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Simpsons Storyboard artist. Artist and storyteller. Exploring how to make a living, by being creative.
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You are browsing the Blog for THE SIMPSONS NEWS

The Tower’s Alchemist Chapter 3. Finished my script now designing demons.

November 3, 2011 in ART, BOOKS, FAMILY, THE SIMPSONS NEWS, WRITING

THE SIMPSONS NEWS

I managed to finish my job early last week.  I ended up getting put on a Simpsons video game project for the day.  Looks fun.  That’s all I’ll say about that.

This week I started  revisions on another episode.  Fun show.  My Act has some heavy rewrites but the theme is so fun, I don’t mind.

I was also given the Couch Gag to board.  It’s short and sweet.  A thankful change from the epic Couch Gags I had been assigned before.

ART/WRITING

After a year of developing the story, I FINALLY finished writing my script.   It feels sooo good.  By “script”, I mean, I wrote down all the dialogue…and nothing else.  No description, just dialogue.  It looks like this:

LS: You’re coming with us now barbarian.

R: Coming with you? Coming WITH you, really? You’re…you’re, not going to try to kill me or anything? …Where do you think you’re taking me?

LS: Stop playing games and come with us.

R: (HOLDING BACK ANGER) Look, I can probably guess why you guys are here but I haven’t got the slightest idea why you want to take me anywhere.  Plus, you guys acting all hostile sure as hell doesn’t make me want to go anywhere with you, so…please, can you just leave me alone?

LS: How dare you!

R: What?! You’re bothering ME. I haven’t done anything to you!

LS: Haven’t done anything to us? You’ve hurt my friends! Do you deny that you’ve incapacitated 30 different Sorcerers that have come in contact with you in the past? People I know personally. The ruthlessness of the those attacks where completely uncalled for. Your dangerous! You should be locked up.  Your a menace to society.  If anyone knew how evil you were, no one let you walk around free.

R: WHAT?! Are you kidding me?! Those FRIENDS of yours ATTACKED me.  I was defending myself.  I asked them to stop and they kept on coming.   I didn’t seek them out, they sought me out. I didn’t want ANYTHING to do with them in the first place!

LS: Oh really?

R: Yes, really!

LS: Then if what you say is true, you won’t mind coming with us so that we can sort this all out. We take you to the Sorcerer’s High Tower and you plead your case.  If what you say can be proven, then you can go on your way and no one will bother you again.

R: (Laughs)

LS: Are you mocking us!

R: No, no…It’s just, this is just seems a bit crazy to me. Okay so, you’ve wanted me to go with you to the Sorcerer’s High Tower from the start right?

LS: Yes.

R: Okay, I see.  And you guys are going to put me on trail for defending myself?

LS: IF you where defending yourself, you will be found innocent.

R: And who’s going to judge me? Sorcerers?

LS: Yes.

R: And somehow that’s going to be fair?

LS: Of course.

R: Are you kidding me? You guys think I’m so sort of Dark Lord that’s going to take over the world. You ALL hate me.  There’s NO WAY I’m getting a fair hearing.

LS: It will be fair.

R: I’m sorry but there’s nothing from experiences with you Sorcerers that I can point to that makes me believe you. What if I don’t want to go? What if I decide to stay here?

LS: Then your actions will speak louder than your words. It would prove your guilt because you’re obviously hiding something. We will KNOW that you are what the prophecy foretells you to be.  Which means that we will be forced to kill you in order to save the word from your slavery.

R: (SIGH) You got to be kidding me. You realize this is catch 22?  I’m damned if I do, I’m damned if I don’t.  This is EXACTLY how all the other fights with the other guys started. For goodness sake, I’m NOT some evil overlord that going to take over the world. I’m just a guy who want to be left alone so I can eat my lunch in peace.  So…I’m sorry, but I’m going to stay here. Okay? Please leave.

LS: I’m sorry to hear you say that. I truly am.  I tried to reason with you but…you leave me no choice.  (TURNING TO HIS COMPANIONS) Alright guys, lets do this…

R: WAIT! Wait. Just a sec.  Just give me a second.  Okay, listen, what can I do that will get you guys to give me five minutes to eat my lunch?  Anything?  I just want five minutes here. Then you could try to kill me all you want.

That’s pretty much what it looks like.  The dialogue isn’t set in stone and if it doesn’t come across well, I’ll change it till it does.

Why no descriptions?  Because I want to be able to improvise the visuals as I go.  Besides, all the description was written down at the treatment phase and I didn’t want to repeat myself.  It’s not like anyone is suppose to read the script but me.  This is the usual way I write scripts for myself.

I also started designing the last characters for my film.  The demons. Starting with the snake demon:

snake-demons.jpg

I’m not very good at designing monsters and none of these sketches were what I wanted.  None, but the last one I drew on the bottom right corner.   That on is definitely beginning to go in the right direction. I wanted something that looked scary, not heroic.  I ended up looking at a picture of Christopher Walken and started to draw a caricature of it.  Half way through, I began adding reptilian, features to it and it started to look a bit freaky.  I’m gonna have to play around with the idea some more.  Hopefully I’ll get something I like.

BOOKS/FAMILY

Like I did last week, I’m posting another chapter from my wife’s book THE TOWER’S ALCHEMIST. This week, it’s Chapter 3.

CLICK HERE to read Chapter 1.

CLICK HERE to read Chapter 2.

But first…I was wondering if you could do us a favor.  Whether or not you’re planning to buy the book or not, I would REALLY help us out, if you can go to the Amazon page of the book and check the little boxes next to the tags near the bottom.  They look like this:

amazon-tags.png

You’ll have to be logged in to see the boxes.

The reason we’re asking, is that by doing so, whenever someone looks up something related to those tags, there’s a higher chance that Alesha’s book will pop up near the top of the list.  This would help our visibility a lot.

To go to the Amazon page click on one of the links below:

The $2.99 Kindle copy of the book:

or…

The hard copy of the book:

Thank you in advance.

Okay, so without further ado:

CHAPTER THREE

 

The cab driver flinched when he saw the bomb drop. It fell through the sky with a deadly grace, but I didn’t bat an eyelash. I pressed my hand against the window and reached out with my senses, making sure that a curse hadn’t been laid along with the bomb’s contents.

“Are you sure it’s safe to go to the air hangar?” he asked, slowing the car.

“It was a leaflet bomber,” I told him, as we watched a multitude of folded papers eject from the bomb and swirl through the air. The empty container would land without incident, but the propaganda leaflets would make their way into people’s hands—but hopefully not their hearts.

He wiped his brow. “Thank God. I thought it would explode.”

I shook my head at some of the Royal Air Force officers running over and collecting the leaflets. Though the Nazis dropped their leaflet bombs in city centers where they could reach the civilian population, every now and then a batch would be directed toward a military or industrial site. I didn’t know how many Air Force officers gave credence to the propaganda printed on those papers, but it probably wouldn’t galvanize them to read about how the impeccable prophet Nostradamus predicted their demise four hundred years ago and to see pictures of dead Ally soldiers littering the ground. That is, if you believed in their Black Propaganda.

“You can let me out here, thank you.” I gave him a squeeze on the shoulder and then opened my door.

“SOE isn’t paying me enough for this. One day it’ll fall out of the sky and hit me right on the head.” He let out a nervous laugh.

I smiled back at him and said goodbye. As I exited the car, I saw the sky turn a deep orange and I knew that at sunset I’d have to board the transport plane to Paris. I could hear the engine of a spitfire fighter plane pass over and wondered if it went to hunt down the bomber that had dropped the leaflets. As a couple of officers admitted me into the hangar, I spotted one of the pilots running in from the field with a few leaflets in hand. 

“Good evening, Emelie.”

“Hi, Max.” I took one of the leaflets he offered and grunted when I read it. “What are you guys going to do with these?”

“Burn them…like the others.”

That sounded like a good idea, especially since the one I held in my hand made me want to toss it into a fire without looking back. It had a drawing of a dark crooked tower with a caricature of a wizard perched on top and raining his spells down on frightened people. In bolded letters it said, “The Gray Tower helps now, so it can harm later.”

I gave the leaflet back to Max. “Make sure you get rid of all of these.”

We halted when Richard approached us with my supply pack and jumpsuit in hand. He gave them to me and pointed toward a changing room. “We’re leaving in an hour.”

“Lieutenant,” Max said, “We got these—”

Richard jerked his thumb in the direction of one of the large storage bins. “We don’t need any of that bollocks here. Trash them.”

Max immediately headed for the bin to dispose of the leaflets. I was glad Richard refused to even take a look at them because sometimes I’d get odd stares or snide comments from colleagues at SOE who knew I had trained with the Gray Tower. 

At first I had dismissed it as plain ignorance, or even a bit of envy on days that I needed my own confidence boosted. However as the war progressed, I realized that many of them were afraid. In the back of their minds they probably wondered if I’d turn rogue and blast them all away.

