Luis' Illustrated Blog

Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
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    • 04 Juggling overlapping art decisions
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More Yoga logo designs. My CTN Expo experience. Pixar Ghettomation. Joined in on the JAVILAND podcast.

November 26, 2009 in ART, MY WEEK, PODCASTS, THE SIMPSONS NEWS

THE SIMPSONS NEWS

This week and last week I worked on next year’s Halloween special.  There is a board game story in it, but I won’t say anymore than that.  I stayed late working on the show since Thanksgiving was going to take away a few days of work from that show.

On Wednesday  I moved to the crew I’m going to be working for, for the next few weeks.  I enjoy working for these directors, so it seems like it’s going to be a fun show to work on.

ART

I continued working on my sister’s logo designs this week.  Here’s what I did and why:

Silhouette lotus position

I started by reworking the rough silhouette from last time so that the girl would be in a lotus position. My sister had given me some more ideas for items and I put them in the drawing.  I cleaned up the circle also, mainly because I wanted to see what it would look like. I got rid of the laptop frame and used it as one of the interior items.

Coloring the silhouette

I thought that it we time to start defining the exterior of the design.  my first approach was to do it with color. I took the colors I thought I would use and started defining the drawing better.  I got stuck though. I wasn’t really sure where I was going and what was what.  It was too confusing for me to work this way so I changed my mind and decided to use lines to define the details.

White lines for interior detail

I used white lines and decided to just draw inside the silhouette, using the same shapes I had already defined with the color pass. I added a temporary background because I found that I when the white line hit the “paper” it got lost.  I had chosen to draw a really squished  rectangular head for the girl.  This gave her a very big chunk of hair on top.  The reason was mostly to create contrast between the too parts (face and hair) which creates interest. Then I drew the face. The details of the figure where taken from what I saw my sister wear in some pictures on her her site.  The girl is suppose to represent my sister without being a direct caricature of her.

Refining the lines

I was happy with the rough white line pass but I couldn’t quite clean up the line without doing a slightly more defined rough of certain areas.  Such as, her legs and feet, as well as, her hands in prayer position.  The red line is the clean up line while the blue line is my rough, definition drawing.

First clean pass

Once I was done, I turned the red line black and got rid of all the roughs and silhouette.  I sent the drawing to my sister and she gave me some suggestions that I will add next.  I will also begin to color it and add detail to the items.  I hope to be done with this logo next week.

MY WEEK

I went to the CNT Animation Expo last Sunday. In order to not pay for parking, I parked at the Simpsons’ Studio (which was  two blocks away) and rode my skateboard to the Convention Center.  As I was doing so, I did the idiotic thing of trying to text my wife something as I rode my skateboard.  The following event occurred shortly after:

skateboard-bailout.jpg

The board’s front wheels got caught on an upturned chunk of sidewalk and I totally bailed.  My phone went flying out of my hands, the battery flew out,  my phone slid face down on the cement away from me as I lay face down on the side walk. Comedy gold. After I got myself up and unsuccessfully tried to recover my dignity, I put my phone back together and discovered, to my great relief, that it still worked.  I continued my ride feeling stupid.  As I approached the Convention Center, I stopped at a light and suddenly discovered that I was in pain in two places.  I checked those two place.  My elbow was very scratched up and looked bad, but wasn’t bleeding.  I then checked my knee. My pants where ripped and when I lifted up my pants leg I discovered it was bleeding.  That’s when  I thanked God that all I had gotten was a scratched knee.

First thing I did, when I got to the Convention Center was find a bathroom and cleaned the wound. I now have a nice scab to show as a souvenir.   Then I bought a ticket and went in to the Vendor’s Hall. It was small but full of great vendors and artists.  It was worth looking walking through.  Lots of great books there. The were also a ton of students and pros walking around with portfolios, looking for work and asking about the state of the industry from other pros. In the center of the Hall was a stage with where two artists did demos for all to see.  The artists were very accessible and were rotated every hour.  At the time I had walked in, J. Scott Campbell was on stage drawing and talking to a handful of people about his art and influences.

I quickly got bored after walking around the hall for an hour.  It was small and I had seen everything by then. If I had gone to a panel, I wouldn’t have been bored but I hadn’t bought a ticket that allowed me to go to any panels.  They were too expensive.  The real reason I was there was to talk to friends I hadn’t seen in a while as well as meet up with new artists a didn’t know.  This didn’t really happen.

