided to tackle was for Batman 66.  I wanted to draw a pretty girl on the cover and Yvonne’s Batgirl was the perfect candidate.

R.I.P. Yvonne Craig.

The Process

In order to draw this cover, I wanted a bit of control. I didn’t want to simply start drawing on the cover I wanted to have a clean worked out piece of art.

To do this, I started digitally. I roughed out the cover on my computer first:

Batman 66 cover w

Once I got everything working the way I wanted, I then printed out the cover on paper:

Batman 66 cover process 01

After doing that I took a pencil and darkened the back of the printed version:

Batman 66 cover process 02

Then it was just a matter of using it as carbon paper, by putting the printed version over the sketch cover and tracing over my drawing, creating a pencil version on the cover itself, which I then inked.

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6 Reasons Artist Should Table at Shows and/or Conventions.

August 27, 2015 in ART

ART – 6 Reasons Artist Should Table at Shows and/or Conventions.

Luis Escobar

Photo taken by Javier Hernandez: www.javzilla.com/

If you want to make a living as an artist, your work has to be valuable to people. Some group or community of people that are looking for what you provide has to support you monetarily in some way.

The internet is one way to reach those people, but it’s not the only way.

As an artist you may want to get out of your office or studio and go out into the world with you work. That way you can show it off personally.

Some of the best places to do this is at show or conventions.  By “shows” I would include not only local craft fairs but also, farmers markets, and things like that.

If you think that’s not you, I made a video giving you 6 reasons why you’re missing out if you don’t do this sort of thing.

https://youtu.be/5dbV5k3JEg4

Here’s the list of reasons I give in the video:

  1. You open yourself to new opportunities
  2. You’re a person not a website. You make a physical human connection with your audience.
  3. You can make friends and connections, with fans and artists.
  4. You can discover what people want from you and what draws them to your art.
  5. You can learn from other artists.
  6. You can make money.

Can you think of any other benefits?  Feel free to add to the list in the comments.

If you like what you read, please support me on Patreon. There’s plenty of benefits you can get there, including secret videos from me.

https://www.patreon.com/LuisEscobar

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3 Tips For Practicing Even the Most Monotonous Stuff, and Like It

August 20, 2015 in ART

ART – 3 Tips For Practicing Even the Most Monotonous Stuff, and Like It

Never his mind on where he was Hmm What he was doing

“A Jedi must have the deepest commitment, the most serious mind. This one a long time have I watched. All his life has he looked away… to the future, to the horizon. Never his mind on where he was. Hmm? What he was doing.”

If you’re like me, there’s always something you want to get good at or become better at. In my case it’s drawing and painting. In your case it may be playing an instrument, dancing, a martial art, etc.

Often, the thing we want to improve requires practice. Lots of practice.

The problem is, practice can be boring, tedious, monotonous and not fun. You simply don’t want to do it. But if you don’t, you don’t get any better. Is there a way to be able to practice and have it be fun and enjoyable?

Turns out, there is.

I just recently read a book called The Practicing Mind: Developing Focus and Discipline in Your Life by Thomas M. Sterner.  It breaks down the thought process behind practicing in such a way, that it makes you able to enjoy even the most monotonous of tasks.

Below are my four helpful takeaways from the book, which will help you get the most out of practicing.

Whenever you see a quote below, I’m quoting directly from the book.

Focus and Discipline

“The problem with patience and discipline is that it requires both of them to develop each of them.” ― Thomas M. Sterner

The book practically starts with this quote.  Focus and discipline are key to good practice.  Ironically, you’ll  have to practice both to get better at practicing other things.

As with anything worth getting good at, it’s all in the mindset you develop.

Here are the four tips for developing focus and discipline:

1. Stay in the present Moment

The key to focus is staying in the present moment.  The here and now.  Don’t allow your thoughts to wander to the future of the past.

Don’t go down the rabbit hole of day dreaming about anything. Stay present. Keep your mind and body focused on the task at hand.

“Frustration and boredom comes from not being in the moment.”

Frustration comes because you’re thinking about other things, like the future ideal outcome of where you want your skills to be at.  Comparing that outcome with what you’re doing now causes frustration and boredom.

You can never reach your ideal because the moment you think you’ve done so, you’ll realized that you’re ideal has moved further away.

Boredom sets in, because your mind is going through all the things you’d rather be doing, than the task on hand.

It’s best to focus on what you’re doing now than any moment in the future or any task you’d rather be doing.

“If you fall out of the moment, be aware of it and recognize it. Remind yourself that it’s happened, and feel good that you can recognize it.”

Once you do this, go back to the task on hand. Practice this during your everyday living.  When you do so, it will be easier to be focused, when you practice.

2. Keep yourself process oriented, Make the process the goal

“The goal is to learn not to master.”

Don’t focus on the idealized goal when you practice and study. Focus on the practice itself. THAT is your reward. Use the overall goal as a guide to steer your efforts. The rest of the time, simply keep it out of mind.