Though the Masters imposed strict rules on members of the Order while at the Gray Tower, they didn’t have much to say when it came to us being in the outside world. I could understand why people, or governments for that matter, would be wary. Still, it didn’t hurt to show a little friendliness, especially toward those of us who willingly joined the Ally cause and risked our lives each day. 

As Richard turned and started barking orders at the maintenance crew that worked on a bomber, I made my way through the bustle on the hangar floor to the changing room. I felt a little guilty about making this my last assignment, but I promised myself that I’d at least make it my most successful one. The average life expectancy of an SOE agent was just a few months, and I’ve lasted over a year. So, if one really wanted to get into the mathematics of it, I’ve basically served a couple of lifetimes. 

That had to count for something, right?

 

When night fell, I rode in a transport plane that could be shot out of the sky any second, and poised myself to leap toward the dark terrain of the northern region of France. From there I’d have to find my way to Paris. Most SOE agents came here by plane or submarine, sneaking their way toward the Maquis resistance fighters or a Nazi target. 

We started off doing “small jobs” like operating anti-Nazi radio programs, bringing in food and arms to friends and stranded Ally soldiers, and relaying messages and news back to SOE headquarters. Most of us were women, from all walks of life, from both Europe and America, who wanted to do more for our countries than to stay at home and worry. 

The male-dominated intelligence community treated us with disdain, but soon even they couldn’t refute our important contributions. “The Ministry of Ungentlemanly Warfare,” Winston Churchill once jokingly called us, although the epithet was perfectly apt. We did anything and everything to frustrate the Third Reich and set Europe ablaze, and we weren’t afraid to fight dirty.

“Looks like you’re the last one in for the week.” Richard frowned as he closed the cockpit entrance and made his way over and knelt next to me. I was already sitting in the area where the drop hole would open and I’d have to jump out with my parachute.

“You say it as if it’s a bad thing.” I glanced at my hands and clasped them together, unsure of what to say next. I knew that he had known Stella and even took a fancy to her. Though he never admitted this and would vehemently deny it if I ever brought it up, a girl could just tell about these sorts of things.

“How is it faring on your side?” His strong gaze demanded me to face him and answer. He wanted to know if there was any news about Stella, but there wasn’t any. I really didn’t want to talk about this with him, and I didn’t want to plant any nasty seeds of doubt. I wished his co-pilot had come back here to see me off.

I half smiled. “If I’m alive, then I’m faring well. I’ll let you know if I hear anything, you know…”

The signal light flashed and the metal panel beneath us slowly opened. A gust of wind encircled us and I gave a quick nod toward him. Though his facial expression revealed nothing, I felt like I needed to say something to him as a word of encouragement.

“Go, Emelie!” Richard cut me off before I could speak. He didn’t do it in a crass or dismissive manner, but perhaps in that moment he realized that he didn’t want to dwell on Stella any more than I did. 

I took a deep breath and scooted myself forward. With a little effort I slipped through the drop hole and went drifting toward land. The first time I had leapt out of a Royal Air Force transport plane, I could barely keep my wits. I kept imagining the Gestapo or SS strolling along a lonely stretch of road to find me splattered all over. I may be an alchemist, but I have yet to figure out a potion or elixir to make me airborne.

My parachute had been released as soon as I jumped out of the plane, and I fell silently through the night air hoping the white umbrella above me didn’t serve as an invitation to enemy gunfire. I thought all was clear as I nearly touched the ground until I noticed a convertible-top jeep barrel down the road and then slow to a halt.

I knew the patrol officer driving the trekker spotted me, and I cursed under my breath as I skidded across the field. My adrenaline went surging through me as I grabbed my knife from my jumpsuit’s outer pocket and cut myself loose. I rolled away and scanned the area, trying to decide whether to lay low or just make a run for it. The only thing I could see was the trekker’s headlight beam; the black of night enveloped everything else, including me. 

I grew up in the city, where we had streetlights and bright theater marquee signs. The one time I actually went on a trip to the forest where there weren’t convenient lights stationed to guide my path, I found out just how terrified I was of absolute darkness. I still didn’t like the dark, and I dared not move because I wanted to hear where the officer was. All I could hear though was my heavy breathing, and I was so anxious that the only thing I could do was press the back of my hand to my mouth to stifle the sound.

A shot rang out and I quickly dropped to my knees. I didn’t know what direction the bullet came from and I tried encouraging myself with the morbid thought that there have been plenty of people who survived gunshot wounds. I finally steadied my breathing and gripped my knife, waiting for him to make another move. However, I immediately bucked and dropped my weapon when a pair of arms enclosed me in a fierce grip. 

I swung my head back and gave him a good head-butt, making him cry out in pain and release me. I quickly turned around and delivered a left hook and dodged his fist when he tried to reciprocate. Although we couldn’t really see each other, we could hear and feel each other’s body movements in this deadly dance. I heard him swing at me again and I blocked, but not before losing my balance and landing on my back. Fighting in a jumpsuit could be cumbersome sometimes. 

“Who are you?” he asked in German, grabbing hold of me and dragging me by the scruff of my neck toward the beaming headlights. He shoved me against the front of the car and I slowly faced him with arms raised in surrender. I had to plan my next move very carefully.

“I’m from the Russian Liberation Group,” I answered in perfect Russian. “Praskovya sent me.” I thought I’d add that part since he cocked his revolver. The Russian Liberation Group had been sending in spies and other reinforcements for their Nazi allies for about a month now. Some of these operatives entered France the same way I had.

“She sent you?” He had switched over to speaking Russian. Though his tone sounded doubtful, he slightly lowered his gun. 

“You know us…we do everything backward, comrade.” I prayed the codeword we intercepted last week still held.

The back of my neck began to burn and I thought of what I could say next. He saved me the trouble when he slid his gun into his holster and offered me his hand. “Leave it to the Russians to send women to do a man’s job. What does Praskovya want?” 

I quickly grasped his hand, one of the easiest access points, and honed my magical senses, tracking the rhythm of his heart and the electrical currents in his brain. As his heartbeat slowed and his mind hazed, I spoke to him.

“What’s your name?”

“Karl Manfried.”

“How many other officers are in the Paris office?”

“Twenty six.”

That was a little more than I cared to handle alone. “Why don’t you go back to your headquarters and greet your comrades with a Molotov cocktail?”

He slowly nodded and let his hand slip from mine. He headed straight for his trekker and jumped inside. The jeep rumbled and slowly reversed, then made a turn in the direction of the city. By this time my hands shook from exhaustion and my head ached from the amount of concentration I had mustered to use body magic on him. It also didn’t help that I was hungry and irritated. In any case I needed to make it to my safe house even though it was apparently past curfew, and I needed as many officers off the streets as possible. Hopefully Karl would be the distraction I needed once I reached the city.

I pulled out my foldable bike from the pack attached to the parachute. After spending twenty minutes longer than I usually would setting it up, I unzipped and shed the jumpsuit to reveal a rather tight-fitting milkmaid’s uniform. I promised myself that I’d make it back to London just to shoot Ian for making me wear this.

I stuffed the jumpsuit into the pack and placed it in the little straw basket attached to the bike’s handlebars. I peddled down the road without looking back and took note of the Seine River that ran to my right. It looked like I was south of Mantes, just outside of Paris. I kept my eyes open for more trekkers, hoping that I could make it through without any trouble. 

When I made it to the city proper, I took some backstreets to avoid a few SS officers on patrol and pulled my bike up to an alley and slowly walked through. I scowled when I saw an officer in the middle of the alley, against the wall with his woman, blissfully lost in a dirty and quick cuzzy. They either didn’t notice or didn’t care when I walked by and wrinkled my nose at the scent of garbage and piss. 

I wondered if the woman was just another collaborator selling her body for food or gas, or an agent of the Resistance engaged in an act of seduction. Sometimes I wondered what went through women’s heads when they did this. I’ve used my red garnet lipstick twice to kiss men and enthrall them so they would do what I want, and those were the least arousing experiences I’ve ever had. If I were that woman, I’d probably be thinking about how much longer it would be before the deed was done, or why he didn’t get us a hotel room.

I grew more confident as I turned a corner and headed down another lonely street, but unfortunately fate would not have it be that easy for me. Before I was halfway down the street, two SS officers headed toward me from the opposite end and hailed me. Though I put on a stoic face, my fingers trembled and my heart raced. Our confrontation would be inevitable since they would be complete idiots not to question a milkmaid out riding her bike after curfew.

“Halt right there, mademoiselle.” The first officer, whose nametag read Adelbert, approached and grabbed hold of my bike.

The second, whose name was Gerhardt, grabbed my arm and spoke to me in French. “A little late to be delivering milk, isn’t it?”

“I…I was with my Pierre. I didn’t mean to take off so late.”