I left the Convention Center and went to lunch.  On my way back from lunch, I told myself that if I couldn’t find anyone to talk to, I would just leave.

Walking back into the Vendor’s Hall, I instantly regretted having gone to lunch. On the stage in the Hall was none other that Marcelo Vignali. He had been talking and giving a demo there the whole time I had been at lunch.  He’s one of my favorite artists and one of the top Development Artist in the business. Since I’m interested in doing Development Art, I would have loved to have been there through out this whole demo.  As it was, I caught the last fifteen minutes.  There were  a ton of people around him asking him really good questions.  I just sat there and soaked it all in. Afterward, he got down off he stage and a small group of students, followed him out of the Hall where he sat down and drew for them.  I followed and gawked at Marcelo‘s skill, trying to soak up everything he did as he drew.  There is nothing like observing how a Master artist approaches drawing. I learn a ton, just watching.

One of the students was smart enough to have Marcelo, look at his a piece of work he had done, so that he could give him his take on it.  Marcelo did, and as he did so, explained his process. It was amazing.  I couldn’t believe it. He blew my mind.

marcelo-teaches.jpg

Later, when all the students where gone, I reintroduced myself to him. I reminded him I had had lunch with him, my friend Paul, and a few other people some years ago when he was still working at Sony. I talked with him about his process a bit more and about sketching for fun.  He gave  me some advice on how to include my kids when I sketched, so they could do it too.  It was great.

I left the Expo right after that. I felt the expo was time well spent.

ART

Last week I wrote about Jim Lujan‘s latest short film. Jim does what he dubs “Ghettomation“. It’s do it yourself (DIY) animation. He strives for clear storytelling without all the time consuming billions of drawings it takes to make a fully animated film. Many people in the animation industry might scoff at this idea because it’s not “well animated”.

I’m a trained animator. Once upon a time, I thought that if a movie was poorly animated, it wasn’t worth my while. This opinion has changed a lot since then, I’ve come to the conclusion that “well animated” films, are not necessarily good films. I think it’s far more important to have an animated “good story, well told”  even if the animation isn’t the best.

Ghettomation is no exception. There is a such thing as great Ghettomation.  Case in point, behold, what Jim Lujan calls “Pixar Ghettomation“:

For more on Ghettomation, visit Jim Lujan and Kevin Cross‘ Ghettomation podcast.

And speaking of podcasts…

PODCAST

I joined the motley crew of cartoonists on the JAVILAND podcast (episode 28) this weekend.  It’s the first time that I’ve been on a podcast and not only NOT been interviewed, but my job as an artist is actually taken for granted while we talk about art. Check it out:

Directly from Talkshoe,

or

The JAVILAND Podcast.

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Comments are appreciated as well.

I also have a store. Click Here and check it out.

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Writing this blog is almost a part time job for me. Tips are most welcome.


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Yoga Podcasts and YoGeek.Me Designs. Jim Lujan’s newest cartoon. Cartoonists helping one of their own.

November 19, 2009 in ART, BLOGS, FAMILY, PODCASTS, THE SIMPSONS NEWS, WEBSITES

THE SIMPSONS NEWS

Worked overtime this Saturday. It wasn’t nice.  We got what we needed done with time to spare though. The show looks great.  I even got an hour to relax on Tuesday before I went home.  Yay!

FAMILY/ART/PODCAST/BLOG

So my sister has commissioned me to design her a logo for her Podcast (www.elsiesyogakula.com) and her business (http://yogeek.me).  She’s a Yoga instructor. She sent me a few example drawings of things that are in the general direction of what she wants, as well as some photos of herself in poses she though I could use. One example was a few very interesting cartoony silhouettes in yoga poses, and the other is of a cartoony Vishnu/Shiva like multi-armed woman with all kinds of devices and things in her hands (no I’m don’t worship these gods, nor does my sister).  My job is to come up with something that has the general idea of the things she sent me without actually copying those things.  Very tricky.

She asked me to do it in “my style”, but, to be honest, I’m not sure what that is.  The “chibi” style I usually do on this blog, and in my upcoming Black Terror Kid comic strip, is not necessarily what I consider “my style”.  It’s just what’s easiest for me to do. My “short hand” if you will.  Does that make it my style?

So I don’t even know if I’m going to use that style for these logos. Although, it might be the first place I start.

