Luis' Illustrated Blog

Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
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You are browsing the Blog for THE SIMPSONS NEWS

Simpsons Artists Invent a Version of Zombie Freeze Tag

February 28, 2013 in PODCASTS, THE SIMPSONS NEWS

THE SIMPSONS NEWS – Simpsons Artists Invent a Version of Zombie Freeze Tag

Simpsons Artists Invent a Version of Zombie Freeze TagThe Simpsons Quote:

[Flanders, a zombie, approaches Homer]
Ned Flanders: Hey, Simpson. I’m feeling a might peckish. Mind if I chew your ear?
[Homer kills Flanders by blasting his head apart with a shotgun]
Bart: Dad! You killed the zombie Flanders.
Homer: He was a zombie?

I’ve stated before that I worked at the Fox Studio Lot during the Simpson movie, working on story boards. A lot of interesting things happened during my time there.

The group of Simpsons artist at the Fox Lot quickly go the reputation of being the trouble makers at the lot.  It was a tense environment and our way of relieving the stress was to play as much as possible.  Like a bunch of children.

Today I’m going to tell you about one of those days where we really had an opportunity to play and have fun during our work hours.

You can either play the video and hear me tell the story or you can read the story below.  It’s the same information either way.

OH, and if you want to hear MORE crazy stories and anecdotes, scroll down to the bottom of this post where there a link to a podcast with more insider Simpsons stuff:

The Small Staff at the Fox Lot

There was a very small group of us that worked a the Fox Studios Lot. We were right in the thick of it. Some of us became friends with the writers.  Our bosses where THE producers of the movie.  We were working directly under the people that were calling the shots, David Silverman and everyone else heading the production.

There was a very small group of us, about 15 to 20. We were kind of like, the key group that needed to get the work done.  The 20 of us weren’t all artists. We were editors and compositors.

There’s a lot that happened, but there came a point where…I don’t remember what happened, the writers and producers stopped the production to have a meeting. That meant our small group didn’t have work to do.

What We do When There’s No Work to Do

Well, we’re a bunch of artists who are about as mature as a bunch of three year olds, so we decided we were going to go have fun at the park. You see, there’s a park right across the street from the Fox Lot.

So we all got up an left to the park across the street.

Once we where there, we said,

“Hey guys, lets play tag!” So we did.

We then invented a game we called Zombie Freeze Tag.

The rule went something like this:

One person is “it.”

When they tagged you, you where frozen. Until someone unfroze you by touching.

If you got frozen and unfrozen three times, you became “it” along with the original person who was “it.” You became “infected,” you became a zombie. You became “it” with the other person.

So little by little, everyone gets tagged and untagged, frozen, unfrozen, the group that was “it” becomes larger than the people who are not “it.”

That’s when it becomes the “Zombie Apocalypse Tag.”

The game ends when there’s no more “humans” left.

And that’s what we played. We played it until there was one person left who was running for his life because everyone else was a zombie.

So we invented that game at the park that day and had fun.

A Trip to the Playground

Afterward, we all decided that we wanted to go the playground. Off we go to the play ground, a large group of adults.

We kinda scared off all the kids from the playground because we were the big scary people. We spent out time playing and having fun at the playground. Someone had brought a skateboard and was doing tricks and enjoying himself.

And then, the Ice Cream man came! So of course, we had ice cream.

The Golf Cart

As we were having ice cream and playing in the play ground, we saw a golf cart.  It had come from the Fox Lot, and it was for us.

We were told that production had started again, the meeting was over and everyone needed to come back.

Well, there were actually two golf carts that they had sent from the Fox Lot that were sent to come and get us. So everyone climbed up on these little tiny electrical powered golf carts and got chauffeured down the street. Just because we were a bunch of artists who went to the park to be goofy.

Funnest Day Ever

That was actually, one of the funnest days we had, working in the production of The Simpsons Movie. It’s one of those things, that just happen, it’s fun and it’s great, and then it’s back to work.

Just thought I’d share that in case you wanted to know what it was like to work in The Simpsons Movie. What it was like to be one of the artist there and some of the things that happened.

Has this Happened to You?

Hope you enjoyed my little anecdote.  If you did just let me know.  Have you ever done anything crazy like that at work? Have you ever had that kind of fun and invented games or anything like that?

Leave a comment. Let me know. Share.

Pulp Simpsons Continue

I’m still sharing more Pulp Simpson drawing on my newsletter.  It’s mash up of Simpsons and Pulp Fiction that the artists on the show just decided to do for fun.

I’m sharing it with my newsletter subscribers. If you want to join in the fun, sign up.  If you do so before next Thursday, I’ll send you this weeks’ email.

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


PODCASTS – The Simpsons: Then and Now

TCB-Header

Want to hear even MORE Simpsons stories and anecdotes?

My co-worker and pal, Chance Raspberry and I talked about working on the show, how we got started, answer questions from the live audience who was with us and generally have a good time talking about The Simpsons.

If you want to hear it, click the link below:

 http://www.thecornerbooth.net/2013/02/26/the-simpsons-then-now/

 

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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So as I Was Walking Through the Fox Studio Lot, I Saw Kevin Smith and…

February 21, 2013 in THE SIMPSONS NEWS, WEBSITES

THE SIMPSONS NEWS – So as I Was Walking Through the Fox Studio Lot, I Saw Kevin Smith and…

Simpsonized Kevin SmithThe Simpsons Quote:

“Fame was like a drug. But what was even more like a drug were the drugs.” ~ Homer

As a kid, I grew up in Burbank and I saw lots of celebrities around town. Working on The Simpsons, I’ve seen my share of celebrities.

When I worked on The Simpsons Movie I saw a few more, to add to my collection.

This time around I saw Kevin Smith and I’ll tell you what happened this week.

You can hear my story  by watching the video or you can read the story below.  It’s the same story either way:

Walking to the Parking Lot I Saw…

I worked on The Simpsons movie on storyboards in the story department. I actually had to drive down to the Fox lot everyday and worked there.

That in itself was a bit of an adventure. There’s so many stories and so many things that happened there, that I can talk about.

So here’s one of them. One really small one so it’s going to be a very short post.

So, we’re in a movie studio, and sometimes actors or celebrities that we’re familiar with, walk around.

One night, a friend of mine and I were leaving. We were headed to our car.