Adelbert leaned my bike against the brick wall of the closed shop we stood in front of. The menacing look in his dark eyes worried me more than the gun in his holster. “Well lucky for you that your sweetheart didn’t accompany you.” 

Gerhardt forced me against the wall with my back to him. “Is it the same Pierre who lives by Le Petit bakery?” He had asked the question in English.

“I’m sorry,” I said back to him in French, “I don’t understand much English.”

He ran his hands along my body, pretending to frisk me. Hey…one more grope and you’ll get a kick to your face!

“Check her bag, Adelbert.”

My body tensed and I quickly assessed my options. I could stun Gerhardt with a blow and fight Adelbert, or even beat him to the bag so I could grab my weapons. However a bullet in the back of my head would end it all. If he opened the pack sitting in the basket, I would be the next one in front of a firing squad. Suddenly an explosion went off a few blocks down, and the sky lit up. I prayed the mind-hazed Karl Manfried had carried out my order.

“Scheisse! It’s the office!” Gerhardt, with a bewildered look on his face as if he couldn’t believe someone would dare attack his office, began running in the direction of the fire. Adelbert drew his revolver and followed. 

I slid away from the wall and opened and shut my mouth. Thank goodness Gerhardt hadn’t broken my jaw. After rotating my aching shoulders I hopped on my bike and continued down the street, pedaling as hard as I could until I reached a winding road that led to the dark and quiet neighborhood near Vincennes where my safe house stood. I slowed and parked my bike at a small prayer chapel, taking my pack with me and quietly entering. 

No one sat or prayed inside, but a beautiful statue of the Madonna oversaw a corner full of flickering candles. I went to the back room where the caretaker stored his cleaning supplies and extra candles, and I crawled beneath the small table where a trapdoor lay hidden beneath a rug. I lifted it and pulled on the iron handle as I carefully slipped inside. It was tricky getting the rug back over and then closing the door, but I managed to do it and began trekking through a dark underground passageway. 

Though the path led me down a straight line, I wished I had at least swiped a candle. I felt like I was going to be swallowed by the darkness. I didn’t feel like going back so I just went at a steady pace and held my hands out in front of me just in case I stumbled. After walking through the underground passage for five minutes, I finally felt the false dirt wall that signaled the end of my journey. 

I recalled Ian’s instructions for getting to the safe house and I felt for the hidden lever and pulled; the false wall cracked open. I pried it open further and then opened a reinforced wooden door behind it. I quickly slipped through, covering the door the way I found it. I crawled up a ladder and pushed open a trapdoor like the one in the chapel, except this one opened into a tool shed. 

I supposed they really wanted to make me work to get here. I almost broke the trapdoor shutting it so hard out of irritation, and covered it with the rug that was in there. I listened for any noises—a voice, footsteps, or trekkers. When I was sure no one was nearby, I crept from the tool shed toward the back of the safe house which had an angel ornament hanging in the middle of the back door. I held my pack and slowly approached, giving a slightly urgent knock. I heard slow and hesitant footsteps and after a few seconds had elapsed, someone finally answered from the other side of the door. 

“Who is it?” a woman’s muffled voice queried in French.

“Emelie.” I gave a grateful but tired grin when she opened the door.

“It’s late, Emelie.”

“Yes, but I have gifts.” 

“From whom?”

All I wanted at this hour was a hot meal and a soft bed. “From 64 Baker Street.”

The woman nodded and smiled. “Then come in, Emelie, and make yourself at home.”

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Comments Off on The Tower’s Alchemist Chapter 3. Finished my script now designing demons.

The Tower’s Alchemist Ch 2. Some more designs for my film.

October 27, 2011 in ART, BOOKS, THE SIMPSONS NEWS

THE SIMPSONS NEWS

I was taken off episode 12 this week and put back on episode 11.  It seems that episode 11 got some MORE rewrites and changes that needed to be story boarded.  They asked me to do it so I am.  There were rewrites in three out of the four acts.  I finished Acts 2 and 3 pretty quickly. Act 1 had some heavy rewrites so I’m hoping to get them done by the end of the day today.

ART

This week, I clarified for myself, what the Lead Sorcerers, wrist device would look like.  I also designed what the Female Sorceress’ swords would look like:

more-rough-designs.jpg

It’s gotten to the point know where, I have to quickly design small things like, Rob’s backpack.  Lastly I designed the hot dog vendor, who has a speaking role at the start of the film.  When I designed him, I was going for “Hispanic stereotype”.  For a secondary character, he’s actually kinda important for the story.

If you’re wondering why my drawing output seems so low, it’s because most of my time is taken up by the writing of the script.  Things are going so well with that, I might actually be done with it by the end of next week.

If I am, then all I’ll need to do is record the dialogue and I’m on my way.  It might be possible  for me to even start story boarding without the dialogue too.  Still, I’d want it recorded as soon as I can.

BOOKS

Last week I posted Chapter 1 of my wife’s book THE TOWER’S ALCHEMIST:

To get the $2.99 Kindle copy of the book:

To get a hard copy of the book:

This week I’ve posted, Chapter 2.

Enjoy.

CLICK HERE to read Chapter 1.

Chapter two 

I really wanted to tell Brande to take his glass of dry Sherry and get the hell out of my office, but you can’t say that to a wizard without there being trouble. I lowered my gaze and rustled papers on my desk hoping maybe he’d get the hint, but he obviously felt that he had a few last words to say.

“I’ll probably be able to see you again in a few months. It’s becoming more difficult to enter and leave Prague…I hope you understand.”

“Well,” I lifted my gaze and met his, “that’s what happens when you let a gang of Nazis run into your territory.”

“Isabella—”

“When we’re over here, I’m Emelie.”

He waved his hand and took another sip of Sherry. “Of course, Emelie. If we had been ready, perhaps we could’ve fought them off without any trouble. But now…” he shook his head and it made me feel a pang of guilt for being dismissive.

“We’re all trying to do what we can, right?” I placed my hand over his in a conciliatory gesture. I knew how he felt when the Gray Tower did nothing as the SS and German Armed Forces rolled into Czechoslovakia and took over. However, the Order of Wizards couldn’t make a move without being detected by certain enemies of our own.

I knew he would’ve been first in line to fight off the enemy despite that fact, and that’s what I was already doing in my own way. I had to admit though that I couldn’t escape the nagging feeling that we were so wrapped up in living for a cause that sometimes it felt like life passed us by. He and I could have easily enjoyed our drinks over a dinner table in a dimly lit nightclub with our bodies swaying to the beat of music. It would have been a nice change of scene from the solitude and monotony of my cramped office.

Knowing Brande though, he probably thought this was just fine—which was a shame because what girl wouldn’t want to be seen in public with him? I didn’t realize my hand was still touching his as I thought about all this and he gave me a quizzical look (but he didn’t withdraw his hand, either).

I pulled my hand away, a little flushed, and just then Ian walked in carrying a file. Brande acknowledged him with a nod and Ian did the same. When Brande faced me again I could see Ian pointing toward the left wall at an informational poster that you could find posted in nearly every pub in London nowadays. It portrayed men wearing military uniforms, frozen in laughter with a group of women hanging onto them. A caption at the bottom of the poster read: What you say to your friends…could be heard by the enemy!

I always laughed at that poster hanging in here, but nevertheless I’ve seen some inexperienced operatives unwittingly betray themselves and their cohorts by not taking that motto to heart.

“Emelie,” Ian cleared his throat, “the file is ready.” He furtively glanced at Brande.

“I swear I tried to make him leave,” I said as I shrugged my shoulders. Ian was even less patient with Brande’s presence than I was.

Brande pulled a package from a hidden pocket inside his trench coat. “Your emerald spectacles, jade powder, and red garnet lipstick.”

“Thank you.”

I didn’t always have time to make or procure enchanted items, and I appreciated whenever he delivered them. Emerald granted the ability to see in the dark; jade’s healing powers had saved me on several occasions from grievous wounds and poison, and I used red garnet sparingly as it inspired romantic desires and aggression. I learned a long time ago to manipulate the magical qualities in these stones and work them into everyday items. Whipping out a stone isn’t very subtle, and in my line of work a lack of subtlety could get you killed.

Brande handed me the coveted items and finished his Sherry. “Perhaps you’ll come to the Gray Tower once you’re done playing spy with the British.” He rose from his seat and shouldered his way past Ian, leaving us alone in the office. I didn’t know why, but Brande’s comment stung me.

I looked at Ian. “I know what you’re going to say—”

“I trust you, not him. Besides, don’t you think it’s all part of a nefarious plot that the Gray Tower sends him over? If Bernadine actually did her job and stopped gushing over him at the reception desk, then maybe I could get a few words out of the bloke.”

I let out an irritated sigh. “I swear sometimes you act as if you don’t want a wizard on staff. If that’s the case, then you shouldn’t have recruited me.”