So…here I go. The following is the start of my process of figuring out what to do:

silhouette bug looking things

So I chose to start designing the logos using  silhouettes. It’s a technique I first saw used in a book called: The Skillful Huntsman. I chose this method because I figured, if the silhouette, by itself, reads well, adding detail would just be icing.  My first attempts above, where my attempt to use my “Chibi” style for the logo.  It wasn’t a good style to use though.  It was too squat and compressed.  In the end, the drawings just look like weird bugs. I quit using the style without refining the drawings.  It would have been a waste of time.

Yoga multi-armed tech silhoutte

My second attempt was to try a style that was a little like the “Chibi” style, only with more stretched out proportions.  This worked a little better. It was clearer.  Only it looks like the character is juggling.  Also, it was too much like my source material.  I didn’t want to directly copy my reference.  

Yoga multi-armed tech silhoutte version 2

I chose a standing position to try to make the drawing something a little different than the reference.  The proportions of the figure are much more naturalistic but still very designed.  I think this is closer to the direction I should go. It’s a very clear design. Unfortunately, this doesn’t quite say “Yoga” to me.  I also need more tech and health silhouettes in the hands. I’m going to have to go over this with my sister. She might have an idea as to what direction to go.

Yoga Up Facing Dog

This last one is my first attempt at the podcast logo.  It’s based off the photo my sister sent me, which is the same as her site photo.  This was a happy accident.  It just looks like a big brush stroke.  I almost just want to keep it this way.  Still, I might play around with it a bit more. I’ll also try working off the other photo she sent me to see if I can’t do something similar with that.

That’s all I have so far. I’ll post more next time.

ART

Fellow CARTOONISTA, Jim Lujan, has posted up the second part of his John Henry Unicorn trilogy.  The story is basically about a manipulative cult leader that causes mayhem wherever he goes.  It’s a dark comedy Jim wrote, directed, animated, voice acted and wrote the music for.  Jim is a very funny and very nice guy.  His humor stems from taking the things that make odd people odd and exaggerating them. It’s very observational.  His art is very reminiscent of Mike Judge‘s art (creator of Beavis and Butt-head, and King of the Hill), only he drew this way before he ever saw any of Mike Judge‘s early films and Jim‘s drawings are a bit more stylized.

This lastest cartoon took him 2 months to do, off and on, during his free time. He assures me that it only took him this long because he was getting used to his new iMac.  He told me, the next one would be done faster.  This is just amazing to me.  He was able to do a cartoon, by himself, in the same amount of time it takes most artists to draw a comic book.

He makes me want to try it myself.

My favorite part is the wig bit.  That really cracked me up.  The ending was very odd and very silly.

WEBSITES

Tom Bancroft posted this on his Deviant Art News page.  I thought I’d share it here since it’s a good cause:

ART AUCTION on EBay. Former Disney animator and author Tom Bancroft along with Tony Bancroft (yes, he was also a Disney animator, my twin, and directed MULAN) and a friend (Chad Frye) are putting together a huge Ebay art auction for the Hodge family and their son, Matt. Tim Hodge (the dad) is a long time friend (my family has know their’s since our kids where babies!) and Tim is a former Disney storyboard artist and Big Ides Productions director. His son, Matt, a 17-year old senior in high school was in a terrible accident when his car was hit by a train a couple months ago. He is still in a coma because of the head trauma. Their family is in need of financial help. Thus, the art auction.

The plan is to have the auction hit Ebay in about a month (beginning of December). We have sent out notes to some of the biggest names in animation, comic books, comic strips, and illustration for donations. We are getting in great artwork every day! (I met with John Pomoroy yesterday, who contributed a signed animation drawing!)

Please go to our preview site at: [link] to see what has come in so far and keep going back for more and more artwork as it comes in and updates about the auction. I’m counting on all of you to spread the news about this site and auction! Tell all your friends, these will make GREAT CHRISTMAS PRESENTS!

Some of the artists that have donated or have promised to are: J. Scott Campbell, Chris Sanders, John Pomeroy, Drew Struzen, Peter DeSeve, Stephen Silvers, Charles Schutz’s family, Patrick McDonnell, and so many more!

 

BLOG

I was just checking out Paolo Rivera’s blog.  His stuff is so COOL!  Man, the guy rocks.  He has a video of his process HERE.  Here’s a video interview with him:

 

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CLICK HERE to buy an Uncle Chestnut T-shirt with my art on it.