It was nighttime and it was dark.  As we were walking to the parking lot. I happen to look up ahead and see an actor director that I recognized, Kevin Smith.

Now, I’m not one of the these people who like to approach actors or celebrities. It’s just not one of my things. I’m generally, a shy person and I also don’t like to bother people.

But I do get a kick from seeing celebrities,

“Hey, there’s so and so,” then I can say to people, like I am right now, “Hey I saw Kevin Smith.”

The Loud Whisper

So I was walking with my friend and as we were talking I whispered,

“Hey, there’s Kevin Smith.”

He turns to me, “Huh?”

“I said, there’s Kevin Smith,” and as I say this we’re getting closer to him.  He frowns at me,

“What?”

In a loud whisper as start repeating, “Kevin Smith, there’s Kevin Smith, Kevin Smith. Kevin Smith is over there. Kevin Smith.”

“What? I can’t hear what you’re saying,”

So I blurt out, “THERE’S KEVIN SMITH!” and at this point we’re right next to the guy. Of course then he looks right at us. I mean I just yelled out his name.

It was so embarrassing, I didn’t know what to do. I just had to walk with my head down. Trying to cover my face, “don’t mind me, just passing through.”

Kevin Smith looking at me

Uh, Yeah…

It was so ridiculous and so…right out of a Kevin Smith joke.

Yeah, so that’s my story. It’s one of my, “here’s what happened as I was working on The Simpsons movie, anecdotes.”

Has something like this ever happened to you? It’s just embarrassing.

After that I turned to my friend,

“Look what you made me do!” I don’t like calling attention to myself and it was embarrassing and I’m sure Kevin Smith could care less and doesn’t even know it happened and it doesn’t bother him.

But it’s funny and embarrassing at the time. I knew right then that I had a story to tell.

I hope you liked my story.

Please Leave a Comment

If something like this has ever happened to you, let me know.

Share the pain, share the pain!

Pulp Simpsons Continues

I’m still sending “Pulp Simpsons” art on my newsletter.  I’ll be doing it for a while.  There’s a ton of art there.

What is “Pulp Simpsons?” It’s The Simpsons/Pulp Fiction mash up drawing that The Simpsons crew did for fun around the time the movie came out.

If you want to get in on the fun and see the art, opt in to receive my newsletter.  If you do, I’ll send you this week’s e-mail.

Don’t miss out.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


 

 

WEBSITES – The Art of Draw Fu

Tomorrow I’ll be releasing my book The Art of Draw Fu for free to anyone who has opted in to www.TheDrawingWebsite.com Newsletter.

If you want to receive your copy, opt in and you’ll be one of the first people to get one.

 

The Art of Draw Fu Beginner Level

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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Is it REALLY How the Pros Draw The Simpsons?

February 14, 2013 in THE SIMPSONS NEWS, WEBSITES

THE SIMPSONS NEWS – Is it REALLY How the Pros Draw The Simpsons?

Is it REALLY How the Pros Draw The Simpsons

The Simpsons Quote:

“Facts are meaningless. You can use facts to prove anything that’s even remotely true.” – Homer Simpson

Have you seen the book: “The Simpsons Handbook: Secret Tips from the Pros”?  Have looked at it and said, is it REALLY Secret Tips from the Pros?

I mean, why would they print a book that ACTUALLY taught you to draw The Simpsons? These books are always drawn by people who have to relation to the Pros who work on the show right?

That’s what I’m going to talk about this week.  IS the info in, “The Simpsons Handbook: Secret Tips from the Pros” really how the artists on the show, draw the characters?

You can either watch the video or read the post.  The info is the same.

Head up, all links to the book on this post are affiliate links.

And don’t forget to look further down into the blog to see the Pulp Fiction/Simpsons mash up drawings and the Simpsonized Doctor Who art. I’m also offering some free drawing couching. For more on that see below:

Is it True?

I happen to know that, “The Simpsons Handbook: Secret Tips from the Pros,” the part where it says, “Secret Tips from the Pros,” is TRUE.

What you get in the book is actually information on how the draw the characters on the show from actual Simpsons artists. They actually hired some of my friends. For example, the book says, character art by:

  • Erick Tran
  • Joe Wack
  • Paul Wee
  • Mike B. Anderson
  • Shawn Cashman
  • Liz Climo
  • Jonathan Gebhart
  • Rob Oliver

All these people that I’m naming are they’re ALL coworkers.  I mean, it’s ridiculous…these are my friends right?

It’s weird, because if you really want to know how to draw the characters for real, this book tells you how to do it.

But You Don’t Have to Take MY Word For It

Don’t take my word for it okay, I’m going to prove it to you.

So using the hand outs that we get, I’ll show you.  It’s an old hand out and we’ve updated some of this stuff but I’m going to use it as an example.

Now, so I don’t get in trouble, I’m only going to show you small parts of the hand out sheets.  Here we go:

Homer Head Construction handout

See that lumps there? Okay.

Homer Body Construction handout

The light bulb body.

The three cups long that his arm is.

Okay so that’s from our official how to draw hand outs that we get as artists.

Now I’m going to show you what’s in the book under Homer:

Simpsons handout example

See there? The lumps for the hair:

Simpsons Handbook example

The light bulb body.

The Three cups long that his arm is.

The Big Difference

In the book, it’s as if they took all that stuff we’ve got in the hand outs and cleaned them up. You saw how rough and unorganized the info was in the hand outs.

We’ve pretty much replaced a lot of what we hand out to new artists, with scanned sheets of this book.  It’s a cleaner version of what is in our old hand outs.

Our old hand outs where unorganized and rough. Even for professionals it got really confusing so we’re using the book now. If fact, the book expands upon many of the concepts for drawing the characters. It’s really handy.

All the new artist, they pick u the book or see the scans of the some of the pages from the book so that they can learn to draw the characters.

The Reason I’m Even Bringing This Up

IF you want to know what we know about drawing the characters, then “The Simpsons Handbook: Secret Tips from the Pros,” is what you need. It was drawn by us, who work on the show. This is what we do. This is us.

I just thought I’d bring this up and talk about this book.

A lot of people talk about this book, have seen the book and it’s almost like a joke,

“Hey look at this. How to draw the Simpsons. Heh heh heh yeah right,” no, this is REALLY how we draw the characters.