He shook his head as if saying he wasn’t going down that road today. “Look, when are you going to let us take this out?” He glanced at the other half of the office where an empty desk and chair stood collecting dust, and where notes and pictures clung to the wall.

“Why do you suddenly care?” My eyes narrowed. I had noticed when I first joined the Special Operations Executive that all the men had their own offices while all the women had to pair up and share, sometimes three to an office.

My officemate and friend was a girl named Stella, whose husband died in a battle last year. She wanted to help the Resistance in any way she could and successfully ran missions for us, but she hasn’t reported back to us since January and now it was the middle of June.

“We’ve got a new recruit, I think you’ll like her.”

“Not interested. What do you have for me?” The last thing I needed was a wide-eyed new girl following me around talking about how swell it was to spy on the Nazis.

He opened the file to reveal a dossier and pointed toward a profile picture of an older gentleman. “I presume you’ve heard of Dr. Veit Heilwig?”

“The scientist? Yes.”

“For the past three months Allied forces have been taking heavy blows from the Nazis on the Western Front. The bastards have been violating the Geneva Protocol and unleashing a new chemical weapon on our soldiers. We have evidence that—”

“There may be more than just chemicals in those weapons?” I fondled the Agate stone set in my ring.

He nodded. “Do you remember that incident with the poisoned food and water?”

“Believe me, I’m not forgetting that anytime soon.”

The contaminated goods had unwittingly been dispersed among Ally soldiers throughout Europe. Over a thousand had died before it could be counteracted and hundreds more were still lying in hospital beds, strangely disfigured and barely alive. All we could do was separate and destroy the contaminated food, and there was still no known cure.

“That was Heilwig’s work. Now he’s perfected it…they’re calling it The Plague. At this rate he’ll win the war for Hitler and the Black Wolves, and that’s exactly why we need another alchemist to go up against him, neutralize the new chemical weapons he’s developed, and take him out.”

“You want me to kill him?”

“No, take him out of France. We want to extract him.”

“Why do you want him alive?” And how exactly did they want me to kidnap him? You can’t just walk up to a warlock and cuff him and tell him to come along. Next time I’ll save my plaintive musings about life passing me by in favor of me wanting to just live another day. This was going to be a tough mission.

“Just…read the dossier. I’ve got MI6 breathing down my neck over this one and Morton’s just dying for an excuse to discredit us.”

“My goodness, we wouldn’t want that, now would we?” Discredit happened to be the least of my worries buddy—I could be rotting in Dr. Meier’s Nazi experimental program by next week if I fail. Half the things I heard about it I refused to believe and the other half I resolved to never find out through experience. I swore this would be my last assignment, and then if I had any sense left I’d gracefully exit the stage and go quietly live my life elsewhere…preferably with a handsome guy who didn’t mind that I could create explosions and induce heart attacks.

Ian rolled his eyes. Sometimes I wondered if he wanted to throttle me for my backtalk. “Report to the hangar tomorrow at the appointed time so Richard can take you over to Paris. And don’t be late.”

“Ian…”

“What is it?”

I felt like squirming in my seat. “You got my resignation letter, right? I put it on your desk this morning.”

He pursed his lips. “I wanted to give you some time to think it over. That Denmark job really got to you, didn’t it?”

“I’ll do this last assignment, but promise me you’ll have the final paperwork ready to sign when I return from Paris.” My shoulders tensed in anticipation of his objections, and about how much SOE needed me.

“All right then,” he said in a low voice. “I don’t want to see you go, but if that’s what you want…”

As he turned and headed toward the door with his gangly walk, I glanced at the clock on the wall and winced. Ideally my routine would have been to nestle in my reclining chair and eat dinner by 7 p.m., but instead 8 o’ clock stared back at me without apology. I flipped through the dossier, noting the most important details and memorizing Dr. Heilwig’s face, knowing that when I’m dropped into Paris tomorrow evening I wouldn’t have the dossier to reference nor any identification papers or passports on me.

We did this for two reasons: an agent’s counterfeit identification could be damaged or lost during transport anyway, and in the case of arrest, the Gestapo often found it difficult to verify or prove she was a spy. I usually obtained papers from trusted sources on an as-needed basis, but if I didn’t need them, then I did not carry papers. When I first began this, I found it all exciting because it allowed me to be anyone I wanted, but after a few months I ended up feeling like I was no one.

Sometimes I had to remind myself that Emelie was just my code name, and that her preferred mannerisms or activities weren’t necessarily the ones Isabella George liked. My officemate Stella had gone to France often under the name Angela Wyatt, and had chosen it because her mother’s first name was Angela and she obsessed over the 16th Century poet Thomas Wyatt.

After my first few missions I grew apathetic in choosing names. One day Ian suggested Emelie because he said when he was younger he had always wanted a little sister by that name. Since he had never gotten one and I was the closest thing to it, he said I should go with the moniker, and I’ve been using it ever since.

My lips curved into a slight smile at remembering this but then turned into a frown as I thought about Stella’s failure to report back. Wherever she was, I hoped that she had only been delayed and needed to hide with the French Resistance or was already en route to London. In any case, I wanted Stella’s belongings to remain here untouched if she happened to return—I didn’t want her to think we gave up on her so quickly. In keeping with my weekly routine, I grabbed my dusty handkerchief from my desk drawer and wiped off her belongings.

I wondered with a twinge of sadness if anyone would do that for me if I had been missing for five months, and I didn’t even want to think about what Ian would have to tell my family under those circumstances: So sorry, your daughter wasn’t really working for the U.S. Ambassador to Great Britain—she was gallivanting about Europe engaging in counter-missions against the Nazis because we couldn’t afford Hitler’s occult powers to gain an advantage over Allied forces.

It would kill my mother and brother to find out about me that way, and though pride kept me from saying it, the longer Stella went missing, the more anxious I grew that I may very well be next. Then what? Without a doubt, this would have to be my last mission behind enemy lines.

 

When I arrived at my flat, I pulled out the few supplies I would take with me to Paris: a wad of francs, the enchanted items Brande brought me, and my golden alchemist’s knife. I placed them on my nightstand and then headed into the kitchen to fix myself dinner. I went through the cabinets and refrigerator but found nothing that piqued my appetite. My friend Jane Lewis usually came home around this time and she cooked enticing meals like lamb stew and meatloaf. Most importantly, she generously shared them with me.

I still hopelessly tried to make an American dish every now and then but then I would only end up frustrated and yearning for home while my belly groaned. I decided to see what Jane was cooking and went downstairs to her flat on the first floor. I knocked a couple of times and she answered the door, wearing a dirty apron and wiping flour from her hands. Her freckled face broke into a smile and she welcomed me in.

“Please, have a seat, Isabella. I was just finishing the liver sandwiches.” She went back into her kitchen and pulled a dish out of the oven.

“Liver sandwiches?” I wanted to grimace but unless I was cooking for myself I had no right to object.

“Well, it’s more like a meat-filled pastry.”

“Filled with liver?” As if I were supposed to overlook that fact.

“Not everyone in the world eats just loads of fried cows and cheese.”

“This is going to be interesting.”

“I’m trying to follow the ration recipes from Woman’s Weekly.” She gestured toward the magazine on her coffee table.

“Is it that bad?” I went over and grabbed the magazine and flipped through its pages. I took a few moments to scan its housekeeping articles and recipes.

“It’s starting to be. If you went to buy food more often, you’d know.” She arranged the liver sandwiches on two plates and invited me to come sit with her at the dining table.

“You’re cooking an awful lot lately.” I took a bite and gave silent thanks that she had at least seasoned the meat.

“Well I’m just honing my housekeeping skills, you know.” She bit into her sandwich and turned her left hand to reveal a diamond engagement ring on her finger. She must have slipped it on in the kitchen.

“Congratulations, Jane.” With a smile I got up and threw my arms around her. “I didn’t know…have I been away that long?”

“It was all so sudden, even I’m still surprised.” Her face simply glowed.

“Garret is a lucky man.” I frowned when she took it upon herself to plop another sliver of sandwich into my mouth. I wondered if she hid some stew or dumplings in the refrigerator and this was all to torture me.

“And it came at the perfect time. I was just thinking last week what I was going to do with myself.”

My smile faded. “You were tired, weren’t you?”

She nodded and tears formed in her eyes. “I don’t want you to get the wrong idea. I still believe in what we’re fighting for, but we all have to retire some time, right?”

“Sure we do.”

Jane’s sister, Anna, had been one of three Special Operations Executive agents arrested by Nazis last October in the Netherlands and immediately sentenced to death by firing squad. They had no pity on her because she was a woman; the SS shot her down and threw her body into a heaping pile of other victims.

“Besides,” she wiped her face, “I’m getting old and I want babies. All my girlfriends who I grew up with are married off and raising families.”

“Well I’m glad for you, Jane. You deserve a happy life with Garret.”