If you like what you read, please consider signing up to my rss feed.

Comments are appreciated as well.

I also have a store. Click Here and check it out.

If you would like to have a text ad on my site, click on the red BUY LINKS button under the Archives list.

And while you’re at it, please Digg me too.

 

Writing this blog is almost a part time job for me. Tips are most welcome.

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Cartoonistas. Overtime. Black Terror Kid.

November 12, 2009 in ART, PODCASTS, THE SIMPSONS NEWS

THE SIMPSONS NEWS

I’ve been working late hours this week.  Monday, Tuesday, and Wednesday I had twelve hour days.  Two days of overtime, and one day of making up hours because I’m going to be coming in to work late on Friday.  Today (Thursday) is the first day I have a regular eight hour day and I’m looking forward to it.  So far, the show I’m working on, looks like it’s on track. Still, I feel sooo tired.

ART

Last Friday, I was invited to my friend Raul‘s house.  He was having a “Sketch Party”.  The sketch party was described as a party where we would bring our favorite or current sketch book, show it off, as well as draw some. But this was not  just any sketch party, it was a Cartoonista sketch party.

What’s a Cartoonista? The Cartoonistas describe themselves like this:

We are a loose collective formed between friends to promote their arts and events in the San Gabriel Valley areas.

I was invited to come to the party because I was asked to join the group, sponsored by Raul.  I’m at a place in my life right now artistically, and socially, that I thought this would be exactly what I needed in order to develop as a person and as an artist.  My social skills are lacking terribly, so I figured, if I join a very social, self motivated, group of artists, not only would it be motivating, but through my art, I could learn to be more social.  Especially in an environment where we can all talk about things we have in common.

Well, the party was a blast.  Raul‘s wife Hortencia made the yummiest food.  She really went all out.  I also drank tons of her horchata. It was really yummy. Thing about being in the room with bunch of Cartoonistas is that the jokes don’t stop coming. It’s as if everyone has to come up with as many ways to make other people laugh as frequently as possible.  It was darn funny and fun being around these guys.

We had an “initiation ceremony”.  Raul suddenly ran upstairs to get “something”.  It’s funny because everyone got nervous that he was going to bring down something crazy for the “ceremony”.  When he came back down, we saw he held three books. A fancy Frank Miller hard cover book, an Essential Amazing Spider-Man, Vol. 2 trade paperback which contained Ditko and Romita Sr. stories in them, and The Illusion of Life: Disney Animation. We were to pick  a book to be “sworn in” on. That was pretty funny (I chose the Spider-man comic).  But our swearing in was pretty darn silly too.  I was going to pick that moment to do a cartoon, but it turns out the whole thing was caught on video, so I’d just put that up instead:

It’s very overwhelming to be a Cartoonista. The amount of art these guys produce is ridiculous. But don’t take my word for it. Here’s the link of to all the Cartoonista‘s sites:

  • JAVIER HERNANDEZ
  • JIM LUJAN
  • GRASIELA RODRIGUEZ
  • RAUL AGUIRRE
  • TED SEKO
  • WILL CAULFIELD
  • STEVE ROMO
  • MICHAEL AUSHENKER
  • JOSE CABRERA
  • ROXANA JAVADI-KASHANI
  • BERNICE TALLEY
  • GEO BRAWN IV

Thanks for inviting me to join in guys.

ART

I’m taking a break from the Disneyland story again.  To be honest, I was hoping to have gotten it done already.  I kinda want to do something else and it’s starting to feel like work.  I don’t want it to feel like work, I want to have fun doing it, so I’m hoping to get back to it after I take a short break.

Having joined the Cartoonistas, has really put a lot of pressure on me to want to, “earn my keep”.  To this end, I have resolved to, at the very least, finish a comic strip or two, and maybe actually get a small irregular webcomic up and going.

Before I had joined them, I had also resolved to draw, a minimum, of one (non work related) drawing a day. With one very important rule: I must have fun drawing it. For years, I have not been having any fun drawing outside of work.  For the first time in a long time, I drew something that I truly had fun doing when I was drawing  the Superhero Versus Superhero drawings, earlier this year (click on the numbers to see what I’m taking about: 1,2,3,4,5,6).