There was a coworker who was brand new and he came in and as a joke, he showed me the book,

“Hey look, I got this book. But I’m not going to use it. I just got it because I was curious and I thought it was interesting,” and I turned to  him,

“Why aren’t you going to use it? This is pretty much what they’re going to give you to draw from anyway,” and his eyes get all wide,

“REALLY? I thought that was joke.”

“No, look at the artist credited in the book. The art is from us.”

How Valuable is to You?

The book, if you purchase it, is $39.00.  You can probably get it cheaper at Amazon.

I think it just comes down to what it’s worth to you. If you really want know how to draw the characters the way we do it on the show, then it’s really a good deal.

So What Can You do With This Info?

On this week’s email, I sent out the first of many Simpsons and Pulp Fiction mash up drawings.  See what we artists do behind the scenes with our ability to draw Simpsons characters.

Here’s a small sample:

Pulp Simpson

Want more? I’ll send you this week’s email if you opt in to receive e-mails before next Thursday.  The longer you wait the more you miss out on.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


 

WEBSITE – Do You Want Free Drawing Coaching From Me?

The drawing website

I’ve been talking a lot about having mentors and friends that can help you improve your drawings. Sometimes, circumstances don’t allow this to happen. Because of this, I thought perhaps I could offer my services, as part of my services from www.TheDrawingWebsite.com

Sometimes you need someone to go over your stuff so you can see your work in a new way. It helps you improve quicker. This is what helped me get better faster. This is STILL the fastest way for me to get better.

I want to do that for you, I want to help you that way. I just couldn’t figure out a way that would make it as easy for everyone involved as possible, until last week.

This is what I came up with. You tell me what you think.

To Do That, Send Me Your Art

I’m going to accept TEN people’s work. That means, ten people will send me a drawing, and I’m going to go over it. Give you tips and advise. Tell you what to should look out for and what you should work on.

There is no draw back to doing this. You send me your drawing and I basically give you a FREE lesson on how YOU can improve your skills via e-mail. No video, just drawing over your stuff with commentary written on it.

Where do you send the drawing? What are the conditions?

If you’re interested to know this and more, CLICK HERE.

You find out the information you need to know, but act fast because the offer will only last for two weeks from this post.

THE SIMPSONS NEWS – Doctor Who Simpsonized

And speaking of Simpsons mash ups, I found this on the internet and thought it was sooo AWESOME!

rose tyler tardis dalek cybermen the simpsons doctor who crossovers martha jones donna noble tenth

I’d TOTALLY watch this episode.  It’s REALLY difficult to Simpsonize someone and still capture the right likeness.  I can’t believe what a good job this artist did.

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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A Good Inexpensive Resource for Artists to Learn About Marketing

January 10, 2013 in BOOKS, THE SIMPSONS NEWS, VIDEOS

BOOKS – A Good Inexpensive Resource for Artists to Learn About Marketing

A Good Inexpensive Resource for Artists to Learn About Marketing

The Simpsons quote:

“OLD SPRINGFIELD LIBRARY WE HAVE BOOKS ABOUT TV” ~Banner at the library

How do you learn to market yourself as an artist? Being a marketer is such a different skill set than being an artist.

Even though this is true, it’s a learn-able skill.  Plenty of non artist have learned it, why can’t we?

The problem is, where to begin?  There are so many options.

Well, I have a suggestion. I have a low cost entry point to start learning this stuff in the form of a marketing book which I will share with you in this post.

So you can either watch the video or read the post.

(All links to the book below are affiliate links. I appreciate your support if you decide to buy the book and use the links to do so. Thank you.):

What We Do as Artist Online is Not Enough

I’ve been investing a lot of money learning marketing recently. One of the best resources that I’ve gotten for my money happens to be a book called, The Ultimate Marketing Plan: Target Your Audience! Get Out Your Message! Build Your Brand! by Dan Kennedy.

This is a really good book that helps you start wrapping your head around marketing.  It’s $15.00 but you can probably go the library and see if you can borrow it there.  This is really a low cost entry point to learning about this stuff.

There’s really a couple of thousand dollars of information in the book for $15.00 (or for free if you borrow it from the library). You really let a lot of info.

As artists we’re always putting our stuff online. We’re on Twitter, we’re on Facebook, DeviantArt, and we’ve got our own websites.  All these things are really good, BUT there’s a reason why we’re not getting more hits to our work. Why we’re often, not really making money off this stuff. There’s a reason why it’s not enough.

What’s In the Book

It’s because there’s a little bit more to it than that. A few things we’re not doing well.

The core of this book is this triangle:

Dan Kennedy's Marketing Triangle

Which defines marketing as:

Getting the right message to the right people via the right media and methods–effectively, efficiently, and profitably.

This is the core theme of the book. The beginning of every chapter emphasizes one of the sides of the triangle.

What We Tend to Neglect

For example, we’re pretty much obsessed with the “media” part: websites, social me

dia and the other thing I mentioned above. That’s fine but we often neglect the other things.

We might not be targeting the right Market (Who). We really should do some homework on that and the book shows you how to do it, what to think about. It gives you things to brainstorm and examples of what  has worked. It’s really good about doing that sort of thing.

We often neglect what message we’re putting out there. What are we trying to say? What’s the best way to say it? The book gives you a marketing plan. It helps you think about how to plan this stuff so you can get the most out of what you do and how you do it.

I can’t recommend this book enough. I’ve spent more money on marketing material that has been less useful than the information in this book.

Now, a Warning.

The Ultimate Marketing Plan is a marketing tool for Dan Kennedy. As good as the info in the book is, it’s not absolutely complete. There isn’t such a thing anyway.

There’s still gaps in the information. Those gaps in the info require their own books. Well, what do you know, Dan Kennedy also wrote a book about the thing that he didn’t write about in this one.

The book itself is a platform he uses to market for something else.

Dan Kennedy is a business man who got wealthy helping to market products for other business and got really good at it. Now he teaches marketing so you can do it too. So he has a website where he does it from and it’s really great. His book does everything it can to get you to go to that site.

On the one hand, the information in the book is really great. On the other hand, you have to be aware of the “meta-learning” factor of the book, which is that, the book itself is a marketing tool. As you read the book, you can see where he markets himself and his products.

The book is a low entry item that he uses, to get you hooked so that he can then get you into the system and try to, up sell you into higher and higher tier items in his business. This is not a bad thing. It’s in fact showing you HOW he does what he does by example.