I asked her to recount the whole proposal from beginning to end. I asked to see her ring again and secretly felt a mixture of excitement and envy. Afterward, I offered to clear the table and wash dishes so she wouldn’t try to feed me anything else. We made small talk the rest of the time and she reminded me about some letters that she had been holding for me. I thanked her and continued cleaning the kitchen, wiping down the counters and saving scraps of leftover food.

I couldn’t help but steal glances of her engagement ring every few minutes and savor the sweet smoothness of the gold it was made of. As an alchemist, I had a natural ability to taste the metallic essence of metals. I eyed the shining round-cut diamond set in the middle and wondered if I would cry or jump with excitement if someone ever proposed to me.

Though my life as a spy did have its share of excitement, I couldn’t deny the mental, physical, and even spiritual drain that this line of work had on me. I remembered days when I would refuse to get out of bed because weariness or distress dragged me down. Even when Ian had sent a car for me, I wouldn’t answer. At other times I’d return from a mission with a stone cold face and impenetrable heart, and then as soon as I stepped through my doorway I would start bawling. I called it being tired, and I understood what Jane felt.

I wasn’t going to lie to myself, I did want to one day be married, move somewhere close to my brother and his wife so we could watch our kids grow up together, and stroll through my quiet little neighborhood not having to wonder if the friendly neighbor down the street was an enemy operative with a gun behind his back. I wanted to be in control of how I lived, and I just couldn’t reconcile this with living and dying by others’ orders.

“I should go back up to my flat. I’m going to Paris tomorrow.” I came back into the living room and leaned over the sofa to give Jane a peck on the cheek.

“Be careful, do you hear me?”

“You know I will, because I want to make it back for your wedding. When will it be?”

“March, of next year.” She got up and walked me over to the door.

“I think I can make it back by then.”

She laughed. “You’d better. And I want to come to yours one day.”

“I’d have to find a guy to stick with me first.”

We said our goodnights and I headed back upstairs, feeling loneliness creep upon me. I quickly changed and got into bed, and began browsing through the letters Jane had given me. Some were bills, others were solicitations for mail order catalogs, and of course I received my letter from Jonathan. I tossed the others aside and opened his cryptic letter written under the pseudonym Sherman Woods.

I had told him a long time ago that since I had access to “sensitive information in the ambassador’s office,” that my employer frowned upon casual and steady communication with family and friends. Johnnie took it upon himself to start writing me once a month using a silly code language we used to communicate in when we were children.

I always found his letters, and the effort he put into them, amusing and gratefully welcomed. In fact, I found the elaborate system we had come up with quite impressive. I think the codes would actually work if I wanted to use them for a real mission. As I read his account of his weekly triumphs and worries, as well as how mother was faring, I wistfully thought of the look on his face if I were to just show up on his doorstep.

Well, perhaps I could do that when I’m done with this mission. The sooner I extracted Heilwig and got rid of The Plague, the sooner I could be finished and truly go home. I slowly drifted into a restless sleep hoping for this outcome, and of course, wondering what my final assignment would be like.

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URBAN REGGIE, a new animated cartoon. THE SIMPSONS gets two more seasons. Started working on my cartoon again.

October 13, 2011 in ART, BOARD GAMES, THE SIMPSONS NEWS, VIDEOS

THE SIMPSONS NEWS

So last Friday, was a bit tense at work over the whole actors signing to do another season. At least it was for me.  Even though I tried not to think about it, I couldn’t help but be a little anxious about whether or not I’d have the job after this current season of the show was over.  It was pretty much a typical day at the office and looking around you would have never guessed that somewhere, some people where out there deciding our livelihood without us being able to do anything about it.

On the one hand, we’ve been through it before. On the other hand, this somehow seemed a little more tense than prior years.

Sometimes I forgot that it was happening though, so I was mostly fine.  It was only when someone came in and asked about it or talked about it, that I started worrying again.  Still, I had had a talk with my current director, the day before, who didn’t really seem to think it was a big deal.  This helped set my mind at ease at times.

That said, it was a relief to hear that the show was going to go on for another two seasons.  It would be VERY nice, if it went on for three more after that.  Here’s hoping…

BOOKS

I know I said I’d post some of my wife’s book this week, but I think I’ll wait till next week for that.  Especially since, I think the hard copy of the her book will be available for purchase then.  This week, I thought I’d talk about a different project…

VIDEO

My friend and co-worker Erick Tran is branching out. Erick has his finger in a LOT of different pies. This time around, he’s trying to raise money to produce a season of his animated cartoon for the web. He’s put all the info on Kickstarter.

If you’ve never heard of Kickstarter, it’s a website that helps you “crowd fund” projects that you would like to get off the ground.  The way it works is, you post up a project with a video of what it’s about. Then people support you by  donating however amount of money they would like to donate and in return, they get some kind of benefit you provide for helping out.  Each Kickstarter project has a goal it’s trying to meet and a deadline to meet it.  If the goal isn’t reached, the donators do not get charged for their donation, and therefore they don’t pay. BUT the product doesn’t raise any money and the donators don’t get any benefits either.

Erick‘s goal is $100,000 by Tuesday November 8th. Depending on your donation, you can actually have an Executive Producer title on this cartoon.

Here’s Erick to talk more about what he’s up to:

If you’re interested, CLICK HERE to see how you can help.  You can donate an amount as low as a dollar.

BOARD GAMES/BLOG

So I was made aware of this blog post by Rose King, who wrote an post naming THE TEN WORST BOARD GAMES EVER CREATED.

Number 10 is DOCTOR RUTH’S GAME OF GOOD SEX and it all goes downhill from there. Check it out for a good laugh.

ART

I started working on my cartoon again.  I mostly got time to start actually writing my “script” but I did get some drawing in.  I’ve changed enough of the details of my story so that I now have to start doing some new designs of something things.  One of them being, one of my Winged Apes.  It’s now going to be a Zombie Winged Ape or something that looks much more like a “dead” looking Ape. Here are my first attempts at the design of the face:

zombie-ape.jpg

I don’t think this is what I want but I think I now know what I DO want.

I’ll have more drawings on my project ready for next week.

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Simpsons negotiations. My wife’s book: THE TOWER’S ALCHEMIST.

October 6, 2011 in BOOKS, FAMILY, THE SIMPSONS NEWS

THE SIMPSONS NEWS

So of the time of this writing, the news broke out about how Fox is asking the actors to take a pay cut. I would like to say that the studio is “all abuzz” with the news, but we’re not.  It’s kinda, business as usual.  Naturally there’s some tension. We ALL want to keep working on the show. We ALL want to keep our jobs. We ALL want it to continue.

Everyone is keeping an eye on the situation but we know we can’t do much about it. Worrying about it, isn’t going to help. The word around the more optimistic artists at the studio is that things will work themselves out for, at least, two more season.  Just so that we could hit season 25 and maybe THEN the show will end.  If the show HAS to end, this is what we all hope for.  Especially since, if it ends now, this way, the show wouldn’t end on it’s own terms and it would be a pretty lame way for the longest animated TV show to go.  We’re hoping that we will get a chance to end this historic show with some dignity.

BOOKS/FAMILY

My wife’s book is up on Amazon for Print and digital download on Kindle and or Kindle App. The book is called:

towers-alchemist-cover.jpg

Here’s what it’s about:

On her last spy job for the Allies, the wizard Isabella George (codenamed Emelie) must extract a deadly warlock from Nazi occupied France to prevent his alchemical weapon from devouring the continent.

However, a few things stand in her way– betrayal, a vampiric Cruenti warlock bent on draining her powers…and the realization that wizards of the Gray Tower, the very people who trained her, may in fact be her greatest enemy.

I really like what she did here.  Here’s how this novel came to be:

I was going home from work when I started thinking about Role Playing games. I had tried, unsuccessfully, to get a play-by-email role playing game going with a few people.  They were unsuccessful, for the most part, because I promised people a fun time and then just gave them homework to do, which is not fun.  I’d pitch the person how easy and fun the game would be, and how little time it would take to play, only to then throw them in the middle of character creation and world building (which is a lot of work and not fun for many people).

So then I thought, my sister might like to play a game, but having learned my lesson, I wanted to offer her the fun I’d offered others WITHOUT the work.  The world building would be done, the character creation would be done and most importantly, the world was catered, inspired, and created for her. I thought long and hard, trying to come up with an original idea that would have the same fantasy elements that she seemed to like (Harry Potter) but which would be as fun and adult as other urban fantasy settings (Jim Butcher‘s Harry Dresden stories).  So I started thinking,  and I thought about the Dresden books and thought they were cool and fun and they had a wizard in it.

Well, how about if Harry (Dresden not Potter) was a woman? Since my sister is a woman, it would be more comfortable to play one. Well, that didn’t really make things interesting enough. At least, not for me, since I was going to have to develop it. I thought how, when my sister was younger, she really liked spies, so what if the wizard was a spy?  That DID make it more interesting but I still though it needed something else. What WOULD make it really interesting for me is if it took place in World War II fighting occult Nazis. Then it’s would have a lot of flavor and it would be fun to play.