Now I go home and draw  something at home and it’s actually fun.  I will occasionally put up one of these sketchbook drawing on this site.  Like I’m doing today, but most of the time, if I’m happy with something I drew, I will put it up on my Deviant Art page.  I invite you to wander over there once in a while to see if I’ve put up something new.  Here’s my latest drawing:

Black Terror Kid

I’m in the process of teaching myself to paint again.   My current goal is to build a “development art” portfolio.  With the industry going to mostly digital, most of the drawing jobs are behind the scenes in the development process. In order for me to continue drawing for a living, I need to step up my skill set to be able to do  development art as well. To this end, I need to just produce as much art in that vain as I can.

PODCASTS

More Podcast for you to try listening to. This time, it’s some Cartoonista podcasts:

  • Javiland Podcast: Javier Hernadez‘s podcast where he discusses drawing indy comics.
  • Ghettomation: Jim Lujan and Kevin Cross discuss making homemade animated films.

Check them out.

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CLICK HERE to buy an Uncle Chestnut T-shirt with my art on it.

If you like what you read, please consider signing up to my rss feed.

Comments are appreciated as well.

I also have a store. Click Here and check it out.

If you would like to have a text ad on my site, click on the red BUY LINKS button under the Archives list.

And while you’re at it, please Digg me too.

 

Writing this blog is almost a part time job for me. Tips are most welcome.

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Halloween. Chuck Jones stories. Animation Expo

November 5, 2009 in ART, PODCASTS, THE SIMPSONS NEWS

THE SIMPSONS NEWS

We had the studio Halloween party last Friday.  Overall it looked like it wasn’t going to be much fun. The studio has so few people the party almost looked deserted.  Things pick up when the costume contest began.  Suddenly the party got really fun.  Lots of cool costumes, including a group of people who dressed up as the cast of Gilligan’s Island (Ship and all).

As far as the rest of the work week, not much to report. Just churning away at scenes.  Today I’m going to be staying late to make up for the fact that I’ll need to come in late tomorrow.  Outside of the party, it hasn’t been too eventful

FAMILY

Taking another break from the trip to Disneyland story to write about Halloween.

I don’t like Halloween.  I’m not into dressing up and I’m not into going to parties, so Halloween does nothing for me.  That being said, I had a great Halloween this year.  Perhaps the best one I’ve ever had.  Why? Because of my kids.

We didn’t know what we were going to dress the kids up as for Halloween.  On Friday at daycare, they had gotten their faces drawn on so that Munckin looked like a dog and Dante looked at like a cat.  Munchkin really enjoyed that. So much so that when I wiped the paint off later, she got very sad. After that, we knew what she was going to be for Halloween. Dante was not so attached to the cat idea.  He really didn’t seem to care one way or the other.

On Saturday, we made our way to some Halloween stores where we bought some paint and a tail for Munchkin’s costume and figure out a costume for Dante.  He didn’t want dress like a monkey so in the end, we dressed him up like Superman.  When I showed him the costume we got him, he laughed out loud.

I had fun painting Munchkin’s face.  All I did was paint a white eye patch around one eye and then I painted her nose and put some “muzzle” lines around her mouth. She looked great.  Alesha later did her hair to look like floppy ears. When we put on her tail, she shook her hips to make her tail wag.  She was having fun being a puppy.

We met my parents, my brother, my sister-in-law, and my nephew Paolo in front of a library where the stores in the area where doing a trick or treating event.  There were tons of kids and parents everywhere and we saw all kinds of costumes.  Little Paolo and his mommy were all dressed up like 50s greasers; even down to Paolos converse sneakers.  He was very cute.

Once we met up, we went Trick or Treating. This is where it just became super fun for me. Dante was too little still to really enjoy what was going on.  He had a good time but not in the same way that his sister was having fun.  She was really into it. It was a joy to see her go up to get candy.  She’d been watching Halloween cartoons for days and, for her to actually be doing the Trick or Treating that the cartoons showed, must have been the best thing ever.

Unfortunately, not everyone in the group was up to the task of taking the kids Trick or Treating for long.  After, about an hour an a half or so, we had to call it quits.  The ordeal was too tiring.  We all went back to my brother’s house, hung out and had dinner there.  That was fun too.  The kids ate candy, played and ran around. Meanwhile we watched Looney Toons talked about them and other things. It was fun.

halloween.jpg

We had to leave at 7:00pm though because my brother had to wake up early the next day. Still, it was a great day.