Just be warned that the book is a marketing tool. It’s not only going to teach you how to market yourself, but it’s also going to market TOO you.

But I really do recommend this book. Give it a read whether you buy it or get it from the library.

If you Read This Book

I hope you liked my review.  If you liked it, let me know. If you read the book, tell me what you think. I’d love to hear from you.

This Week’s Opt In Surprise

This week I sent off a special drawing full of art that was done by the Simpsons Crew around the time I started on the show. They sat around and made fun of Jurassic Park, Simpsons style.

If you’d like like to see that art, opt in below before Thursday of next week and I’ll send you a copy of the e-mail just for you (yes, I’m totally marketing my e-mail opt in right now. Is it working?).

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


THE SIMPSONS NEWS – Why You Should Still Be Watching The Simpsons

simpsons-tom-waitsSaw this article on Wired.com defending The Simpsons.

There are so many people online always bashing and attacking the show, it’s very nice and encouraging to see a positive view of it.

Go give it a read:

Defend Your Show: Why You Should Still Be Watching The Simpsons

 

VIDEOS – Star Wars: Hard of Hearing Vader

And now for something completely different….

When I first saw this, it made me laugh so hard I started crying:

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

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The Missing Pieces in an Artist’s Knowledge.

January 3, 2013 in BLOGS, THE SIMPSONS NEWS, VIDEOS

THE SIMPSONS NEWS – The Missing Pieces in an Artist’s Knowledge

The missing pieces in an artist knowledge

Simpsons Quote:

Homer: [grumbling about Smithers] He thinks he’s so big.
Karl: You don’t belong here.
Homer: Huh?
Karl: [pointing emphatically at Homer] You. Don’t. Belong. Here. You’re a fraud and a phony and it’s only a matter of time ’till they find you out!
Homer: [gasping] Who told you?
Karl: You did. You told me with the way you slump your shoulders. The way you talk into your chest. The way you smother yourself in bargain-basement lime-green polyester! I want you to say to yourself, “I deserve this. I love it. I am nature’s greatest miracle!” Go ahead, say it.
Homer: [after a few bumbling attempts] I deserve this! I AM NATURE’S GREATEST MIRACLE!
Karl: I’ll need three weeks’ vacation and moving expenses.
Homer: You got it, buddy!
Karl: Let’s go shopping!

Today I’ve got some videos for you and a link that will help and inspire you to invest in yourself.

I know you’ve already done this. As artists we’re always learning more and more about art.  This is great, but just as important as learning our craft is investing in understanding on how to leverage it so we can live off it.

I was hoping to do a much shorter video this week. It mostly is, I just ended up asking a long winded favor at the end of this video.

Below is a video where I introduce the videos and link I’m going to be referring you to and why. You can watch it or  you can go ahead and just start watching the videos.  Below I’ve also transcribed what I say in the video anyway.

But please, make sure you read the favor I ask at the bottom of this post. It will influence my next blog topics from this point on. Thanks:

The Gap in our Artistic Knowledge

As artists, our education tends to be about drawing or our art. It’s usually not about money management, entrepreneurship, learning to make a living with the assets we’ve got.

There are to video below that I think are very useful in this regard. I’ve also got a link to a blog post that has recommendations on reading material.

Jim Rohn Videos

The first two videos are from a man by the name of Jim Rohn. He’s an old timey entrepreneur, marketer, and most importantly, motivational speaker. In the video he talks about things that, as artist we don’t really  talk about or think about.

The first talk is called “Living an Exceptional Life,” which I like a lot. It’s in fact geared for kids. It tries to get THEM to think about this kind of thing at an early age. It even talks a bit about money management. I highly recommend it:

https://www.youtube.com/watch?v=KdEZD4nrmds

This next video is called, “Three Keys to Greatness.” This video compliments the first video above. There’s a little bit of information overlap with the video above, but it mostly adds other interesting things that are not said in the first video.

https://www.youtube.com/watch?v=DUn1VPRgzoE

Dan Kennedy Blog Post

This third link is to a blog post written by Dan Kennedy. Dan Kennedy is a marketer that teaches marketing. It provides a list of some of his favorite books that he recommends if you want to learn marketing and other skills. Skills that we need to learn, especially because we’re not taught these skills as artist. We’re too busy learning to draw and do art.

The title of the post is:

Read This is You Want More for Your Life

I keep recommending these videos and this link to friends of mine because I think they’re very good to watch and read.  Now I’m sharing them with you. I hope you get as much out of them as I did. I’ve watched the videos twice and have not yet written down notes from the Jim Rohn videos. I really should. They’re fantastic.

A Favor

Besides leaving a comment if you like what I’ve shared here, let me know if you have any questions about his kind of thing.  I’ve really been studying it lately and I’m kinda eager to share what I’ve learned so far.

It would be nice to know if this is something you want me to elaborate on so we can keep the conversation going.

I’ve also like to know if there’s something else you’d like me to talk about. Is there any question that you might be wondering about or might want to know about that you think I might be able to answer?

The last series of posts on this blog where inspired by a reader of my blog who asked me to talk about increasing your value as an artist. So you can definitely influence the direction of the conversation of the next few posts.

 

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The Business of Art.

December 27, 2012 in THE SIMPSONS NEWS

THE SIMPSONS NEWS – The Business of Art

The business of artSimpsons Quote:

“Family, religion, friendship, these are the three demons you must slay if you want to succeed in business.” – Mr. Burns

Today I’m talking about something that, as an artist, you’re probably not going to want to hear, or think about, or do, but you’ve got to do it anyway if you want to be an artist with job security. And that is, you have to become a business person whether you like it or not.

Why should you even want think this way? What does it matter?

It matters. Your art is your product and you sell it to clients. Those clients are either the public, which makes you in the service or product industry, or other businesses, which makes you in the “business to business” industry.

Realizing this and understanding what this means may be the difference between you doing well and not having any money.

Below you can watch a video where I talk about this. You can either watch is or read along below the video. I say basically the same thing. Make sure to read up on what I’m sending my e-mail subscribers below so you can see the goodies you get for subscribing:

The Animation Industry

I’ve really started to think about business recently and I’ve never had to think about it because I’ve been at the Simpsons studio for so long.  I’ve been on the show for many years but the average time an artist is on a TV show or a feature film is two years.