By doing so, you will get better whether you want to or not.

“However, when you focus on the goal instead, you are pushing it away since you’re not concentrating on the matter at hand, which is, practice.”

Also, checking your progress is not your friend either:

“Never focus on or at your progress. Progress is the natural result of staying focused on the process of doing anything. When you stay focused on the present moment, the goal comes toward you.”

3. Be deliberate.

During every practice session:

“Have an intention about what you want to accomplish and remain aware of that intention.”

Here’ how:

  1. Small – Breakdown your goal into small sections or segments. Bite size pieces.
  2. Short- Give yourself a short time frame to practice. 15 to 45 minutes.
  3. Slow – Work at a pace that allows you to pay attention to what you’re doing. Tai Chi style.

Once you sit down to practice, here’s the recommended actions to take in a practice session:

  • Do – Take action on what you want to get good at.
  • Observe – Observe your results. Be completely objective. No judgment or emotions. Simply analyze your results. Are you heading toward your goal for this session? Did it turn out the way you wanted? Yes/No. What did you do wrong, how can you fix it? Take note. Even go so far as to write it down.
  • Correct – Based on your analysis, if needed, do it again. This time, being more aware to work on what needed correcting the last time.
  • Repeat – Continue this process, until you can do it correctly every time.

Conclusion

Learning to be focused and disciplined takes just as much practice as what you want to get good at.

The book talks a lot about staying in the present moment because it makes time stop and practice more helpful.  The writer never uses the words “Flow” or “Flow state” but that’s exactly what he’s talking about. By staying in the present moment, and focusing on the task on hand, you’re essentially hitting flow every time you practice.

That is the ideal situation to be in.


I like the advice in the book.  If you want to get more in depth with the subject, I recommend reading it.

I myself, will practice the advice, but I’m also going to seek out more info on methods of focus.  Seems like that’s so key to the practicing process.

The more I know about the subject, the better.

How do you practice? Do you have a method? I’d like to hear it.

Comment below.

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5 Tips to Help You Get Up Early to Do Your Art…and Like It

July 29, 2015 in ART, LIFE HACK

ART/LIFE HACK – 5 Steps to Help You Get Up Early to Do Your Art…and Like It


If you’re anything like I was, you have a heck of a time waking up in the morning.

I’d hit the snooze button a few times after my alarm went off and ended up rushing to work because I was late.

The thing is, mornings are a really good time to get things done that we usually spend sleeping.

I LOVE sleeping, but I’d much rather be able to get work I love done than sleep it all away.  Especially because I have much more energy in the mornings than I do in the evenings. The one thing we have precious little of in life is time.

Ideally for me, the weekends are the perfect time to get art done in the morning.  During the week, I have other things I need to do in the mornings that aren’t art related before work (like exercise).

But how the blazes do I wake up to do what I want to do…and like it?! That was the question that had been bugging me for a while.

Turns out there’s a really good and easy way to do it. The answer came from reading a book called The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life (Before 8AM). (Affiliate link, thanks for your support.)

What is “The Miracle Morning?”

The Miracle Morning is a book that systematizes waking up early so it can be made easy AND habitual.

It’s also unapologetically, a marketing book for the author who is constantly leading you to subscribe to his website.  But that’s okay, because the info is so good, you don’t mind too much. Besides, it’s not like I don’t do it myself.

The system it proposes is worth trying.  I started doing it and I found that it works VERY well.

So now I’m going to share with you the waking up part of the system in the book.  This alone is worth reading the book for but there’s a few other things in it that builds on these steps, worth reading.

I’m going to share these steps here.  You can try them out so you can get some art done in the morning and feel really good about yourself.

5 Steps to Waking Up Quick Without Hassle

1. Mentally prepare the night before

The first thing you should do is mentally prepare yourself to wake up when your alarm clock rings.

Simply make a mental affirmation to yourself.  Tell yourself something to the effect of,

“It’s ___ o’clock, tomorrow I’m going to wake up at __am.  I’ll have plenty of sleep and I’ll be energized. As soon as my alarm goes off, I’ll wake straight up and start my day, live life and get things done.”

You can download the “official” version which is much longer HERE.  Anyway, the point is, that the last thing you think to yourself before sleeping is the first thing you will think when you wake up.  So think positive about waking up.

DO NOT say to yourself,

“Uh, I’m sooo tired, I’m going to be sooo tired in the morning,” you’re sabotaging yourself if you do that.

2. Put your alarm clock far away

Put your alarm clock somewhere in the room that you have to physically get up out of bed to turn it off. That will absolutely get your butt up quick.

That alarm clock is so annoying.

Once you’re up DON’T go back your bed.  YOU ARE UP.  Take advantage and immediately do step 3.