PODCASTS

Last week I wrote about the art podcasts I had been listening to but I left one out.

The Man vs. Art podcast.

Well, I just thought I’d plug it again.  Especially since the latest podcast has a Halloween theme and a Looney Tunes theme as well. Which is a strange coincidence since watching  Looney Tunes was part of my Halloween.

Raul goes into some interesting stories that Bill Melendez told him about working at Warner Brother on Looney Tune cartoons, back in the day.  Check out the podcast.

ART

Nov.  20-22 is the CNT Animation Expo, here, at the Burbank Convention Center.  It actually sound like great fun.  It’s like a little Comic Con but only for animation. Some of the best artists in the industry will be giving talks over their area of expertise. Many of the major studios will also be recruiting there. It’s a great place to get connections and network. It’s also only a block away from Starz Media/Film Roman, where I work.    I really want to go.

The only thing I don’t like about it, is the cost.  If you didn’t sign up before Oct. 31st, you have to pay 70$ to get in, in order to participate in any of the panels (which is really, the best reason to come). Otherwise, you just pay 25$ and you get the run of the show floor.

If you’re interested, CLICK HERE to get to the website.

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CLICK HERE to buy an Uncle Chestnut T-shirt with my art on it.

If you like what you read, please consider signing up to my rss feed.

Comments are appreciated as well.

I also have a store. Click Here and check it out.

If you would like to have a text ad on my site, click on the red BUY LINKS button under the Archives list.

And while you’re at it, please Digg me too.

 

Writing this blog is almost a part time job for me. Tips are most welcome.


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Crazy deadlines, Trip to Disneyland part 6, Larry’s reel, my new obsession, Munchkin plays Dora on the PS2.

October 29, 2009 in ART, FAMILY, PODCASTS, THE SIMPSONS NEWS

Before I begin, I just wanted to ask you to leave a comment if you like what you read or if you like a specific thing I do.  I tend to just write about what I feel like writing about but  I like knowing what you like to me writing about or would like me to write about. I’ve only received one or two comments in a long time and maybe it’s my fault for not responding more often to comments but it also seems like no one is out there.  Thanks.

THE SIMPSONS NEWS

Crazy work week this week.  I was given an enormously complicated section late Friday. I had to combine three scenes into one long pan scene. This wouldn’t have been such a big deal if it wasn’t for the fact that I had been given many more scenes besides this one to finish.  The pressure came because I only had Monday and Tuesday to really work on the scenes before I was to move on to another crew.

I worked on and finished as many  priority scenes as I could get to before I got to the big one.  When I finally did get to it (on Friday near the end of the day) I discovered it was a technical nightmare. I had to figure out a way to use the original scenes’ artwork with the main scene I was combining them with.  It took a very long time just to get all the artwork to be the right size. Then I had to add acting as well as separate the characters so that animation cycles could be made out of them and figure out all the camera movements.  This took me all day Monday and by the end of the day, I still wasn’t finished.  On Tuesday I went back on the scene and started hacking away at the last of the scene.  I honestly didn’t think I was going to be able to get it done.  To my surprise, I did. It took me 20 minutes to export the artwork so that it could be edited into the reel.  This usually takes seconds, or at the most, a minute or two.  I had finished with hours to spare.

This allowed me to finish working on all the other scenes I hadn’t gotten to that were of lower priority. I needed to get those scenes done before 3:00 pm because at that time, I need to be at a story reel meeting for my next crew. That, and the fact that it was almost time for me to leave work because I had gotten in early and I was not approved for overtime. I managed to finish those scenes with 15 minutes to spare and I felt very relieved and good about myself when I finally left work

When I got into work on Wednesday I checked the reel to see how the big complicated scene played out in the end.  Turns out the director must not have liked the way it looked because he had re-separated the scene into five scenes. I felt VERY frustrated.

Sometimes a scene has to be tried out before it can be seen to not work well.  I just happened to have worked on one such scene.

FAMILY

For Part 0, CLICK HERE.

For Part 1, CLICK HERE.

For Part 2, CLICK HERE.

For Part 3, CLICK HERE.

For Part 4, CLICK HERE.

For Par 5, CLICK HERE.