Usually, as an animator or artist, you’re like an independent contractor. When you’re freelancing, you’re an independent contractor. You’re like a small business working for a bigger business.

As an artist or freelance artist, you are in a business and your product is your art. You are selling your product to somebody or another business. If you’re trading your art for value (money)–that’s a business transaction. You need to learn how to manage a small business in order to know what’s working, how to leverage it, how not to get jacked by taxes, things like that.

If you’re really serious about making a living doing your art, you have to learn this for more than one reason. One major reason is, even if you’re working in a studio environment like I am, if you know business then you understand what the higher ups are working with and what they’re thinking. If you can understand that and give them that, and make yourself a valuable asset to them because you have that business mentality anyway, you become more valuable as an artist.

Another reason is if you’re not in a studio or you’re doing freelance, you want job security. A good way to get good job security is to have a head for business. You need to think about how you are going to sell your product in ways that are going to give you the money you need in order to survive and have job security.

The Rule of One

There’s this rule called The Rule of One.

The worst number in business is the number one. One product, one form of marketing, one stream of revenue, one product, one client, etc. You don’t want one. Usually as artists what we end up doing is focusing on “one thing,” such as wanting to be only a comic book artist, only an animator, or only doing fantasy illustrations for Magic The Gathering.

That’s ridiculous, because when that one thing goes away, you’re out of work.

What do investors do with their portfolios? What’s the common wisdom?

They diversify.

That means that you don’t put all your money in one market. You put some money in foreign currencies, some in land, oil, etc. so just in case one market fails, you have all these other markets that keep your portfolio safe.

Why don’t we as artists do that? Why don’t we diversify? If you do art, you should do it not only for a client, but also for yourself so you can market it and even license it. Find different avenues for your art. You should do comics, cartoons, everything. Do it all at once.

That way, if you’re not working in the studio anymore, you’re at least still doing freelance, or selling comics, or starting an art school and bringing in revenue from that. You have job security, and you’ve got the skill to create assets to make you money.

Mini Business

So if you’re only focusing on the one thing, you’re not very secure financially. Don’t do that. Find, distribute, and diversify the business. Create a model that will allow you to do that.

Learn to hire out. For example, a virtual assistant can look up references for you, check your email, send out your tweets, etc. for $150 a month so you can work on the stuff you need to work on. You’ll need the time to be producing a lot of content in different formats so you can be a successful business.

I hope this gives you something to think about.

If you have any questions, feel free to ask.

Simpsons Holiday Cards Continue

In this week’s e-mail newsletter, I continue my highlight of this year’s Christmas cards from my fellow Simpsons artist. This week Head Director, Producer David Silverman makes an appearance in the way of his New Year’s card.

If you want to get a copy of this sent to you, opt in before next Thursday and I’ll send you copy of the e-mail.

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


FAMILY

Had a great Christmas with the family.

Alesha gave me a copy of THE FOUR HOUR CHEF for the Kindle.  Not because I don’t know how to cook but because I wanted to read the chapter on “meta learning.”

I got Alesha money. The left over money from a “commission” of sorts I finished before Christmas.

The kids got TONS of presents from everyone. The highlights of best present, by kid are:

Elizabeth (5 years old): a new fish she saved her money to buy.

Dante (4 years old): A Super Mario Brother DVD (not a game but the animated TV show from the 80s)

Ambrose (2 years old): A toy airplane (he loves airplanes.)

Luke (1 year old): Wrapping paper.

We spent a lot nights up late. Lots of sleepy kids this week.

Also we met Santa Clause AND Saint Nicholas. Santa showed up at our Christmas eve party and gave kids presents. Saint Nicholas showed up at the Kid’s Mass on Christmas eve, looking like a what he is, a Catholic Bishop. He gave Elizabeth a candy cane as we left the church.

It was a good Christmas. I hope you had a good one too.

The liturgical Christmas season has started (before Christmas was Advent), I hope you have a wonderful Christmas season and a Happy New Year.

For more comics and stories written by me: COMICS AND STORIES

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I also have a store. Click Here and check it out.

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Artists and the Value of Learning to Market Yourself.

December 20, 2012 in THE SIMPSONS NEWS, WEBSITES

THE SIMPSONS NEWS – Artists and the Value of Learning to Market Yourself.

Dr. Nick Riviera billboard (The Simpsons)Simpsons Quote:

Homer: (places a dollar on the counter) I’d like a colossal donut, please. Just like the one on the sign. (Homer is given a regular-sized donut.) D’oh, nuts! That’s false advertising!

How often do you hear an artist talk about marketing?

When does it come up in a drawing class? What art school has a special class dedicated to Direct Marketing?

Is it even part of the artist’s radar? Do we even consider it to be a valuable skill or does marketing have a negative connotation?

I’m going to explore this topic this week. I’ve come to believe it’s an essential part of an artist’s skill set and I’ll explain why below.

You can either watch the video or read the post. They both say pretty much the same thing:

Marketing

I was never taught marketing.  Not in any art class I took. It wasn’t ever mentioned. I don’t know any artist who was taught marketing in any art school they went to.

I’ve been learning a lot about marketing recently. I’ve come to the realization that everyone who draws…well, not just those who draw, EVERYBODY, period, should learn marketing.

Why?

Because, we’re ALL selling something.

Any person that’s gone to a job interview to get a job for any reason, is selling something. That something is YOURSELF.

You’re Already a Marketer

When you go to a job interview, what are you doing? What’s a job interview?

It’s a “pitch session.” A “pitch session” of YOU. You’re pitching yourself, your service, as someone who has what they need.

What’s a resume? It’s “testimonials’ of your past work, right? It’s proof that your worthy to have the job. It’s “social proof” that you’ve got experience.

Marketing is the same thing. It’s pitching a service, pitching a good, pitching something of value to someone. A value you exchange for equal value, in the form of money.

Marketing in the purest sense is getting the word out, that you have a service that will help other with what they need.

Direct Marketing

When I talk about marketing, I’m not talking about any kind of marketing. I’m talking specifically about Direct Marketing.

Direct Marketing is a different kind of marketing. It’s not like Brand Marketing. It’s not like having a billboard with a Santa Clause drinking a coke or someone on TV eating a burger. That’s not what I’m talking about.

Direct making is getting your potential customer to directly respond to your ad. When you put an ad somewhere, you get a direct measurable result.