Having had that idea, I started trying to come up with a scenario to have my sister play through with this concept. It ended up being too much work for me at the time just for a game, so I thought it would be better to put it off for a while.  I never even pitched my sister the idea.

A month or two later I was driving home thinking about stories. This time around, I thought,

“Boy, vampire romances are all the rage right now, even though they’ve been around forever. I wonder what the next big thing will be…Wizard romances?”

That’s when I remembered that wizard thing I had come up with for my sister. What if there was a big underling romantic arch in the story about this female, Wizard, Spy?  THAT might be appealing.  The more I thought about it, the more I liked it.  Later that day or perhaps a few days after, I told Alesha, that perhaps “Wizard Romance” novels would be the next big rage and pitched her the concept of a World War II female spy, that happened to be a Wizard.  She liked the idea so much she said she wanted to write a story about it.  Next thing I know, she’s coming up with a plot and started writing the manuscript.

I helped “edit” the book and gave her my two cents but I thought what she came up with was fantastic. The Romance elements are there too.  It’s cool.  There’s Nazi creatures and vampiric Warlock, double crossing spies, suspense, heists, magical battles and even a sword wielding magical Catholic priest.   I’m very proud of what Alesha did here.  It was really fun to see this universe come to life in a way I would have never done it and yet it still hits all the things I like in a story. Which is perhaps the best part of all.

It’s ironic that the book wouldn’t have existed if I hadn’t been doing something for my sister that I never did and she never knew I didn’t do it.

I think, next week I’ll start posting up excerpt from the book.  If you can’t wait till next week though, go to Amazon and click “Look Inside”. You can read the first three and a half chapters there right now. Or better yet BUY THE BOOK!

You can see what Alesha is up to on her site: http://www.aleshaescobar.com/

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Final cover painting. Marcelo Vignali interview

September 29, 2011 in ART, THE SIMPSONS NEWS, VIDEOS

THE SIMPSONS NEWS

I got my Act 4 roughs approved faster than usual.  The last of the act was changed, which makes for a much better ending.  I got to draw it all from scratch and it was fun.  I hope I have more of that sort of thing on my next assignment.

Now all I have to do is have the board cleaned up by the end of the day or perhaps tomorrow morning and I’m done.

ART

Okay, so I finally got the final painting for my wife’s cover done.  I thought I’d show you the process since I had the time to scan it all in as I did it.

First thing I did was draw the picture:

pencil-underdrawing.jpg

I made sure to take my time and to work our some of the planes and rhythms in this stage so I knew it was as good a foundation as I could make for myself. I left all the areas I was going to blacken in with no detail so I get a good impression of what the finished product would look like.

Next, I went in and added the black:

blacks-pass.jpg

This was fun and I probably could have left it this way without going into it any further. But I did.

I added all the dark and light greys next:

final-cover.jpg

This took a bit of time.

Finally, I added color:

Final color

I scanned in the painting and imported it into Photoshop.  I then put some red underneath the painting, added some glows to the eyes, added color to the fire and put some alchemical symbols for a tertiary read of the painting. Done

What do I think of the final painting?  I’m okay with it but I’m not really proud of it.  I see it’s flaws and it didn’t quite come up to the level of my ambition.  BUT I’m done, and I’m not going to mess with it.

So, now all I have to do is put the painting into a cover with the title and all for the Kindle and iTunes and I can get back to my “Illustrated Film”.

VIDEO

Marcelo Vignali is one of my favorite artists. It doesn’t hurt that he’s also a really nice guy (I should know since I’ve met him and even had lunch with him).  The video below is a great one hour interview with him by Bobby Chiu. I watched it quite a few times since I discovered it, a few years ago and it doesn’t get old. Give it a try:

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I’m tired and I think it’s effecting my work. Final thumbnail finished.

September 22, 2011 in ART, THE SIMPSONS NEWS

THE SIMPSONS NEWS

Wow, have I been tired.  I really should rest more during the weekends. I started on a new episode this week but my energy level has been dragging.  I feel so behind. I’ve got a lot to do and my director wants me to be done by today.

I really need to start going to sleep earlier.

ART

I finished up the thumbnail, for my painting.  It turned out okay:

final-thumbnail.jpg

I wasn’t happy with the fire so I did it again:

fire-adjustment.jpg

I’m finally ready to start on the finished painting after all this time.  I’m tired of working on this piece.  I hope in all goes well so I can be done.  I’m itching to get back to my cartoon again.

For more comic and stories written by me, CLICK HERE.

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It was my wife’s birthday this weekend. Roughing out the cover again. 9/11 interview cartoons.

September 15, 2011 in ART, FAMILY, THE SIMPSONS NEWS, VIDEOS

THE SIMPSONS NEWS

I managed to finish Act 1 on Monday morning.   I’ve been working on Act 2, pretty much for the rest of this week.  It wasn’t as heavy a rewrite as act one and I’ll be done by the end of the day today.  I’m not sure what I’ll be doing on Friday though.  I hope I can relax a bit.

FAMILY

Sept. 11th was my wife Alesha’s birthday.  So while everyone else in the U.S. is remembering the World Trade Center tragedy, my family is celebrating my wife’s birth.

I GUESS everyone loves Alesha.  MAN, we had tons of people come by and to say happy birthday. We knew that some of our family and friends would be coming by.  It was going to be nice to have a few people over. Thinking the whole time that it would be maybe two or three people, but no, it was my in-laws and my parents and Alesha’s best friends.  Our house got crowded REAL fast.  We didn’t expect it.

It was very nice though. Especially since, Alesha can’t really be out of the house while she recovers from her C-section.  She was very glad to have the company. She told me she had a good birthday.

Not only that, but many of her family members and friends got to meet baby Luke for the first time.

I was very happy to see that Alesha is so well loved.

VIDEOS

I saw these animated cartoons late last week.  They are animated audio recordings of people who are recalling friends and family who died on 9/11 at the World Trade Center.   It’s so moving.  Very powerful stuff to watch. I though I’d share:

http://vimeo.com/28700426 http://vimeo.com/28750995

ART

I’ve returned to the small rough of the cover I’m working on.  Now that I’ve practiced a bit and have a few painting under my belt, I thought it was time to give the cover another shot.

First, I needed to make sure I could paint fire.  I took one of the reference pictures I took of a red towel I lit on fire in my back yard, and painted it:

fire.jpg

I was mostly concerned with the fire itself and didn’t really try to make the towel look like the towel.  I think I got what I needed out of the painting.

Next I transferred my small rough pencils to the type of paper I’m going to use to paint on and I began the painting:

first-pass.jpg

This is the very first pass.  I simply put in all the blacks. The next step will be to add in all the dark grays, then the light grays.  Once I’m done, I’ll study what I liked and didn’t like about the process. See what I could the better. IF it doesn’t work out, I’ll do yet ANOTHER rough. On the other hand, if I’m happy with it, I’ll finally get started on the final painting.

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We welcome baby Luke home. Great head painting demo.

September 8, 2011 in THE SIMPSONS NEWS

THE SIMPSONS NEWS

Started working on episode 9 this week.  I’ve only got four days to work on my sections due to the holiday on Monday.  Started this week off under the gun.  I’ve been assigned Act 1 and Act 2.  The first Act has a pretty heavy rewrites.  It’s going to be a tough couple of weeks.  Especially since I’m still trying to recover from my very busy weekend.

More on that below.

FAMILY

the-kids.jpg

The kids welcomed their newest little brother, Luke Raphael, this weekend.

This delivery has been the best one we’ve had.  Everything went better than expected (as far as health goes). Alesha is doing great but she’s still recovering.

Thursday we asked my parents to help with the kids while we went to the hospital, ten minutes away, for Alesha’s planned C-section at 7:30am. We were instructed to show up at 5:30am, which we did.  She had been having contractions since the morning before.  The plan was for Alesha to have the baby while I supported her. Then once it was done, I was to go and take care of the kids while my mom went to work, late.  I would then drop off Elizabeth at school, and stay with the boys for the rest of the afternoon.  Wait for Elizabeth to get out of school, pick her up and take care of the kids the rest of the day.  Alesha was suppose to rest at the hospital.

Things went according to plan but not in the way we wanted them to.  The C-section started almost an hour late. That started messing things up right away.

They took Alesha in and then ten to fifteen minutes later, I was let in. I took out my iPod Touch because, it and my phone, where the only cameras I had. While I had the iPod Touch out, I played a game of Farkle and rubbed Alesha’s head.  Alesha and I were asked a few times if we wanted to have the sheet put down to see what was happening. The answer was, “no” from both of us.  It wasn’t too long before we heard the baby cry.  I got up, put the iPod on camera mode and shot video and photos.  I then shot photos on my phone and sent them to my parents.