3. Drink a glass of water

You’ve been sleeping and have become somewhat dehydrated.  It’s one of the reasons you’re tired.  Drink a glass of water.  Make sure you put it near the alarm clock the morning before.

That way, you’re up and you just drink.  The act of drinking will also help wake you up and you’ll start becoming hydrated.

Once you drink the water all up, you do step 4.

4. Brush your teeth

This is very odd but it actually really helps.  Especially since most toothpastes are minty and burn your mouth.

You can also splash a bit of water on yourself while your at it.

Once that’s done, you move to the next step.

5. Get dressed

It’s official, your up and out of your sleeping clothes. You can take a shower first if you’re not changing into exercise clothes.

Once you change, it should mark the beginning of your work time.  You’re up and ready to get to work.

Conclusion

I’ve been doing this for a while.  Actually, I’ve been doing this and following the rest of the routine, and I found I enjoy it.

The getting up to turn off my alarm clock is a HUGE help and it doesn’t allow me to think about whether I should stay in bed or not. I don’t get the option.

That, and the fact that I tell myself before I go to bed that I’m going to wake up when it goes off.  That last thought thing actually helps.

If you do this for about 30 days, you may find that you don’t know how you lived without it.

There’s a little more to it than I’m presenting here to think about.  So if you really want to get into the whole routine, you should read the Miracle Morning.

It has a little bit of advice about habit building as well, which is very handy to know.

Anyway, give it a try and let me know what you think.

Do you have a morning routine that works for you? Let me know. Share it below.

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The Vision Vs. Red Tornado Captured By Jawas

July 23, 2015 in ART

ART – The Vision Vs. Red Tornado Captured By Jawas

Vision vs Red Tornado Color

 

I took the black and white version of this drawing and put some color to it.  This is  a Marvel, DC, Star Wars mashup.

I had a bit of an incentive to color this drawing, the original black and white version of this drawing will be up for sale on August 22, 2015. Colored prints of the drawing will also be sold there as well as magnets.  It’s a Star Wars themed show.

If you’re interested, here’s the info:

11752463_402062089981806_1393591521880918137_n

Once again, using the Color Scheme Designer website, I picked a quadratic color scheme and used it as my base:

Color Scheme

I’m getting a bit more comfortable coloring these drawings. I’m not completely sure that’s a good thing.   I might need to change things up to make it a bit more challenging.  If I’m getting too comfortable doing something, it means I’m not learning as much.

Although, perhaps it was easier to color since I didn’t have to color any skin tones.

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Why You Should Do Creative Experimentation

July 1, 2015 in ART

ART – Why You Should Do Creative Experimentation

leanintoart-podcast-logo-v1I was listening to an episode of the Lean Into Art podcast the other day and co-host Jerzy Drozd said something that really got me thinking when it came to experimentation. I’m going to get to what he said in a moment.

It just so happens that I’ve been experimenting a bit.  Just playing around,  and checking out some possibilities.  Below is one such experiment.

It’s a little animation test I did, to test out what might be possible with my characters using my copy of Storyboard Pro:

Black-Terror-Kid-animated-gif

I’m debating whether or not I should do a little animated something.  I’m not sure yet.

Anyway, let me get back to what Jerzy said…

Experimentation Lead To…

Anyway, as I was listening to an episode of Lean Into Art, Rob Stenzinger and Jerzy Drozd got into the topic of experimenting. Then Jerzy popped in with this little “formula” of sorts, as if he’d memorized it from somewhere, about experimentation.  It went like this:

“Experimentation leads to Practice, Practice leads to Evidence, Evidence leads to Opportunity.”

What he meant by this, if it seems odd to you, is simply this: When you experiment, you create and practice new things.  Often, you do these things so much that you begin getting good at them.

When you get good at stuff because you’ve practiced or messed around with the thing you’ve experimented with so much, it become evident you know your way around the subject.  It’s evidence that you have experience with what you experimented with.

This often leads people to ask you about the subject you seem to know so much about.  It opens up opportunities for people to, either ask you to do it for them, to teach others about the thing, or to find other useful reasons to do that thing.  It’s possible to find many opportunities to use the knowledge you gained from what you originally began experimenting with.

I thought Jerzy’s little formula made a lot of sense and I thought I’d share it.  It gives you a very concrete practical reason to experiment as much as possible.

I wish I could remember what episode of the podcast I was listening to, otherwise I’d link directly to it.  Perhaps it’s better that I don’t remember.  That way, you have an excuse to go listen to the Lean Into Art podcast and try to find the episode yourself.

This isn’t the first time that I’ve been given something to really think about after listening to the podcast.  Rob and Jerzy often come up with some amazing things during their discussions.

I highly recommend checking it out if you haven’t already.

Lean Into Art

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Hi, Welcome!

This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

I update this blog once a week, on Thursdays and (sometimes) Fridays. If you don't see anything new, just check back on one of those days.

My e-mail is: luis(at)luisescobarblog(dot)com

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