When you put money into a Direct Marketing ad, it results in getting a client. The ad you use gives information that allows your client to contact you for your service.  That way, if you spend money, say, in a newspaper ad. The amount of money you spent on the ad pays itself back through the clients it brings in and may even bring MORE money than you spent on the ad.

This response marketing, is measurable.

Brand Marketing is far more difficult to measure. There’s no real way to measure if anyone will buy your burger or drink you soft drink, just because you put an ad up with your drink in it without some way to track an actionable response.

Big companies do this because they have enough money to throw at Brand Marketing. As artists we can’t afford to be wasting our money this way. We need results from any marketing you may pay for. You want something you can measurable results from.

Avoid “Hope Marketing”

There are many forms of Direct Marketing. There are also many sources to learn about Direct Marketing. I highly recommend you seek them out and learn these things.

Without it, what will happen is, you’ll put your portfolio online and you’ll sit and think that by taking that action people will magically go to your site and give you work.

Not going to happen. It’s what Direct Marketers call “Hope Marketing.” You don’t want. You don’t want to put yourself out there and “hope” someone sees your work and gives you a job.

You want them to come to you because you’ve gone out of your way to show them what you can do for them.

Direct Marketing should never be about you. It should always be about what your service can provide for other people. For you potential clients.

It’s about them first, “here’s what you’re having problems with, I can help you with that.”

That’s what Direct Marketing is all about.

I advice everyone, but specifically you artists, freelancers, animators whatever your in, to learn this. It doesn’t matter if you’ve got a good job in a studio or a steady job.

Learn it. I guarantee, it will help you no matter what your circumstances. It’s a very important skill set, to hone, learn, and have.

I hope this has given you some food for thought. I may be writing more in depth about this in the future.

Simpsons Crew Christmas Cards

If you like or dislike what you’ve read here, please leave a comment. I’d love to hear from you. If you have anything to add, even more so.

This week, in my newsletter, I sent some examples of Simpsons Christmas cards that my co-workers handed out this year. They’re all very cool and Simpsons related.  This is the kind of unique item, you’ll never see in stores…or anywhere.

If you’d like to receive a copy of this e-mail, opt in below before next Thursday and I’ll send to you.

Have a Merry Christmas.

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


 

THE DRAWING WEBSITE- Formulas – An Introduction to Drawing Shorthand

Formulas – An Introduction to Drawing ShorthandYesterday I managed to get my latest Drawing Website post up on my site.

It was the closest I’ve ever come to not meeting the post deadline. I honestly thought I was going to upload it later in the week.

There were so many false starts, so many useless and unused drawings.

It took me a while to even wrap my head around exactly what part of my topic I was suppose to focus on.  I was in a panic about it.

I then, simply sat down in a quite place and began to write.  The post took shape, I knew exactly the artwork that was needed to illustrate my points and I cranked away at them the next day, whenever I had a chance.

Once the artwork was done, I wrote a second draft of the post and it was ready to go.

So here is it, just for you. I hope you like what I wrote:

Formulas – An Introduction to Drawing Shorthand

 

 

 

 

 

For more comics and stories written by me: COMICS AND STORIES

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Agreeing To Do Work That You Don’t Know How To Do And Quickly Learning How To Do It.

December 13, 2012 in MOVIES, THE SIMPSONS NEWS

THE SIMPSONS NEWS – Agreeing To Do Work That You Don’t Know How To Do And Quickly Learning How To Do It.

Simpson Quote:

Aim low. Aim so low that no one will even care if you succeed. ~ Marge Simpson

When the opportunity presents itself, to do something that you haven’t done before artistically, take it.

Over my years on The Simpsons, I’ve had opportunities to work on other Simpsons things besides the show.

Sometime I accept to do work I’ve never done even though I tell the person I have. Especially if I know I can learn to do it quickly.

It’s a little trick I learned in my animation class in high school. Basically taking on a project that you don’t know how to do and then quickly learning how to do it.

What I’m going to be talking about this week is how I did this and ended up cleaning up a few scenes of a Church’s Chicken commercial.

You can watch the video of read the text below it. It’s practically the same thing. The only difference is that I posted some images from the scene I cleaned up. You can also see the final commercial below.

And make sure to scroll down and read about the special audio surprise I have in store for anyone who’s opted in to receive e-mails from me:

Advice From My High School Animation Class

Church's Chicken Commercial 01I used to go to a regional occupational program (ROP) in a different high school from mine. There they taught animation. The teacher in that high school was very well connected to the animation industry and that’s where I got my start.

One of the big pieces of advice our teacher gave us was, if someone asked us if we could do something artistically and if we knew that it would be possible for us to learn how to do it but we didn’t know how to do it yet, we should say, “yes” to the job.

“Oh yeah, I could do that. No problem,” and then very quickly go learn to do it. that isn’t to say that you should do something so out of your skill set that there’s no way for you to learn how to do it. but agree to something that your reasonably certain that you’ll be able to do.

How I Ended Up Doing This

Church's Chicken Commercial 02This is an example of what I did many years ago as I was doing Character Layout on The Simpsons. I was on the show for about five or six year by that point. There was a producer I didn’t know that just walked into my cubicle, perhaps by recommendation. He introduced himself and then asked me,

“Can you do clean up?”

And I’d never done clean up. All I had done at that point was Character Church's Chicken Commercial 03Layout and that’s a very different skill set. I had also animated and inbetweened but I hadn’t ever done any clean up.  Nothing that I had done up to this point required me to clean up my roughs in any final way.

Well, I knew how to inbetween so I didn’t think it would be that difficult to do clean up. So I said,

“Oh yeah, I know how to do clean up.”

So he says,

“Oh good, because I have this giant stack of drawings. Can you clean this up by this date next week?”

“Oh yeah, I do that all the time,” He smiled, thanked me and waked away.

As soon as he was gone I went into complete panic mode because I hadn’t done any clean, ever.

Crash Course Time

Church's Chicken Commercial 04So I immediately got up, went to the phone, and called up a good family friend of mine that happened to be a clean up artist at Disney,

“Dude, you have to have lunch with me TODAY. You got to tell me everything you know about doing clean up.”

That day I drove over to Disney, we went to the his desk, he showed me what he was doing and how he did it and basically gave me a lesson on clean up during lunch.

Then I came back to the studio and started working on the clean up job.