They showed Alesha the baby. I held him and then they carted him off to the nursery while Alesha got stitched up. I watched as they examined and warmed up baby Luke and admired him.  Soon I became aware of everything else I need to do though.

The clock was ticking and I realized it was almost time for me to take Elizabeth to school.  It took a while for the doctor to sew Alesha back up.  This meant I couldn’t see her and to give her back her phone and make sure she was okay.  Also, I didn’t want my mom to be too late to work.  I was very conflicted.  Fifteen minutes later, Alesha was in the recovery room and I checked up on her. She was doing good.  I gave her her phone and told her I was going to need to go.  She gave me a groggy okay and I was off to my car.  Meanwhile Tweets and Facebook messages came pouring in. I had sent a Facebook update and Tweeted what was going on while I had been waiting.  I had no time to reply, too much to do.

Getting home I thanked my parents and they where off to drop my mom off at her school.  Meanwhile, I packed the kids into the car and drove Elizabeth to school. we got there ten minutes late.  But it was okay because it was recess. We went back home and I was able to catch a small breather.  I put Ambrose down for his nap and called Alesha.  I told her I would come by sometime in the morning but in the end I didn’t because I wanted Ambrose to rest a bit more.  Meanwhile, Dante played video games and ate apples. I did chores.

Ambrose woke up, we all had lunch and then we went to pick up Elizabeth at school. I thought that it would be nice for us all to go visit Alesha at the hospital. Turns out, it wasn’t such a good idea.  We showed up and visited Alesha but the kids where too hyper and crazy.  We stayed maybe five to ten minutes and I had to take the kids out of there.  I took them home and didn’t see Alesha again till 6pm the next day.

I spent Friday doing all the house chores that needed doing, feeding the kids and taking Elizabeth to school and back.  We also went to the store to find paper bags so Elizabeth could finish her paper bag puppet. I spoke to Alesha on the phone and she told me she hadn’t rested.  Her milk hadn’t been coming out fast enough and the baby was very upset about not getting enough to eat.  She kept him during the night and she had slept very little.  The nurses would come in every time she would fall asleep to check up on her and she was signing birth certificates and things while being all doped up.  She felt very lonely and I really couldn’t do much about it. My parents went to go see her in the afternoon though, for which I was grateful. The interesting thing was that when the doctor showed up to see her, he had told her that she was doing very well and if she wanted, she might be able to go home Saturday.  In the evening when I saw her, she told me this. I stayed with her till 8pm, and then came home, talked to my parents, who where taking care of the kids again.  This time at their house.  The kids were asleep when I got there. I took them home with me.

Saturday we all got up early, eat and off we went to Monica’s house (Dante’s Godmother), an hour and fifteen minutes away, so they could spent the day and the night with her and her son.  Although, I would keep Ambrose with me.  About, four hours later, I was back at home with Ambrose, and I fixing him lunch. I also got the house ready for the baby. I was just about to put Ambrose down for his nap (he was very tired) when Alesha told me that she was pretty much getting dismissed.  Off Ambrose and I went to pick up Alesha, only to end up waiting for two hours.  Ambrose was a handful.  Still, just about when I was ready to take Ambrose home, Alesha got dismissed from the hospital and all of us went home.  Ambrose was really happy to have a baby sitting next to him in the car.

We spent the rest of the day getting used to having the baby in the house and finding ways to make Alesha as comfortable as possible. Alesha’s parents came soon after we got home and my parents showed up soon after that. I put Ambrose to bed. After everyone left Alesha and I watched an episode of DOCTOR WHO on Netflix.  Then we went to bed and slept as good as any parent could with a newborn.

On Sunday, after I cooked breakfast for everyone.  I went to Church after putting Ambrose down for his nap.  When I came back, I woke Ambrose up and went to pick up the other kids at 1pm. They had a birthday party to go to at 4pm.  An hour and fifteen minutes later, Ambrose and I got to the house only to discover that Monica and the kids hadn’t come home from the Fair they were at.  They were stuck in a long line waiting for a shuttle to take them to their car.  An hour and a half later, they came and we all drove the hour and thirty minutes to the birthday party.

I was really tired at this point.  After a few hours of trying to keep an eye on all three kids, who split up and went in three different directions, I finally recruited my parents, who also were at the party, to keep an eye on the eldest two while I took care of Ambrose.  We stayed at the party past Ambrose’s bedtime and when I realized this, we said our goodbyes and went home.  The kids met their new baby brother once again, but this time in the house. They greeted their mommy happily. I put the kids to bed after giving them a quick bath (they were filthy), and finally got a little bit of rest. My feet were killing me.

Monday (Labor day) we spent the day resting.  Well, I tried to anyway. I was doing chores all day though. Laundry, dishes, breakfast, lunch, dinner. I played with the kids. Helped Alesha with the things she needed and took care of the kids when they need taking care of.  Carolina, Eduardo (Elizabeth’s Godparents) and the family came over to visit the baby and stayed for about an hour. It was nice to see them.  Soon after, I put the kids to bed and was time to rest for me again.  I went to bed early that day.

It was a busy busy weekend.

VIDEO/ART

Because I’ve been into painting these last few months, I thought this video of Herman Mejia painting Willem Dafoe’s Portrait in watercolor. Amazing:

http://vimeo.com/12842105

For more comic and stories written by me, CLICK HERE.

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Baby Luke’s birthday! Back on show 500 again. More painting practice.

September 1, 2011 in ART, FAMILY, THE SIMPSONS NEWS

THE SIMPSONS NEWS

I worked Sunday for four hour this weekend. Monday, Tuesday and Wednesday I worked twelve hour days.  Why? Because I’m not coming into work on Thursday and Friday.  I’ll tell you why in a moment.

Since I worked so much early in the week, I managed to get all my work done for the episode I was working on by the end of Tuesday.  This left me open to work on yet another episode. Seems there where some new rewrites for episode 500.  A few more scenes where added and the director of the show wanted me to take a crack at them. The section seemed simple but it was deceptively hard.  I did the most amount of work I could get done in the twelve hours I had. Tough Wednesday.

FAMILY

Why am I not coming into to work today (Thursday, Sep 1st.)?  Well, I hadn’t really announced it on this blog.  I least I don’t think I have, BUT, my wife Alesha has been pregnant all this time and she’s having the baby today (scheduled C-section).

Today will be the birthday of my son Luke Raphael Escobar! I’m so excited!

ART

I’ve continued to practice my painting these last few days. I’ve made a conscious decision to try to paint slightly more difficult subjects.  Subjects whose lighting is a bit more tricky to paint.  I was trying to build up to painting a pretty girl.

My first attempt was a painting of Bruce Lee. I picked it because it didn’t really have really black shadows. I was mostly dark grey and light grey tones.  I find these types of values much more difficult to control.  This is what I ended up with:

bruce-fail-01.jpg

Yeah, what’s up with the crazy chin?!  Bruce Lee FAIL.

Well, here’s what went wrong:  When I was doing the under drawing, I thought that perhaps I’d caricature the drawing, but I didn’t completely commit to the idea and I ended up with a really disproportionate drawing.  I didn’t really realize it until it was too late.  Serves me right for rushing the preliminary steps.

Unhappy with the result, I tried it again, this time trying to just do a straight drawing with not exaggeration. Once I had that done I thought I’d experiment with the painting approach.  Since the reference was mostly dark grey, I thought perhaps I should start by putting the dark grey down first and put the black in after:

bruce-fail-02.jpg

I quickly abandoned the painting.  I found I couldn’t put in the detail needed in the dark areas because I’d painted over my line drawing with grey. It actually was not very helpful to work this way (that, and the eyes where a bit too far apart).

I went at it again a third time. This time, I tried to get the likeness right and I approached the painting as I had been taught to do.  This was the result:

bruce.jpg

Much better. I could live with it.

Next I tried drawing G.K. Chesterton.  Mostly because I really like the guy.   The photo I used had a lot of dark grey tones in the face so it was very challenging:

chesterton.jpg

It came out okay but there’s something about it I’m not very happy with. Maybe because I didn’t get the likeness quite right, I don’t know.  It’s one of those pieces where my ambition for the painting and what I eventually painted don’t quite match.

The  moment of truth arrived. I was going to draw a pretty girl’s face.  I looked online for a head shot of a pretty girl that had lighting I thought I could work with.  I found one of Keira Knightley I thought would be good and proceeded to paint it:

keira-fail.jpg

…and had an EPIC FAIL.

I knew going in that the best approach for painting a pretty girl is, “less is more”.  The reference I was using had a lot of light grey tone in it.  I had the painting at a certain degree of finish and I though I’d try maybe putting in a little light grey tone.  Unfortunately it was a tad too dark and there’s no “undo” button on a practical painting. I tried to “save” the painting by making the dark grey areas darker to make the light grey look lighter.  It only made things worse.