After our walk through Mini Mouse’s house, we made our way to Donald Duck’s boat and Goofy’s house.  We all took a small break in Goofy’s house while the kids played with all of Goofy’s things. They had a blast playing on Goofy’s piano:

singing-at-goofys-house.jpg
We were all hungry and needed a restroom break so after leaving Goofy’s house, we made a restroom stop and then made our way to the Toon Town food Court.  The options were very limited.  The food was not very good either.  The entertainment, on the other hand, was great.  Goofy decided to take a break for a few minutes, by going into the Library (as in back stage) when he came back out, he did so with much fanfare.  He was trying to do a cool dance but kept messing up and having to go back inside in order to come back out and try it again.  After three times of doing this, he managed to pull it off. His big finally was semi-standing on his head. It was pretty impressive for a guy in a big suit and mask:

goofy-handstand.jpg

To be continued…

ART/PODCASTS

So, if you’ve been paying attention, you’d notice that I was writing a lot about board games a few months back, and then it slowly drifted to writing a lot about Role Playing games.  This is because all my free time was spent listening to podcasts, reading and thinking about these things. Mostly because of the podcasts though.  There came a point a few weeks back where I ran out of game podcast to listen to and I began listening to the non game podcasts on my ipod.  Some of the podcasts I listened to were illustration related podcasts like:

  • Ninja Mountain Scrolls podcast (a very funny group of sci fi and fantasy illustrators that give you a taste of what being a freelance illustrator is like) and
  • W.I.P. (similar to Ninja Mountain with a different group of people. Very enjoyable).  This lead me to listen to the
  • Escape from Illustration Island podcast (interviews with people who have illustration friendly resource sites for artist), which in turn lead me to listen to
  • Chris Oatley’s Artcast, (podcast about a fellow artist in the animation industry. He still has the fire that I once had when I started in animation.  Listening to him has helped me find that fire again) which pointed me to both the
  • Big Illustration Party Time podcast (two illustrators who are trying to work on their own comic on the side) and the
  • Art and Story podcast (two other artist who talk about the process of creating their own indy comics) as well as the very inspiring
  • Steve Silver artcast (an animation character designer and caricaturist who loves to draw. He’s one of the best in the animation business and I was really surprised to discover he had a podcast).

As the gaming podcasts lead me into an obsession with games, the art podcasts has lead me back to my first love, art.  When I listened to gaming podcasts, I often wished I could game more or even create my own games.  I found no one wanted to game with me and I didn’t want to put in all the work I needed to do to create a game.  On the other hand, listening to art podcasts, has inspired me to start drawing again.  This, I can and will put effort into since it directly ties in to my work life and because it’s fun. If you suddenly start seeing a little bit more effort put on the artwork on my doodles or if you see the cartoons come out less often in place of some other kind of illustration or drawing, it’s because this is really where my mind is at right now.  I kinda want to keep it there for as long as possible.

FAMILY

I got Munchkin a used ($15) Dora the Explorer video game about half a year or so ago.  She loved it but she wasn’t old enough to figure out the controls. Not only that, but the game would often not even load on my old PS2.

Dora the Explorer: Journey to the Purple Planet Boxshot

A week ago I was talking with my brother-in-law Michael and he told me that he got a CD/DVD cleaner and it helped his old X-box play games that wouldn’t load.  I bought a CD/DVD cleaner last weekend and used it on my PS2 and my PS1.  Now all the games I load into the systems work.  I put the  Dora game in for Munchkin and she started playing it again.  Surprisingly, she was able to navigate the game better then the last time she played it.  She figured out how to move the character around the game world. No small feat for a three year old since the game is in 3D (ala Mario 64).  She also listened very carefully to what the game needed her to do and she began to do it.  She started to problem solve the game’s “problems” and came up with the right solutions.  It was amazing.

Now she plays the game for thirty minutes to an hour before bedtime.  She really enjoys it and I’m amazed at how good she’s gotten at controlling the game and problem solving.

ART

My friend Larry Whitaker has put up his demo reel up on Youtube.  Take a look and please leave a comment for him at the Youtube site.  He’d really appreciate it:

http://www.youtube.com/watch?v=c18k0-04bMY

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CLICK HERE to buy an Uncle Chestnut T-shirt with my art on it.

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Writing this blog is almost a part time job for me. Tips are most welcome.

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Hi, Welcome!

This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

I update this blog once a week, on Thursdays and (sometimes) Fridays. If you don't see anything new, just check back on one of those days.

My e-mail is: luis(at)luisescobarblog(dot)com

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