The Result

It turned out fine. It was good work. I did a professional quality clean up job.

Church's Chicken Commercial 05I had never done it before. I had just been taught to do it.  As I did, I got better at it. But it wasn’t super difficult for me to do.

I had enough experience at that point to be able to pull something like that off. Learning clean up wasn’t too far off from my general experience that I didn’t know what I was doing. It turned out I knew how to do it well.

There’s more to clean up than just pretty lines. It’s also doing good inbetweens AND there was a part that I was asked to reanimate  and time as well.

Clean up itself was just a skill I needed to know to round out my education and it wasn’t a big barrier.

I hope this is helpful and instructive.

Just remember, if you don’t know how to do a thing but you’re reasonably sure you’ll be able to learn it quickly and handle it, go ahead and accept the job. As long as you then quickly learn how to do it.

You get more experience that way. You learn more skills and your perceived value increases.

Here’s The Final Commercial:

https://www.youtube.com/watch?v=wqXvmPYBc50

Special For All My E-mail Subscribers

Sit in on an audio conversation with Simpsons artists.

In this week’s e-mail, I sent out an audio recording of a lunch conversation I had with my friends and co-workers: Paul Wee, Tommy Tejeda, and Herman Sharaf.

You basically get a virtual seat at one of our many crazy and fun “comic book Wednesday” lunch conversations.

If you want to hear it, opt in before Thursday of next week and I’ll send it to you.  Who knows, if everyone likes what they hear, there might be more to come.

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


MOVIES – Superman: Man of Steel

So Awesome. I hope it’s as good at the trailer makes it seem:


For more comics and stories written by me: COMICS AND STORIES

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I also have a store. Click Here and check it out.

 

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Increasing Your Value as an artist by Doing What Others Can’t or Wont do.

December 6, 2012 in BLOGS, THE SIMPSONS NEWS, WEBSITES

THE SIMPSONS NEWS – Increasing Your Value as an artist by Doing What Others Can’t or Wont do

Simpsons Quote:

“You tried your best and you failed miserably. The lesson is: never try.” – Homer Simpson

Sometimes an art job is…well, to put it mildly,  unappealing.

Artists simply don’t want to do it or don’t have the skill to.

At some point, after being in the art industry for a while, you can choose what jobs you’re willing to have and which ones your not so excited about.

Let’s say, for whatever reason, you turn down an unappealing job. In fact, it’s an unappealing job that MOST artists turn down or can’t do, though it’s still a good paying job.

You’ve just thrown away an opportunity.  That job that no one wanted or couldn’t do, may very well have been the job that set you apart and made you look better than the rest. You would have become a more valuable artist.

I’m going to be talking about that in this week’s post. How doing what others can’t or wont will increase your value as an artist:

Drawing as Work

I just wanted to point something out that I’ve noticed and this is something that happens in just about every industry, and the art industry is no exception. The job is perceived as work–it’s a job.

We get our job done and then we go home, and we want to relax and have nothing to do with our job. An artist draws all day, for eight hours, and goes home and just wants to relax. That’s okay, that’s perfectly fine.

The thing is, sometimes an artist is given an opportunity in work or freelance to do something that might be more work. This work  might be a pain in the neck, something they don’t want to do. But, it’s something necessary that whoever is giving you the job is really counting on it getting done. So they go to you, and you turn it down.

What does that do to you?

Well you’re not the go-to person after that. But had you said yes and accepted the job, your perceived value from that person would’ve gone up.

What Happened to Me During THE SIMPSONS Movie

Let me show you an example from my life from both sides, when I turned down a job and when I didn’t. They happened around the same time.

During the Simpsons movie, there was a ton of work that had to be done at the Fox lot. What ended up happening was that production would come around and ask artists,

“Can you work this weekend at the Fox lot?”

Just imagine how the artists were all overworked already because production was heavy. We needed a break, we needed a little rest. We wanted a free weekend. Just about everyone refused.

When they came and asked me, I said yes, and I was on the Fox lot working on the weekends. I thought it was a good opportunity and a good place to be, and it turned out I was right.

I eventually ended up working at the Fox lot ONLY.  I was among all the other people who had agreed to come to the lot on weekends. The perceived value of every artist at the Fox lot increased, and it was much easier for us to be the go-to people than the people who refused.

How I Lost my Freelance Gigs

While I was working at the lot, it was a very intense and very heavy duty experience. It meant I had no free time, I had to stay there, and had no control over when I could leave.

I got a phone call from one of the art directors for the comic book that I worked on. I’ve been doing comic books on the side for twelve years.

The art director called me up and asked me to do a freelance job while I was at the Fox lot. He was desperate, and he was begging me to take the work. I couldn’t do it. If he had given me the work, there was no way I could meet the deadline. I wasn’t in a position to take the job.

Because I couldn’t accept the job, I hadn’t been called back by him in five or six years.

The Point

So, you take the opportunities that you can get. Don’t refuse work because you don’t want to do it; I refused it because it wasn’t humanly possible to do it, and even THEN it had negative effects.

I took the work that no one else wanted at the Fox lot, and it benefited me.

I recommend being willing to do what others are unwilling to do, and being willing to do what others cannot do, and that will increase your perceived value as an artist and secure more work in the future.

E-mailing Bum Thumbnails from “The City of New York vs. Homer Simpson” episode

This week my newsletter group gets a behind the scenes look at my thumbnails  of the bum in this scene:

http://www.youtube.com/watch?v=CSCcUWrxKeM

If you want to get in on this exclusive, opt in below before next Thursday and I’ll send you a copy of the e-mail as soon I’m able.

 

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PODCASTS – Man vs. Art #75

I was on the Man vs. Art podcast on episode 75. Raul and I had a conversation about art and specifically I talked about my drawing site.

It was a good time. I laughed so hard during our talk.

Raul also put all kinds of goofy music and sound effect depending on what we spoke about.

If you want to hear out conversation go over to the Man vs. Art site and give it a listen.

And make sure to check out the post because Raul has done a cool little video about drawing a picture using “The rule of thirds”.

WEBSITES – Designing Super Basic Compositions

New drawing website post is up. This time I took on the daunting task of picking ONE tip on composition and wrote about it.

Really, it feels ridiculous to only pick one.  I’m not sure what it was about this particular post compared to the other ones but this one REALLY felt like was I leaving a lot out.