Well, having learned from my mistakes I tried it again. This time I took the “less is more” approach:

keira-02.jpg

It turned out okay but somehow I thought it didn’t look finished.  I still wanted to add some value to light areas so it didn’t look so washed out.  But I didn’t want to screw it up. I scanned the painting so I could at least have a copy of what it looked like before I added the light grey and then went ahead and applied the light grey:

keira-03.jpg

I don’t really think it looks any better. I think it looks worse. Too many brushstrokes. It makes her look old.

Still, I’m learning.  I’ll need to practice this some more. I don’t have the hang of this painting thing yet but I’m getting there. Next time I’m going to pre-plan the rhythms on the face a bit better. That way, the strokes I put down better define the planes and aren’t so muddy.

Perhaps, next week, I’ll start working on the roughs for the cover for my wife’s book again.

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Working on an episode without a Director. Finally a painting breakthrough! Tips on face rhythms, planes and tones.

August 25, 2011 in ART, Featured, THE SIMPSONS NEWS

THE SIMPSONS NEWS

Working on a new episode this week.  It’s a really good one.  Too bad I can’t talk about it since it wasn’t mentioned in The Simpsons Comic Con Panel this year.

This week started off slow because the director of the show was out sick Monday and Tuesday.  I got as much done as I could but at some point, I needed the director to look at my roughs in order to get them approved.  Luckily he showed up on Wednesday and I got him to approve my roughs.  Still, it did put me a bit behind.

ART (Part 1)

I showed my friend and “art Sifu” Paul, my preliminary paintings last week. The ones I posted on last weeks post.  He didn’t have anything good to say about my work.  He didn’t say anything BAD about it. He just didn’t say anything positive.  Instead, he asked me what kind of paper I was using.  When I told him it was smooth pastel paper, he asked me why I was painting on it.  He then told me that smooth paper is lousy for Gouache painting.

Sigh.

Well I didn’t KNOW that.  I was using it because it was tinted.  After a long talk about the merits of using rough paper for Gouache he changed the subject to my painting.  He basically told me to STOP painting the same thing over and over and try painting something else.  That way I could tackle the book cover I’m working on with fresh eyes. Also, I might learn something painting something else that I wouldn’t if I kept painting the same thing over and over.

He told me that I have to work on my planes in my painting.  This, to me, is very tricky because I sometime know what that means and sometimes I don’t.  He suggested that I should try copying an Andrew Loomis drawing and paint it because he’s so clear about putting in planes in his drawings. He also showed me the work of concept painter Nathan Fowkes  by showing me his blog (more about this in Part 2).   I went back to the drawing board, determined to work on better paper and clearing up the planes in my paintings.

I had some rough two ply Bristol boards I had bought years ago that I didn’t have a use for and suddenly I did. So I brought them in to work and at lunch I began to paint. I painted an Andrew Loomis drawing like Paul had suggested I should.  I put down a wash of gray paint, mixed my paints, and began paint with them.  The painting on the right below is the result:

failed-paintings.jpg

Pretty awful right? I didn’t really know what I did wrong.  The one thing I thought didn’t help was that the drawing I was using didn’t have enough detail for me to understand what was happening in the light areas.  So I thought I’d  use a photo for my next attempt.  I did and the result was the awful painting above on the left.

Okay, at that point I was a living ball of frustration.  What was I doing wrong?  I KNOW the THEORIES behind tones, planes, rhythm, construction, light and shadow.  Why couldn’t I apply this to painting? Why couldn’t I paint?

Paul walked into my office just as I sat there looking defeated at the painting above.  He kinda looked at my work horrified.  He didn’t say anything negative, he just didn’t say anything.  So in order to break up the awkward silence, I vented.

He then said this,

“You know, if you mix white Gouache with black Gouache, you get a cool grey.”

WHAT!? I didn’t KNOW that.  Usually cool colors are best in shadows not in light.  One of the MANY problems with my painting was that I was putting cool colors in the light areas as well as the dark. BAD.  It wasn’t until he told me that I saw it.  So I turned to him,

“So if I wanted to get a neutral gray, I would need to simply water down the black and NOT mix in any white?”

“Yes.”

“But I put down a gray wash already, how do I get white?”

“Don’t put down a gray wash.” Then he pointed out, “It looks like you’re trying to do a wash AND an opaque styles at the same time. You should pick only one to do. It will be easier for you. On top of that, you picked a pretty girl to paint. Portrait painting is difficult enough as it is, and you’ve picked the most difficult subject to paint on TOP of that difficulty.  It’s more difficult to see the planes of the face on a pretty girl.  Learn what they look like on a subject you can see them in, then once you’ve GOT IT try painting a pretty girl.”

I had thought that, since the book cover I was going to paint, had a woman in it, I’d try painting a woman. Guess I thought wrong. I knew Paul was right.

Finally, he turned and looked at me,

“You want me to give you a painting demo?”

“PLEASE!”

“Okay,” so he sat down, found a picture to use that was in the office, took the paper I’d been using, my brush, my paint and began to work. “The first critical part of a painting is getting the drawing down right (if you’re doing a drawing in the first place).” He then began to draw, using the same theory of drawing that we’d both been taught in our figure drawing classes.  Specifically, our Reilly Method classes (that method is especially good for painting). He made it a point that he was using the pencil to draw the planes of the face. Specifically designing the darkest dark parts of the face. He DID put in a few planes from the dark gray parts of the face, but only in order to define the planes and rhythms that where necessary to clarify the drawing (for more on tone, planes, and rhythms of the face, see Part 2 below).  Once he’d had done his careful drawing, he began to paint it.

The first thing he did, was paint the darkest areas of the face.  This, to me, seemed very familiar. It looked to me as if he was inking.  I do that all the time, so watching him do this, made sense to me.  He made sure I noticed that he painted the blacks in, using the planes he had mapped out.  Once this was done, the drawing almost looked done.  It was very well defined and it was only black and white.  He then began applying the paint in the dark gray areas of the drawing and ONLY in the dark gray areas.  Again, he followed the planes of the face as well as the rhythms of the face. Then he began to adjust the edges, making some edges softer, firmer or leaving them hard.  Finally he began to add the light gray areas.  He adjusted more edges and balanced out the lights and darks a bit but he was pretty much done after about thirty minutes:

paul-demo.jpg

It was enlightening and annoying.  He had shown me how to do a wash but I didn’t WANT to paint with a wash technique. I wanted to learn to paint opaque.  He told me that it was much more involved to paint opaque.  That I should try a wash technique. Well, I thought it had looked intuitive and easier than how I’d been trying to paint so I agreed to try it.

The next time I sat down to paint, I picked a photo with some good contrast and a subject with plenty of character, so I could see the rhythms and the planes of the face.  I did the process exactly as I’d seen Paul do it, and this was the result:

hitchcock-painting.jpg

FINALLY a painting that looks okay!  And it turned out to be very intuitive to boot. A lot more like what I usually do in a figure drawing class. I’m going to continue practicing the wash technique for the rest of the week and then I’m going to see about finishing up my wife’s book cover.

ART (Part 2)

In what I wrote above, I summed up what happened in a nut shell. There is a lot of things I glossed over.  Some of the things I haven’t written about have to do with a LOT of things I was taught in figure drawing classes over the years.  While other things I did was look at some work by other artists, like Andrew Loomis (whom I did mention). So just to clarify, I’ll quickly go over somethings that might not have been clear about some drawing techniques Paul and I use. I’ll also point out some great art I was looking at.

First, a quick explanation about what I mean when I write about the “rhythms of the face”.  According to the Reilly Method of drawing and painting, the face has rhythm lines that look like this:

reilly-method-face-rhythms.jpg

This is basically an abstraction of bone, muscle, and planes intended to help artists harmonize and unify drawings or paintings of faces. If you look at Paul and my paintings above, you can see us following the rhythms in the chart.

One of the things I studied were the drawings and paintings of Nathan Fowkes. Below are the specific drawings in his blog that I took a look at and studied in order to wrap my head around how I should use values and facial rhythms.  Pay attention to the fact that Fowkes  also does the drawings just like Paul painted his painting, starting with the darkest part of the drawing, then working out the dark gray areas, and finally the light gray areas, finishing the drawing by refining his edges.  Also notice how he uses the head rhythm abstraction to define his planes:

August HEAD DRAWING DEMO 1

August HEAD DRAWING DEMO 2

CHARCOAL DEMO

August WATER COLOR DEMO

HEAD DRAWING DEMO 3

In case you’re wondering, I’ve written about the use of edges and tone before but for those of you who missed that post CLICK HERE to read about that subject. But in case you don’t want to, here’s the best part of the post:

paul-wee-tonal-handout.jpg

For more comic and stories written by me, CLICK HERE.

If you like what you read, please consider signing up to my rss feed.

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This blog is your window into the daily life of a Simpsons artist. See what it's like work on a hit TV show!

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