Did I not pick the right principle to talk about? I’m not sure.

You be the judge. Go read it and let me know:

Designing Super Basic Compositions

For more comics and stories written by me: COMICS AND STORIES

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Increase Your Value as an Artist by Learning to Draw What You Don’t Like.

November 29, 2012 in BLOGS, THE SIMPSONS NEWS

THE SIMPSONS NEWS – Increase Your Value as an Artist by Learning to Draw What You Don’t Like.

Simpsons Quote:

Homer: But every time I learn something new, it pushes out something old! Remember that time I took a home wine-making course and forgot how to drive?

Marge: That’s because you were drunk.

Homer: And how!

If there’s something you don’t like to draw as an artist, it’s very possible that there’s a simple reason why.

There’s also a way to actually start liking to draw what you originally didn’t like once you fix this problem.

On the show, as a Layout artist, you are often given assignments with things you simply don’t want to draw or don’t like drawing.  As a professional, you don’t always have the luxury of simply skipping over the parts you don’t want to do.

On this post, I’m going to be sharing with you what I did to start liking to draw what I didn’t like.

You can either watch the video or read the post.  The info is the same, only the post has a few example screenshots AND I added ANOTHER video of an example from an Miyazaki movie I didn’t mention in the video:

The Stuff We Tend Not to Like to Draw

I’ve learned to draw what I didn’t like to draw and by doing so discovered that I liked to draw those things.

And here the things artists usually don’t like drawing, mechanical stuff, stuff in perspective, backgrounds, buildings, cars…etc.

A lot of time, as artists, we just don’t like to do that because we see it as too technical, and rigid.

Ironically, that’s what makes it easy. Because it’s mechanical it’s a little more “mindless.”

How You Can Learn to Like It

But once you know how to do it well enough you find the things that make it exciting, gestural, and dynamic. Then it suddenly become fun.

But you have to actually get good really at it before you really start enjoying it. That’s part of the reason you don’t enjoy it, because it’s still technical and you haven’t found the “art” of it. Once  you get passed that point, when you finally start to get it, it start becoming fun.

You start experimenting more, and it become much more entertaining.

How I Learned to Draw and LIKE Drawing Cars

I’m going to give you an example, from my work life.

I used to be a Character Layout Artist and I didn’t like drawing cars. Car where a pain in neck.  They were no fun.  I wasn’t good at drawing them and it felt too much like a technical drawing when I worked on them.

One time I had to do a scene on one of the episodes (Realty Bites) where Homer and Snake where fighting on top of Snake’s car Little Bandit.  Little Bandit was like a convertible and then they had to fight on top of this moving car.

So I had to draw the car and I had to draw the fight scene.

I like drawing fight scenes, I always find them to be  a lot of fun. You get to be dynamic, and it’s really exciting. I wanted this section of the show. I wanted to do these scenes but they had a moving car.

Lucky for me, the A.D. (Assistant Director) of the episode was really really good at drawing cars. So much so that it was his hobby. He liked to drawing cars for fun. It’s what he drew in his spare time.

So I went over and asked him,  if he could give me some pointers. Just what is it that I should do when drawing a car? How do I make the process easier and faster?

He sat me down for about thirty minutes to an hour and gave me lessons on drawing cars.

One big take away from this lesson was when drawing cars, you should give them shocks. That way, the car’s wheels will stay on the ground, but the top part of the car will move a little bit.

Just that little tip was enough to expanded my mind. It was so perfect, because I could give the car gesture.

When you’re first drawing something, you’re usually drawing gestures. You’re usually drawing the power, the punch, the physics, and then you draw the figure around those elements.

When you gave the cars shocks, you get this extra element of physics and power you could add gesture to. Suddenly drawing cars became so much more fun.

I didn’t draw the cars perfectly, but I wanted to start drawing them.

Part of me always liked Japanese cartoons. I wanted to be able to draw giant robots, and machines like they do in those cartoons. Like that crazy car chase scene in Hayao Miyazaki‘s CASTLE OF CAGLIOSTRO. Brilliant BRILLIANT!

No computers used, ALL HAND DRAWN.

http://www.youtube.com/watch?v=oxbum3is6G0

This sort of thing was was kind of driving me too (no pun intended).

The REAL Problem

This is when I realized that the reason why I didn’t like drawing cars is because I didn’t know how to do them well. Therefore I couldn’t find a thing about it that I liked doing. Once I did, then it was fun, and I didn’t mind it.

It became a fun challenge.

And in animation you don’t just draw one car. You have to draw, like, a billion different little cars and different positions, as they move though space. So I appreciated the lesson.

My Advice to You

If you have something you don’t like drawing, go out of your way to find somebody you can learn from.

Or just go out and do the things you don’t like to do, and FIND the thing that makes you like it. This will increase your value as a artist more. You’re probably not the only one who doesn’t like drawing that thing.

If you can do it and others can’t or won’t, suddenly, you’re more valuable. Everyone else is skipping out on that stuff  which means, YOU shouldn’t.

Alright I hope this is very helpful.

E-Mails and Comments

Please leave a comment, and opt in to receive emails from me.

This week I sent out an e-mail where I talk about the LOGORAMA Simpsons spoof I storyboarded.

If you want to receive this e-mail, opt in before Thursday of next week. The opt in is down below the gratuitous screen shots of Homer punching Snake in the face.

 

Sign up for, special content that I will NOT post on the blog. Don’t miss out.


BLOGS – Simpson Musings 500

Want more Simpsons goodness? Then you should definitely go read the Simpsons Musings 500 blog.

Its a blog written by Chris Ledesma Music Editor of the Simpsons and it’s fantastic.

In fact, I don’t know how he does it but Chris is dropping all kinds of news and info on upcoming shows that I wouldn’t dare say.

It’s actually REALLY cool.  He lets you know what shows he’s working on, and explains the process as he tells you about the up coming shows that haven’t been aired yet.

I talk about old shows, he talks about new one.

AND he talks about the creation of the music for the show, which is fascinating.

I highly recommend it. Check it out.

 

For more comics and stories written by me: COMICS AND STORIES

If you like what you read, please consider signing up to my rss feed.

I also have a store. Click Here and check it out.

 

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Hi, Welcome!

This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

I update this blog once a week, on Thursdays and (sometimes) Fridays. If you don't see anything new, just check back on one of those days.

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